Samples:
- Janet Jackson
- Poem by Elias Shagiz Adonay Tesfaye

concavereflection.bandcamp.com/releases

Love Has Made Me Loveless

The fourth episode of the Test Pressing series compilations includes tracks from such artists as Memotone, Giuseppe Ielasi, Andrew Pekler, Roméo Poirier, Nikolaienko, Felix Kubin, Jake Muir, Felicity Mangan, Star Searchers, and Tarotplane. 
The first episode was released in 2012 as a debut Muscut record named so and intended to become a label trial, a test of the audience to check whether the world needs one more label with the following episodes in 2018 (Test Pressing II) and 2020 (Test Pressing III). 

Format: 12” LP / DL
Cat. No.: Muscut 30
Series: Test Pressing
Edition: 300 (hand-stamped, hand-numbered)
File under: Ambient, Experimental, Electronic
Release date: August 4, 2023

Tracklist:

(Side A)
01 Memotone - False Cobra
02 Giuseppe Ielasi - Untitled, February 2023
03 Andrew Pekler - Neon Nocturne 
04 Roméo Poirier - Haut Lieu
05 Nikolaienko - Ambianta VI
06 Felix Kubin - Spukflattern

(Side B)
07 Jake Muir - Spindle
08 Felicity Mangan - Wings
09 Star Searchers - Previsual Stingray Motion FX
10 Tarotplane - We Stutter Between


Mastering by: Giuseppe Ielasi 
Graphic design by: (DN) daynight.info
Distribution by: N.E.W.S. (BE) 
Website: www.muscut.org

Test Pressing IV

Pre-order

VA Test Pressing IV (Muscut 30, 12" comp) excerpts

KATELYN CLARK & MITCH RENAUD, Ouroboros, LP
Hallow Ground
Vinyl / digital, catalogue nr. HG2406
Ltd. vinyl / digital
Release date: 04.04.2025

On Katelyn Clark and Mitch Renaud's »Ouroboros,« astronomical and astrological phenomena, concepts and symbols such as the Great Year or the Eternal Return serve as the starting points for sonic explorations and experimentations. Focusing on a uniquely tempered range of frequencies, from low-end drone rumbles to airy pipe swirls, the duo develops a minimalist and highly evocative sonic universe on their debut album for Hallow Ground.

Working as composers, improvisers and curators in Canada's vibrant experimental and early music scenes, Clark and Renaud began developing »Ouroboros« through extensive improvisation with a reduced setup. Clark, who has worked extensively with historical keyboards since her studies in Amsterdam and Siena, played a small pipe organ modeled after a 14th-century instrument while Renaud brought a modular synthesizer and his interest in feedback systems to the collaboration. Later, the duo further refined their artistic dialog and the sonic interactions of the two instruments through the shared space of a two day recording session in Vancouver. Subtle crackling, acoustic beating and other (psycho-)acoustic effects in five pieces document this encounter, giving the music a profound physicality while hinting at the bodily presence of the two collaborators.

Just as the cyclicality of natural phenomena or the repetition of planetary movements is both a scientific fact and of the cultural imaginary, the sound worlds of »Ouroboros« are fundamentally rooted in time and space while transgressing the idea of a »here and now« through their conceptual links to geological and planetary time. The interplay of portative organ and modular synthesizer, which merge fluidly and in ever-changing ways, leads to a kind of circularity, a timelessness, a no-time. At the same time, the movements and subtle changes undermine the idea of repetition in the negative sense. After all, the Eternal Return, as Gilles Deleuze writes in regard to Nietzsche, is not the return of the same but a repetition of repetition. The only constant is change, the production of new intensities, of new forms of life – and of new frequencies.

