As promised, here's the completed version of Release.

Release (Final Version)

I Can Kill With A Word

long live the fighters

HATE CATZ

Slick Willy Sim Sim Sala Bin

🌟💥💗

Abstract

A recurrence of the Carrington solar storm event would have a significant effect not just on technological infrastructure. However, the complexity of the solar storm's repercussions on the food shortage crisis is critical since the world is now confronting food scarcity. Our anticipation of Solar storms is based on the crucial factors determining that extreme Solar storm occurrence. IMF-Bz, with its southerly orientation and negative polarity, is one of the defining variables for the event of intense Solar storms. The most important part of our approach to interpreting the Quran is establishing a tie between pertinent literature and the Quran. Thus, we follow Plato's instruction in the cave allegory; the Sun should enlighten us upon departing the cave. In verse (18:17) of the Cave chapter, the term [ṭalaʿat] that follows the word Sun signifies the Sun's position at the zenith. The second word [tazāwaru] designated the negative and southward direction of the IMF. Therefore, our anticipation that an intense CME would impact earth at the Sun at Zenith on 23 September 2022, about 5:07 UTC. In addition, hitting the earth's upper atmosphere is likely by a Solar flare that will coincide with the Sunset from the word [taqradum] that signified the Sun emission of the Kα Iron line within our approach. So, it is likely Solar flare coincides or precedes CME in striking the earth's upper atmosphere.

(We'll see.)

Flare

Paper lantern bright,
Floating in the dark night sky,
Guiding spirits home.

haiku by Stan Magendanz https://soundcloud.com/boson_spin

picture by Melanie Magdalena https://unsplash.com/@m2creates

For more information visit http://www.naviarrecords.com/about/naviar-haiku

spiral shift

halF spiritS [naviarhaiku472]

naviarhaiku473 – sudden breeze

sudden breeze
every strand of the spider’s web
in tune

Mark Miller is an award-winning poet and photographer who has published four books of poetry, the latest being Light and Counterlight (Ginninderra Press, 2020), a selection of his haiku from over 400 that have been published in international journals and anthologies. His haiku have been featured on buses and trains, on the walls of a public swimming pool, and on art installations in parks and malls. Mark lives in Shoalhaven Heads, Australia.

Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku

Deadline: 1st February 2023

haiku by Mark Miller

picture by Tamas Kolossa https://unsplash.com/@kolossaphoto

Sudden Strand Tune [naviarhaiku473]

Disquiet Junto Project 0580: Evo Evol Evolve

The Assignment: Record a piece of music that develops like an organism evolves.

Step 1: You’re going to record a piece of music informed by evolution. Think of stages of evolution, perhaps choosing a specific animal or other life form that evolved over time.

Step 2: Record a piece of music that evolves as it proceeds, based on the patterns (phases, stages) you explored in Step 1. And yes, animals that went extinct are a potential subject.

===

Track notes:

I took my inspiration from the long evolution of insect species on the planet, considering the vast scale of evolution from primordial epochs up to the present, where insect species are front-and-centre in the Sixth Great Extinction of the late Anthropocene.

SuperCollider came to mind again as a tool for realisation, since I had ‘traditional’ forms of ‘computer music’ in mind - especially Bernard Parmegiani’s epic La Creatione De Monde (1984)

Now, obviously I don’t have a) a year up my sleeve; and b) the coding faculty in SC to pull off such a gargantuan feat, but I thought it might be a cool point of reference that I could fold into my current understanding (as a beginner) in the SC environment.

Recently I got to grips with buffering audio samples and using sequences to control various patterns - both melodic and percussive. I created a couple of dictionaries of short percussive samples (kalimba, woodblock and guiro) as well as instantiating a couple of Synth objects that produce pure waves. The percussive sounds turned out well when triggered, sequenced and manipulated and I liked the interplay with the pure waves.

My track is a bit longer than my usual submissions (~6 mins) but I thought I needed a decent span of time to realise a time compression of a few hundred million years of evolution.

For the realisation, I live-coded from the initial script (see GitHub link below) and then adjusted various parameters, arguments and variable throughout. The idea was to start amongst the matter of the cosmos and then gradually render a semblance of life on Earth. Eventually, an abundance takes form, before the insect population starts to diminish at the close. It not strictly a linear progression; rather, a fairly wobbly negative exponential progression. I’m still getting to grips with controlling instruments on the fly in SC, but I think I’m improving.

