New track from Moss Covered Technology; forthcoming on Fluid Audio...

Dartmoor! thou wert to me, in childhood's hour, 
A wild and wondrous region. Day by day 
Arose upon my youthful eye they belt 
Of hills mysterious, shadowy, clasping all 
The green and cheerful landscape sweetly spread 
Around my home; and with a stern delight 
I gazed upon thee. How often on the speech 
Of the half-savage peasant have I hung, 
To hear of rock-crowned heights on which the cloud 
For ever rests; and wilds stupendous swept 
By mightiest storms; of glen, and gorge, and cliff, 
Terrific, beetling o'er the stone-strewed vale; 
And giant masses, by the midnight flash 
Struck from the mountain's hissing brow, and hurled 
Into the foaming torrent; and of forms 
That rose amid the desert, rudely shaped 
By Superstition's hands when time was young; 
And of the dead, the warrior dead, who sleep 
Beneath the hollowed cairn!  My native fields, 
Though peerless, ceased to please.  The flowery vale, 
The breezy hill, the river and the wood, 
Island, reef, headland, and the circling sea, 
Associated by the sportful hand 
Of Nature, in a thousand views diverse, 
Or grand, or lovely, -to my roving eye 
Displayed in vain their infinite of charms; 
I thought on thy wild world, -to me a world,- 
Mysterious Dartmoor, dimly seen, and prized 
For being distant and untrod; and still 
Where'er I wander'd, -still my wayward eye 
Rested on thee!

In sunlight and in shade, 
Repose and storm, wide waste! I since have trod 
Thy hill and dale magnificent. Again 
I seek thy solitudes profound, in this 
Thy hour of deep tranquillity, when rests 
The sunbeam on thee, and thy desert seems 
To sleep in the unwonted brightness, calm, 
But stern; for though the spirit of the Spring 
Breathes on thee, to the charmer's whisper kind 
Thou listenest not, nor ever puttest on 
A robe of beauty, as the fields that bud 
And blossom hear thee. Yet I love to tread 
They central wastes when not a sound intrudes 
Upon the ear, but rush of wing or leap 
Of the hoarse waterfall. And oh, 'tis sweet 
To list the music of thy torrent-streams; 
For thou too hast thy minstrelsies fro him 
Who from their liberal mountain-urn delights 
To trace thy waters, as from source to sea 
They rush tumultuous. Yet for other fields 
Thy bounty flows eternal. From thy sides 
Devonia's rivers flow; a thousand brooks 
Roll o'er they rugged slopes; -'tis but to cheer 
Yon Austral meads unrivalled, fair as aught 
That bards have sung, or Fancy has conceived 
'Mid all her rich imaginings: whilst thou, 
The source of half their beauty, wearest still 
Through centuries, upon they blasted brow, 
The curse of barrenness.

- Noel Thomas Carrington

A Weather Internal

Moss Covered Technology - River Slows Pt.1

If, 20 years ago, you told me that I'd still be writing about ambient music, I think I would have simply laughed. How much could be said, not just with words but also with these sounds? But as the years appear to speed up, I find myself immersed in it much more (even as I see so many other publications slowly disappear), discovering new layers, space and people who have another story to convey, one that I am happy to be a part of. Regular followers of this site will, without a doubt, recognise my personal connection with the present moment, often hoping to convince myself and others that we should focus on what is instead of how it was before and certainly instead of how it could be. How could it possibly be any other way? How could we not be here and now, experiencing all that's happening around us as it could only be? Are there better times ahead of us, or is it only doomsdays? And does it really matter when we get there in the end? Okay, I'll pause here for a time and focus on the music, premiering for you a piece by Austin-based ambient artist TJ Dumser, who releases music under his Six Missing moniker. This piece is titled "Guidance", and it is taken from his upcoming full-length, Here For Now. Across the twelve pieces on the album, soft pads, swirls, and swooshes are echoed in a faint, reverb-drenched ambient calm, sometimes accompanied by the quiet acoustic guitar strums, sometimes allowed to simply expand into infinite indistinct space. It's in this space where I find myself writing these words. Here for now... and hopefully for a little bit more...

Here For Now

Guidance

TRACK PREMIERE : Six Missing - Guidance

Aging Alexithymic is a sound exploration project of Tunisian multipotentialite artist Yassine Kharrat.

Tracklist: www.radioflouka.com/shows/the-culling-with-aging-alexithymic-24-07-2024

The Culling with Aging Alexithymic - 24/07/2024

The title track from a brand new 250 limited 12 inch single by a Japanese experimental band, QUJAKU, released by So I Buried Records on 20th September 2024.

1. Ruiteggaakupanshi

Format: Digital download
Pre-order: 9th August 2024
Release date: 22nd August 2024

This album is inspired by my local experience communing with nature. As is usual for me lately, these tracks started with field recordings and modular synth was added later. I have been to a local park, McAlpine Creek, hundreds of times. However, I never grow tired of going there due to the variable conditions related to changing seasons.

For anima, the field recording came from walk/hike at McAlpine Creek in early March this year.
Emerging frogs make their presence known throughout this track. For pneuma, the field recording came from in front of my house. The native birds are very active in the morning hours, which is lovely to hear.

I hope I have captured the emotional essence of being in nature. I would absolutely be lost without this brief time away in open space.

Copyright © 2024 ROHS! RECORDS, All Rights Reserved

previews. d york - The Soul of Nature | ROHS!

Chapter 249 of 266

Enter the enigmatic world of "TAFFETA," a musical tapestry woven from the threads of consciousness and tragedy. Born from a single night of profound dreaming, this ambitious project embarks on an exploration of the human psyche through the language of instrumental music.