Credits:
Music by Katelyn Clark and Mitch Renaud
Recorded and mixed by Aaron Klassen at Monarch Studios in Vancouver
Mastered by Stephan Mathieu (Schwebung Mastering)
Artwork by Laurin Huber

Ouroboros

Katelyn Clark & Mitch Renaud - Ouroboros (HG2406)

The initiatory release on the co:clear label is a stunning debut by Brooklyn-based artist, @edenaurelius. Written between Chicago and New York throughout 2023, 'Plateau' is a lacework of chiller dub-techno and ambient sparkle, crafted via recorded material, astute sampling, and live instrumentation. Rounded off with a stellar remix from your favourite ambient boyband (Purelink), this record is one for the serial unwinders.

______________________________________________

"Plateau is a collision, formed over years of change — an elevated plane where land forms an even surface.

Towering above the ground you see the scale of the earth — terrain merging with sky, enfolding on one another.

Seclusion and observation — a timeless vortex where moments stand still and find place in clarity."

— Eden Aurelius
______________________________________________

credits:

Written & Produced by Eden Aurelius
Remix by Purelink
Mastered by Ike Zwanikken
Lacquer cut by Henry Rudkins
Digital Artwork by Shy
Centre Label Design by Conna Haraway
Distribution by Rubadub

Plateau

Eden Aurelius – Want 2

Rivet’s new album for Editions Mego is an uplifting and joyous affair coming in the wake of tragedy and disenchantment. It is yet another rebirth from an artist willing to take a step back and reprise the current situation he is in. Mika Hallbäck has a long credible history in the Swedish underground. First recognised for his industrial techno works under the Grovskopa moniker he worked privately on more experimental works that eventually came out as On Feather and Wire, an album released on Editions Mego in 2020. After much acclaim for this bold new direction that blended electronic abstraction, pop and industrial forms into a heavy synthetic trip two tragedies struck. One was the passing of label boss Peter Rehberg and then the passing of his dog Lilo, who was as close as a companion one could have. These events led to the release of the more unsettling follow up L+P-2 (Lilo and Pita minus two) on Midnight Shift Records in 2023. Peck Glamour sees Rivet return to the reawakened Editions Mego with an album of optimism inspired by reconciliation with loss and further explorations of new mental/sonic realms.

Hallbäck defines his approach as not being married to any particular machine, instrument, process or genre. However he holds a particular affinity to sampling, of which, he says, provides the dirt and grit amongst what would otherwise be pristine, generic machine music. The contemporary crate digging method of scouring obscure download music bogs for unique sounds was his preferred research practice.

Peck Glamour is an album full of tracks brimming with the excitement of exploration. It's the results of a mind informed by punk, industrial, techno, dancefloor, disappointment, trauma and rebirth. Here the synthetic and authentic is viewed simply as the same means of human rationale and expression.

The opening, ‘Catch Up to Light’, sets the scene with ecstatic and odd fluorescent vocals sliding amongst crystalline likembe whilst synths swirl amongst the external festivities. ‘Orbiting Empty Cocoon’ is somewhat a homage to the alien sound worlds of The Orb, one which takes the listener deeper into a mind melting array of teased potential as visual elements are executed in a mask of audio wizardry and euphoric staccato rhythms, the later being a nod to Singeli music. ‘Patitur Butcher’ is more dance frontal utilising the Ghatam drum and a YouTube rip of a Chinese language lesson. ‘Plastic Bag Putain’ was made during the beginning of Russia's invasion of Ukraine and should be clear of its intent. ‘All that Heaven Allows’ is a marimba cover of an imaginary Love Parade anthem. 'Kyrie Geire’ potentially briefly fills the void left by the demise of Coil. The entire trip of Peck Glamour is sewn up with ‘We left before we came’ whereby extraneous recordings of double bass player Gregory Vartian-Foss (tuning/strumming/moving the bass) are superimposed with local field recordings to create a gorgeous bed of sounds acting as an exciting exit music to this sharp collection of cinematic ear excursions.