I was happily surprised when I saw the spectrogram of this track. Its progression of blobs, smears and flurries of activity over a time series seemed fitting!

https://github.com/TristanLouthRobins/Supercollider/blob/main/junto0580-evo_compressor.scd.scd

[Disquiet_Junto_0580] Evo Compressor (w/SuperCollider)

this is my version with instrumental additions on Paul's open collab offer: https://soundcloud.com/paploviante-and-friends/ocean-air-paploviante-open-collab-offer ... It's been wonderful to get the stems with more freedom to create. So with a few modifications and of course my EWI solos / violin and flugelhorn.
Paploviante: Bass, Drums, pianos, strings, ambience & arrangement
myself: EWI Violin & Flugelhorn; effects, final mastering

Ocean Air / by Paploviante / with joerxworx

Disquiet Junto Project 0591: The Loneliest Number
The Assignment: Record the first third of a trio.

I started with a track I'm working on since months and which does not work for me. I threw away all but what was originally some kind of Rhodes basis. I rearranged it until I liked it more than the original fully instrumented version. It's now Dmin with only two 4-bar-progressions to Gm and back. It's 90bpm, 6/4. I see plenty of space for Drums, Leads, Vocals, Noises - have fun, if you like ;-)

--

Track cover: DALL·E "worm waiting under a clock, vermeer painting"

--

More on this 591st weekly Disquiet Junto project, The Loneliest Number (The Assignment: Record the first third of a trio), at: https://disquiet.com/0591/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0591-the-loneliest-number/

The Patient Earthworm [disquiet0591] (The Loneliest Number)

method: deliberatly not taming a wildernis of sound. to understand the words, you may read along here. 
narration: reading the theories of Timothy Morton had been my main consolation at the time of writing. there is an interlinear English version below the original
picture: created with gimp, putting a playmobil figurine to good use

poem / copyright jo richter
(as published in die odradek variationen):


seit zwölftausend jahren jäten wir unkraut aus
wüten gegen wildwuchs, wandeln wildnis in weide
sind gärtner der erde, den wölfen ein wolf
entfesseln elementare zivilsationsphantasien


trotzen stolz dem trauma der selbstbemächtigung
als endosymbiontische eukaryonten
schaffen uns ein gedeihliches exomilieu
das uns taub, tumb, stumpf, verwirrt, irr und wahnhaft im


straßenlabyrinth nach satellitensignalen
autonom heimwärts bewegt. da ist kein außen
für das wir nicht blind sind, da ist kein innen, das wir
nicht regeln, denn die parole heißt über-leben


und was uns befremdet muss todbringend sein und
nur ein nachhall davon darf uns in dichtungsklang
rühren, als reife eine sehnsucht nach echtharmonie
aus dem einklang unseres weltschaffens hervor

interlinear:
mowing // for 12000 years, we have been weeding / fighting wild growth, turning wildernis into pasture / have been gardeners of the earth, a wolf to all wolves / releasing elementary phantasies of civilization // proudly rising up to the trauma of self-empowerment / as endosymbiotic eucaryonts / creating a hospitable exo-environment / making us walk the maze of streets deafly, mindlessly, bluntly, desorientatedly, madly and delusionally // following satellite signals / taking us home autonomously, there is no outside / we aren‘t blind for, there is no inside, we / aren‘t regulating, for the call to action is sur-vival // and what appears to be alien has to be lethal and / only its faint resonance may touch us in poetry / as though there was a longing for real harmony / growing from the monophonic din of terraforming

mähen

Disquiet Junto Project 0601: Hard Six
The Assignment: Let a roll of the dice determine the relative prominence of various parts of a track.

Basically made six tracks filled with different loops of about 20 seconds. Randomly chose between 1-6 for each track to determine how many loops would appear.  Then organized the result in a way that seemed to work compsitionally.

More on this 601st weekly Disquiet Junto project, Hard Six (The Assignment: Let a roll of the dice determine the relative prominence of various parts of a track), at: https://disquiet.com/0601/

The project was inspired in part by recent correspondence with Junto participant Robert Precht. More to come in that regard.

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0601-hard-six/

Harte Sechs(disquiet0601)

Newest song from Kevin Robert's upcoming album "Here For Now" coming soon. 

Kevin Robert - In The Groove

Thanks for stopping by - please enjoy what you hear! 🤗 Any time you want to look as well as listen, head over to the YouTube channel ...

Apparently, the ‘hai’ in ‘haiku’ translates to ‘joke’, ‘fun’, or ‘unusual’, which is part of the inspiration for the odd name of this venture; an evolving project nurtured by Darren Bourne, in collaboration with countless others, past and present. The ongoing obsessions of halF unusuaL are improvisation, chance and the music / non-music boundary, with the aim of (impossibly) creating sound worlds never heard before ... Thank you so much for your support 🥰

halF spiritS [naviarhaiku472]

halF unusuaL

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