Beautiful how the musical story reflects what's happening in the haiku

Deadline: 30th November 2022

All submissions to Haiku 464:

https://www.naviarrecords.com/2022/11/23/naviarhaiku464-from-the-mist/

To participate:
- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)
- When choosing a title for your piece also include the assignment number, for example “Title of your track (naviarhaiku110)”
To submit your track:
- If you’re a Soundcloud user, upload it on Soundcloud and send me the URL via private message, or tag me in the track.
- If you upload your music on Youtube, Bandcamp or anywhere else, upload your submission and then send me the link by email at marco@naviarrecords.com or contact me on Twitter, Facebook or Instagram
- If you don’t use any music platform, upload it to this Dropbox folder and I’ll include it in the weekly playlist. If you choose this option, make sure you include your name in the track’s title. www.dropbox.com/request/JvKyUfuCSzJ3gRNRocZz
Your track may be included in Naviar's weekly podcasts and free (pay-what-you-want)compilations. If you can, please set the track as downloadable on Soundcloud and allow others to remix/reuse it by using a Creative Commons License.

Naviar Haiku Challenge: www.naviarrecords.com/about/naviar-haiku
Naviar Records store: www.naviarrecords.bandcamp.com
Subscribe/support the project: www.naviarrecords.com/support-us/

haiku #464: from the mist / a boat for cutting reeds in the morning / has begun to emerge

a track by Marco Lucchi reworked by Mean Flow

Mean Flow & Marco Lucchi - Hamlet's Mill

It’s that time again

A moment of your time please [85]

Frozen dew gleams
Spiderwebs made stark
The cusp of winter

Beautiful Haiku by David Pattison

Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku

haiku by David Pattison https://twitter.com/DavidPa71415858

picture by Artur Pawlak https://pixabay.com/users/artellliii72-15900295/

Cusp Of Winter [naviarhaiku460]

Piano Explorations [8]

from the mist
a boat for cutting reeds in the morning
has begun to emerge

haiku by Mizuhara Shūōshi https://haikutopics.blogspot.com/2006/05/mizuhara-hana-no-ame.html

picture by Ricardo Gomez Angel https://unsplash.com/@rgaleriacom

For more information visit http://www.naviarrecords.com/about/naviar-haiku

framed Hegel

halF emergeD [naviarhaiku464]

This track was created for the Naviar Haiku group.
464 week haiku

https://www.naviarrecords.com/2022/11/23/naviarhaiku464-from-the-mist/

2022-11-24

From The Mist ( Naviarhaiku 464 )

Responding to NaviarHaiku of the week, based almost entirely on a short recording of plucking and bowing violin strings- resynthesized and manipulated entirely  in Metasynth

Harvesting Reeds in a misty River

Harvesting Reeds in a Misty River(NaviarHaiku464)

An edited original field recording made locally.

A Boat Emerges (naviarhaiku464)

Acoustic piano, classical guitar, bowed bass, infra-bass, electro-acoustic soundscape.

For this poem;

from the mist
a boat for cutting reeds in the morning
has begun to emerge

haiku by Mizuhara Shūōshi 
picture by Ricardo Gomez Angel

From The Mist (naviarhaiku464)

https://caterpillarrec.bandcamp.com/album/transparent-forms?fbclid=IwAR2MDtUAVEyTzpVchoR3fwAMPJ5VHkhc6Qsdyf_xPuVaN_SZn_5DltuNFw0

Transparent Forms - Nick Ashwood - Cat 010 

Composed in 2022 for Microfest, an annual microtonal festival hosted by Kraig Grady and Michael H Dixon. 

Transparent Forms is Nick’s first group composition following on from his 2020 solo piece Unfolding/Overlay, (Inexhaustible Editions 027). Amanda Stewart wrote in the liner notes to that: “Enfolded in the shifting tones, our ears are at the edge of themselves.” With this new work, he continues this interrogation into the edges of harmonicity and perception. Frequencies from bowed guitar, flute and clarinet burst away from any notion of a stable lattice to reshape our understandings of intervals and chords, and our listening is continually surprised and delighted by the 'tastes' and 'colours' that are revealed. 

The instruments dissolve into each other to create an unrecognisable timbral unity where melody emerges from harmonic clouds.
credits
released December 2, 2022 

Laura Altman - Clarinet 

Jim Denley - Flute 

Nick Ashwood - Acoustic Guitar 

Recording at Tempe jets by the group, Tuesday 14th June 2022 
Mixed by Jim Denley

Transparent Forms

“Ganzfeld: imposing a uniform space over the entire visual field. By altering your sense of sight you deprive your brain of sensory input. It begins to improvise. This may produce disturbing hallucinations. Some researchers also believe it also enables extra sensory perception.”

Made in AUM on IPad. No keyboards harmed in the making of this piece.

Ganzfeld Effect

ocean breeze

Timeless Voices: Songs That Speak Across Generations

Timeless Voices is a thoughtfully curated collection of iconic songs drawn from musical theatre, sacred music, film, and classic popular repertoire. Each track has been recorded with care and respect for the original work, while allowing space for personal expression and emotional connection.

This album brings together music that has comforted, inspired, and united people across generations — songs of hope, faith, longing, celebration, and reflection.

Featuring:
Can You Feel the Love Tonight, We’ll Meet Again, Somewhere and America (from West Side Story), I Don’t Know How to Love Him, Big Spender, How Great Thou Art, Stars and Stripes, If I Can Dream, and When a Child Is Born.

These recordings are intended for relaxed listening, reflection, and moments where meaningful music matters.

Thank you for listening and for supporting independent music.

— Richard Ellis Hawley

Somewhere

New Linear Music
Code SACEM :111680406667

ANAGRAMS

anakaramu - romain deschamps - decembre 2025

Welcome tσ th!s εvσlving space … inspired by thε playful sp!rit of hai (meaning “fun” or unμsuΔl, like in haiku) …

I dig around thε edges t0 uneΔrth non-mμ§ic musics — sliding into nσ!§ε, glitch, chΔnce, Δ$MR, and σther soundwσrlds that feel oddly familiar in their oddity …

✨👂 L!§†εn cΔrεfu!l¥ … 👀 εxplσrε dεεpl¥ … 🎵💫

And for the full hΔlF unμ§uaL trεΔ†ment for your eyes Δs well as your εars, check σut the Yσutubε channel… ░▒▓█ ᵒ(≧▽≦)ᵒ ░▒▓█▒░

Thanks f0r joining thε journey! Your support kεeps this all afloat — HUGΣLY Δpprec!Δted 🙏🥰

(o≧▽≦)o ♪ ♪ ░░▒▓█▒░▒▒░▒▓█

Naviar is a music community and label. Through regular publications, open projects and events, we explore the connection between experimental music and traditional Japanese poetry.

To join the Haiku challenge, visit https://www.naviarrecords.com/about/naviar-haiku

halF emergeD [naviarhaiku464]

halF unusuaL

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