Vocal Sample - Patricia Edwards - I Do - Today Is The Day [
https://www.looperman.com/acapellas/detail/14802/i-do-today-is-the-day-by-patriciaedwards-128bpm-house-acapella ]

Re- Sequencing - X I I I X X I via XiiixxiQ

More on this 591st weekly Disquiet Junto project, The Loneliest Number (The Assignment: Record the first third of a trio), at: https://disquiet.com/0591/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0591-the-loneliest-number/

The Loneliest Number

Disquiet Junto  | The Loneliest Number - disquiet0591

Sensing amongst evening Trees

24-12-29

All acoustic percussions performed by D.D. November-December 2024.

For this haiku:

on New Year's Day
everywhere, a corrupt world's
blossoms. 

Poem by one of the four great masters of Japanese haiku, Kobayashi Issa (1763-1828)

Photo by Annie Spratt

@naviar-records

a corrupt world's blossoms (naviarhaiku571)

split up a recording of ice in a glass into several parts - one part with rattling ice ended up frozen in a granular sampler's buffer, scrubbed through. two others triggered independently. layered in two other parts afterwards in ableton live - one just the ticking/sliding sound of the ice melting, with a lot of gain; the other layer is the glass being tapped.

--

More on the 679th weekly Disquiet Junto project, Ice Age — The Assignment: Record the sound of ice in a glass and make something with it — at https://disquiet.com/0679/


disquiet0679 - crystal grains

The Face Of The Insane

Ristun Fichusyt

on New Year's Day
everywhere, a corrupt world's
blossoms.

Among the four great masters of Japanese haiku, Kobayashi Issa (1763-1828) was the most prolific: during his lifetime he wrote over 20,000 haiku, hundreds of tanka, and several haibun.

https://www.naviarrecords.com/naviarhaiku574-on-new-years-day/

Corruptures [ naviarhaiku574 ]

This week's Disquiet Junto prompt, "Reverse Resolution", challenged us to finish something that we had left unfinished in 2024. 

During the holiday break I wrote a new piece for an upcoming album from my Sudre's Violin postpunk project, and just for fun produced it as a recording of a "rare live performance". My intention was to also record a canonical "studio version" of the song at some point. So why not now?

If you try to dance to this song, I will not be held responsible for any damages or injuries that occur. Features Yamaha piano, a lead instrument made from a tortured dobro sample, synthethic bass, hand-programmed drums, and some vintage pads. 

(If you want to hear the original "live" version, it's here: https://soundcloud.com/coralineada/the-puzzle-box-waltz-live)

More on the 680th weekly Disquiet Junto project, Reverse Resolution — The Assignment: Finish something (musical) you started last year — at https://disquiet.com/0680/

The Puzzle Box Waltz (disquiet0680)

An unpublished track from last year, finished with a few tweaks, additions and a touch of reverb, etc. Sounds created using Pure Data, PaulXStretch and Audacity.
More on the 680th weekly Disquiet Junto project, Reverse Resolution — The Assignment: Finish something (musical) you started last year — at https://disquiet.com/0680/

Finishing Touches (disquiet0680)

one by one
praising and withdrawing inside -
winter moon

Marco from Naviar Records couldn't find any information about a haiku poet whose pen name was Senjo. He came across this poem in The Penguin Book of Haiku, but there's no mention of his/her life or other works. However, he liked it so much that he decided to share it anyway and hopes you'll find it inspiring, too.

If anyone else has more information on this mysterious haiku poet, please get in touch with Naviar Records and they'll update the description.

Haiku by Senjo

To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

more halF unusuaL

halF withdrawN [naviarhaiku578]

Welcome to halF unusuaL, an evolving space inspired by play in the spirit of ‘hai’ (meaning “fun” or “unusual” in the word haiku). Here, improvisation connects the unexpected, mining the boundary between music and non-music to shape sound worlds that feel oddly familiar in their oddity. Listen freely, explore deeply, and for the sounds to live for your eyes as well as your ears, please stop by the YouTube channel. Thank you for joining this journey! Your support helps keep this afloat ... and is HUGELY appreciated 🥰