MS294

Found Something Strange In The Desert

Persistently I stare
At the moon
Still I cannot hear

haiku by Sugiyama Sanpu https://wkdhaikutopics.blogspot.com/2012/10/sugiyama-sanpu.html
picture by Guzmán Barquín https://unsplash.com/@guzmanbarquin

For more information visit http://www.naviarrecords.com/about/naviar-haiku

fishnet stapler

halF persistenT [naviarhaiku343]

persistently I stare
at the moon
still I cannot hear

naviarhaiku343: persistently I stare

track 1 of the new album Ozed.  All up on Bandcamp already

gumusservi
the light of the moon as it shines upon the water

gumusservi

Equipment:YAMAHA Reface CP,Cooper Fx Outward V2,Chase Bliss Audio MOOD,Chase Bliss Audio Blooper,Electro Harmonix Analogizer,BOSS RV-5

lukewarm

Nature sounds were recorded live today from my residence.
This track was created for the Naviar Haiku group.
346 week Haiku.

https://naviarlab.tumblr.com/

https://www.naviarrecords.com/2020/08/19/naviarhaiku346-pause-pause-pause/

OneAmbient4 - A Crescendo Of Silence (Naviarhaiku 346)

Live improvisation by
Daniel Diaz, electric bass
André Charlier, drums

For this Haiku:
"two voices that sound alike
make their way...
clouds of blossoms"

Haiku by Kobayashi Issa
Photo by Igor Karimov

Two Voices On The Wild Side (naviarhaiku347)

Marco Lucchi : piano
Susan Matthews : electronics

a rework by Susan Matthews of some previous tracks by Marco Lucchi

for "piano patterns", a project by Marco Lucchi
https://soundcloud.com/marcolucchi/sets/piano-patterns

settembre 2020

Marco Lucchi & Susan Matthews - piano patterns (combinations)

Created by DD on Friday October 23rd 2020
Synthesizers (8 tracks, mostly arpeggiators)

for this challenge: Creative Destruction
The Assignment: Show how you got to a tortured sound.

Step 1: Through some multi-step process, arrive at a complicated, tortured sound. Keep track of how you got there.

Step 2: Record a piece beginning with the end result: that complicated, tortured sound. Then transition to the start of the process and build back up to the end result, slowly repeating how you got you there.
https://llllllll.co/t/disquiet-junto-project-0460-creative-destruction

I created a very slow nice and tame, sequence with several arpeggiators playing complementary riffs in C minor. 

To produce the tortured sound I just accelerated the master 6X.

I respected the instructions, so it is in mirror:
Chaos/Fast - Calm/Slow - Chaos/Fast 
This is how it goes, for the tortured souls that really want to listen to this:
00:00 Count down
00!01 Start at  fastest tempo, all tracks playing at once
00:12 All tracks playing, slow down starts
00:27 Slow tempo, tracks start to mute one by one
00:59 Slow tempo, basic track remains and the build up starts, each track (re)entering in turns
02:27 All tracks playing
03:10 Acceleration starts
03:39 we arrive to the beginning's tempo, and finish

photo: bicycles, scooters and other things taken back from the bottom of the Seine river in Paris 2020.

The Construction And Deconstruction Of Chaos (disquiet0460)

I remixed/remangled/reimagined a previous ice-originated piece, one that had already been through numerous incarnations, all based on my original ice recording in 2013 (I think).

Interestingly, you can still hear moments of tinkling iciness buried in the noise…


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The Assignment: Record the sound of ice in a glass and make something with it.

Welcome to a new year of Disquiet Junto communal music projects. This week’s project is as follows. It’s the same project we’ve begun each year with since the very first Junto project, way back in January 2012. The project is, per tradition, just this one step:

Step 1: Please record the sound of an ice cube rattling in a glass, and make something of it.


More on this 471st weekly Disquiet Junto project — Phase Transition / The Assignment: Record the sound of ice in a glass and make something with it — at:

https://disquiet.com/0471/


Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Glacial phases [disquiet0471]

Welcome to halF unusuaL, an evolving space inspired by play in the spirit of ‘hai’ (meaning “fun” or “unusual” in the word haiku). Here, improvisation connects the unexpected, mining the boundary between music and non-music to shape sound worlds that feel oddly familiar in their oddity. Listen freely, explore deeply, and for the sounds to live for your eyes as well as your ears, please stop by the YouTube channel. Thank you for joining this journey! Your support helps keep this afloat ... and is HUGELY appreciated 🥰