Peck Glamour

All That Heaven Allows

Rivet 'All That Heaven Allows' (EMEGO317)

jamming with my friend in Baires, i play drums, KA on max msp
released on CREWQ <3

https://www.ninaprotocol.com/releases/music-for-various-artists-works

yeko_2 (feat KA)

https://bergsonist.bandcamp.com/album/ode-to-life

Mediatic Breakdown

More chronicles of the wasteland here : https://nottebrigante.bandcamp.com/album/lerreur-est-urbaine-10

Dimanche Midi - Dans la Ville d'à Coté (B2)

Venera - Asteroxylon
Label: PAN
Cat.No.: PAN 153S2
Release Date: 21 August 2025
Purchase: pan.lnk.to/Asteroxylon

Venera shares ‘Asteroxylon’, the second single of the upcoming album ‘Exinfinite’ out via PAN on September 12th, 2025.

Having defined a multi-dimensional sonic universe on their acclaimed eponymous debut album, composer/filmmaker Chris Hunt and Korn’s James “Munky” Shaffer abandon the familiar and drift towards a kingdom of recursion on EXINFINITE, staring down a tangled mass of mirrored wormholes that hum with eldritch ambiguity. They launch squelchy, decelerated techno into occult noise reflecting pools on the slithering ‘Asteroxylon’.

Recorded in Downtown Los Angeles, CA and Atlanta, GA
Mixed by Chris Pawlusek in London, UK
Mastered by Matt Colton at Metropolis, London, UK
Art by EFFIXX with Samanta García

Venera - Asteroxylon (PAN 153S2)

@opheliek - 'Salty Skin' is part of Gravity Pleasure's inaugural release, Water Bodies: a rippling compilation of FLINTA* artists and collaborators that invites listeners into an aqueous paraworld.

Across 21 tracks, Water Bodies spans a post-genre miasma of ethereal mermaid music, cathartic flows, and glistening sibilants ~ each one an exquisite message-in-a-bottle of deep diving emotionality. Pulling from a wide-range of musical perspectives ~ field recording, lovesick ballads, shimmering downtempo, post-party comedown, and percolating ambient ~ the compilation contains multitudes yet maintains deep sentimental coherence. Like a wave crashing in slow motion, it sonifies possible ways of being, insisting on the porous, the interdependent, and the deep and unruly. Water Bodies reminds us that home is a body made of water, to which we all belong.

~~*~~

Home is a body made of water.
Remember.

Close eyes.
Listen to drips; hear voices.
What do they tell you?
Make your body a grotto.
What does it hold?

Spider’s tapestry: flycatcher.
Roadmap: net of sinews.
Lost in night forest: seek breadcrumbs.
Remember?
Body is lighthouse: shine through cloud canopy.
Body is fish: wet is all you know.

Sink deep, fly high,
stretch your arpeggio from young to old.
Remember.

-Lou Croff Blake

ophélie - Salty Skin [GP01 - Water Bodies VA]

Arts and culture practitioners and organisations Declare a Climate and Ecological Emergency. See @CultureDeclares 

download to your phone, for participants in the Culture Declares in London ceremony, 3rd April 

'Sonum Vocis Magnum Parvo

This score comprises of both an amplified through composed piece of music and accompanying acoustic bells to be performed as a promenade. Shifting, phasing, moving like a sonic cloud.  Bells are traditionally used to call communities together, to mark the passing of time, to raise the alarm, we wanted to use these modest handbells, intrinsically a small sound, but when multiplied, the gathering of a small sound makes a big sound. Compassionate, compelling - we will be heard!  Sonum Vocis Magnum is a play on words the literal translation to Latin of Small Sound, Big Sound, but therein lies the voice - voices of the people, culture declares…  'Mira Calix 


written and produced by Mira Calix and Ed Handley

Sonum Vocis Magnum Parvo

HALLOW GROUND 
is a platform for Music and Art that leads to Visions.

It was established in Lucerne/Switzerland by a group of individualists, idealists and first of all artists. We act as publishers, hosts and performers.

www.hallowground.com