Graphe

progetto originario creato con bespoke nel  2023.. dal quale sono derivate diverse elaborazioni in ableton l'anno scorso.. seconda versione
soggetto ad ulteriori elaborazioni

Cieli di settembre

cieli di settembre.aif

Fuck bombs, fuck war, fuck it all. Anywhere and everywhere.
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FoF: drums, piano

Make it make sense

"Hash Tepee"

So It Was

Pneumatic

Acousmatique.

Musique & Photo : Shih-Lin Hung（洪世霖）



Étude concrète n°2 [2025-09-10]

Soft Departure is a piece born from the need to preserve the inner fire in an environment where relational and professional dynamics tend to wear it down. It explores the gesture of quiet withdrawal, not dramatic, not reactive, simply the choice to stop investing where energy no longer flows. Built around a warm, enveloping bass played on my Crave, the track acts as a guiding thread through a soundscape that can be unstable at times. It evokes the act of staying present without being pulled in. A form of inner persistence in a noisy world. This is a work of conscious disengagement, a way of saying: “I’m still here, but I’m no longer playing the game.”  Soft Departure is also a tribute to those who choose to leave without noise, to step away without war, and to keep alive what doesn’t need to shout.

🙏🏻

Soft Departure

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The Sickening Sickening Part: This Isn't About (Never Say No to the Client)

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music is the work city by night by the JUNGLEPUNX
written, arranged, played, mixed, produced, courtesy of,
and provided by the JUNGLEPUNX

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vocal arrangement, final mix by fictionalive

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artwork illustration by peter uertz, düsseldorf / germany

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fusion of it all - 
fictionalive with the popoems series and the hyper media reports

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emergency drop
monday, september 15, 2025
6:46 am central european 
hot summer time zone, 
closer and closer to the
no-zone, the future 
riviera resort

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The Sickening Sickening Part: This Isn't About (Never Say No to the Client)

Production & mastering by BotNikStudio2, Bottna, Sweden.

HIGH AGAINST A CLOUD

Enjoy this with the visuals on the halF unusuaL YouTube channel at https://youtu.be/wkS2xkqAu-Y ... 

We recently unearthed a VERY rare set of tin cylinders with some of the creations from my unusually great uncle - dated 1910! I've taken the opportunity to riff on top of his proto-EDM - with sounds WAY ahead of their time! No way would they have found an audience in his lifetime ... Let's try again 😜

Family legend has it that my Great Uncle Crackleton P. Valve was not so much born as assembled! His crib rattled with loose copper coils, his lullabies were hummed through wax cylinders, and his first word was said to be a faint but distinctly glitchy “bzzzzzt” ...

By the turn of the last century, when most men were proud to own a sturdy hat, Uncle Crackleton was already soldering strange contraptions in the garden shed, where every evening the glow of red-hot valves spilled out into the hedgerows. He refused to play the piano “like a commoner,” preferring instead to hammer phonograph needles against tin cylinders until they shrieked, warbled, and sang with a peculiar beauty only he seemed to understand.

The neighbours swore they could hear his experiments late at night: a ghostly stutter of sound, like church bells melting, or a brass band tumbling downstairs. He called it Music of the Future, although others called it a dreadful racket.

It’s said he once built a mechanical echo chamber out of two bathtubs, a bicycle pump, and a dozen mismatched radio valves. When he cranked it up, it produced a looping hiccup that terrified the vicar's cats and made their milk curdle. Even so, he declared it his masterpiece.

Though none of his recordings were thought to have survived, until now (most cylinders were repurposed as makeshift candle holders), family lore insists that without him, modern glitch music would not exist. Every time a record skips, a tape warbles, or a speaker crackles, somewhere, faintly, Uncle Crackleton P. Valve is smiling.

More on the 717th weekly Disquiet Junto project, Generation Gambit — The Assignment: Layer two eras of recordings, one of them imaginary — at https://disquiet.com/0717/

visuals (YouTube)

halF 1910 [disquiet0717]

Welcome to halF unusuaL, an evolving space inspired by play in the spirit of ‘hai’ (meaning “fun” or “unusual” in the word haiku). Here, improvisation connects the unexpected, mining the boundary between music and non-music to shape sound worlds that feel oddly familiar in their oddity. Listen freely, explore deeply, and for the sounds to live for your eyes as well as your ears, please stop by the YouTube channel. Thank you for joining this journey! Your support helps keep this afloat ... and is HUGELY appreciated 🥰