A Good Half Cup Of Bleak

lyrics:

Here's a scene
A local open mic
Who cares where, they all seem to be alike

Oh thank God
Good thing you're here
'Cause I need another Neil Young cover in my ear

You ask me
Do I know this song
I totally do but you insist that I'm wrong

So buy a ten-dollar beer
And kick out the jams
'Cause I'll bet you wish Abigail Devoe had an OnlyFans

You do your set
And get your kicks
I think I seen those stage moves in a video from '86

I do my thang
Some song about wangs
Just an insult to art, an unmusical harangue

But there's a chick on YouTube
Who understands a real man
A dude who wishes Abigail Devoe had an OnlyFans

You don't get
My major depth
The wideness of my artistic breadth

At least back home
You got stuff to hold
With ancient seeds and stems in the crack o' the gatefold

But at the end of the night
With yo' wiener in hand
Wishin' that Abigail Devoe had an OnlyFans

Just dreamin' of Abigail Devoe on OnlyFans
A classic beauty that don't over-tan
Wrapped up in a vintage caftan
A woman that appreciates a well-made flan
Sendin' you her socks for only a grand
Just don't admit that you eat so much bran
Or still drive around in that Chevrolet van
If only the plans in your head would pan
Out

Abigail Devoe OnlyFans, Pt. 1

Crab Dinner At The Lighthouse

Disquiet Junto Project 0643: Stone Out of Focus
The Assignment: Make music inspired by a poem.

Step 1: This project is inspired by a brief poem by Yoko Ono, in which she wrote, “Take the sound of the stone aging.” Consider that sound.

Step 2: Record your impression of the sound of stone aging.

Background: This week’s project is based on a text by Yoko Ono, originally published in her book Grapefruit 60 years ago, back in 1964.

Freely inspired by:  
Singende Steine Rhythmus-Studien an drei katalanischen Kreuzgängen romanischen Stils By Marius Schneider · 1955

Singende Steine II(disquiet0643)

The cormorant in the forest;
The cherry blossoms
Along the evening path.

Tan Taigi was a haiku poet of the Edo period. He was a wanderer for most of his life and admired by Yosa Buson for his ability to transcend his eclectic and unconventional lifestyle with sublime poetry.

haiku by Tan Taigi: https://wkdhaikutopics.blogspot.com/2009/08/tan-taigi.html

For more information visit http://www.naviarrecords.com/about/naviar-haiku

more halF unusuaL

halF cormoranT [naviarhaiku539]

PORTRAIT OF A PUMPKIN

Hammers

built a chord from a square wave into a clock divider and mixing 4/5/6/7 divisions back together, each division vca with a random looping envelope

as per the prompt, run through a high pass filter to keep things bright and breezy

mult the result and pass copies, again independently random envelope vca, through various effects (delay, granular, reverb) and mix back together

--

More on the 647th weekly Disquiet Junto project, Day Drone — The Assignment: Make some daylight drones for Drone Day — at https://disquiet.com/0647/

The original image associated with this project is by Guillaume Pelletier, used with a CC BY-SA 4.0 license.

https://commons.wikimedia.org/wiki/File:Drone_bee_(32-image_macro_stack).jpg

https://creativecommons.org/licenses/by-sa/4.0/deed.en

disquiet0647 - one chord drone

The Assignment: Make some daylight drones for Drone Day.

Step 1: May 25 each year is Drone Day, more about which at droneday.org. This Junto project begins before Drone Day, on the 23rd, and ends after, on the 27th. So, take Drone Day in spirit if not as a calendrical certainty.  

Step 2: Think about drones, and the tonality they suggest.

Step 3: Think about making drones that suggest daylight instead of, say, darkness.

Step 4: Record a “day drone” in light of the thinking you did in Step 3.

More on the 647th weekly Disquiet Junto project, Day Drone — The Assignment: Make some daylight drones for Drone Day — at https://disquiet.com/0647/

day drone [disquiet0647]

2024-08-16

Atmospheric Disturbance

Old & short trial recording.

Photo by Krzysztof Hepner on Unsplash

Teledream

Welcome to halF unusuaL, an evolving space inspired by play in the spirit of ‘hai’ (meaning “fun” or “unusual” in the word haiku). Here, improvisation connects the unexpected, mining the boundary between music and non-music to shape sound worlds that feel oddly familiar in their oddity. Listen freely, explore deeply, and for the sounds to live for your eyes as well as your ears, please stop by the YouTube channel. Thank you for joining this journey! Your support helps keep this afloat ... and is HUGELY appreciated 🥰