This is a five-year project, comprising of what will eventually end at 266 chapters, each is a standalone piece of sonic artistry, "TAFFETA" unfolds like a novel, with each composition serving as a chapter in a larger narrative. Crafted with meticulous care and creative fervor, every piece is birthed within the span of a week, capturing the essence of inspiration in its purest form.

But "TAFFETA" is more than just a collection of songs; it's a journey of the soul. Set against the backdrop of loss and longing, the project follows the story of a woman who slips into a coma following the untimely death of her husband. Through the evocative power of music, listeners are transported into her world, where emotions ebb and flow like the tides of a restless sea.

Week by week, each chapter of "TAFFETA" unfolds on SoundCloud, inviting audiences to immerse themselves in its haunting beauty. From cinematic compositions to haunting electronic soundscapes, each piece adds a layer to the intricate tapestry of sound, weaving a narrative that transcends the boundaries of language.

As listeners embark on this sonic voyage, they are invited to ponder the mysteries of existence, to confront the depths of sorrow and the resilience of the human spirit. "TAFFETA" is not merely a musical project; it's an experience—a testament to the transformative power of music to touch hearts, stir souls, and awaken the imagination.

If you wish to take a dive into everything that has come before:
The TAFFETA Albums each contain 15 consecutive tracks and are available for free, exclusively on Bandcamp.

TAFFETA VOL. 16 now available exclusively on Bandcamp https://belialpelegrim.bandcamp.com/album/taffeta-vol-16


COLLECT THEM ALL!
TAFFETA VOLUMES 1-15 are all available on Bandcamp
https://belialpelegrim.bandcamp.com/

COVER YOUR TORSO WITH TAFFETA! Check out the official TAFFETA t-shirt!
https://belialpelegrim.bandcamp.com/merch/belial-pelegrim-official-taffeta-design

The TAFFETA Playlist is always kept up to date:
soundcloud.com/belial-pelegrim/sets/taffeta-a-266-part-musical?si=d46fc7ad1b50446dadc7ce3ffe1a1b02&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Taffeta 249

TAFFETA | 249

Ambient Dreamscapes for you to enjoy. Relax, unwind, meditate and chillout

DARK AMBIENT - THE BONE YARD

recorded this a while ago, ending petered out as i lost my words to dog (polly) barks

pale interior (grouper cover)

This album is dedicated to Brian Young, known to many of us as Losing Today, who died earlier this year. Brian was a brilliant photographer whose work was used for many album covers. He was a real fan who supported our music, a friend to many in the scene and a lovely guy. He is already missed.

All proceeds from this album will go directly to the National Suicide Prevention Lifeline.

Special thanks to Porya Hatami for his time and the great mastering job.

Can't Wire You (In Memory of Brian Young)

NORMAN WESTBERG & JACEK MAZURKIEWICZ, First Man in the Moon - LP
Release date - March 12th 2021
Catalogue nr. - HG2101
Format - Vinyl / digital
Hallow Ground
Vinyl / digital, catalogue nr. HG2101

hallowground.bandcamp.com

Tracklist:
What Is Good For The Goose (09:35)
That Was Then (08:29)
First Man In The Moon (06:45)
Falsely Accused (06:33)
Oxnard (05:47)

Credits:
Recorded at Studio Diamentowy Pies
Damian Pielka, engineering
Piotr Mazurek, engineering assistance
Jacek Mazurkiewicz, mix
Lawrence English, mastering
John Fell, photographs
Greenpointless, design

///
An unlikely meeting of two like-minded spirits, »First Man in the Moon« sees the former Swans guitarist and Hallow Ground regular Norman Westberg and the prolific double bass player Jacek Mazurkiewicz collaborate for five evocative tracks. The pair finds common ground beyond the boundaries of atmospheric drone, abstract jazz and experimental music and blurs the lines between the acoustic and the electronic. 

The two first met when the composer Mazurkiewicz supported Swans with his solo project 3FoNIA on their 2014 European tour. »I really enjoyed his approach,« says Westberg about the Polish musician’s blending of the acoustic qualities of his instrument with electronically generated sounds. A decision to collaborate was made and when the US-American musician returned to Eastern Europe to support Michael Gira on his solo tour in late 2019, Mazurkiewicz reached out to him with the idea of booking some studio time before Gira’s two concerts in Warsaw. »Recording was very fun and easy,« remembers Westberg. »It was just two people enjoying hearing and reacting to what the other is doing.«

»First Man in the Moon« is not however a plain document of these improvised sessions, but also shaped by Mazurkiewicz’s approach as a composer. Once the recordings were finished, he selected and edited the recorded material, refining the peculiar dialogue between the guitarist’s meditative drones and bright chords and his own rhythmic yet subtle approach to playing the double bass, sometimes plucking the strings and occasionally using his bow to underscore Westberg’s fleeting melodies, but also using the instrument in unconventional ways to generate sound. 

A feeling of weightlessness prevails throughout the aptly-titled »First Man in the Moon.« Even at their most abstract however, these five improvisations-turned-compositions remain tangible, lively, and joyfully explorative. It is a record that you wouldn’t expect from either of these musicians, but the logical result of two idiosyncratic minds sharing not only space and time, but also their respective visions with each other.

NORMAN WESTBERG & JACEK MAZURKIEWICZ - What Is Good For The Goose (HG2101)

upd 2apr2022 - fixed speed (it was wrong.)

MyLifeInReverse [dl available. finally. ha]

HALLOW GROUND 
is a platform for Music and Art that leads to Visions.

It was established in Lucerne/Switzerland by a group of individualists, idealists and first of all artists. We act as publishers, hosts and performers.

www.hallowground.com