Waiting at the junction. 
Splits end the monochromatic. 
A governance, twisted and shameful
decays and turns to black
but in the dark, the witches enter. 

A farmhouse burns in the dark. 
A man, entranced
approaches from the miles. 
The body gives way to the night.

The dead passed on. 
Three encircle a new host. 
Black hair, tangled with rain. 
They too, go released. 
Back, nude, to moonlight pale. 

The black crow set upon my sill.
Now, here, they grin.
Mouths drip of blood, of sin. 

I saw the signs
the blight and disease.
A meddling stirred in the woods. 
I prayed it was not me. 

Chest carved. 
Levitating in the place their first was hanged. 
They encircle, in a field of fire 
of revenge
of blackest desires. 

A rising from the mud
where end was near. 
Entrenched in darkness. 
Devoid of fear.

Words by Riley Robinson


Join the Coven

Homkross Harvest

Malnutrition Has Sapped Their Strength...

- Picture -
Artist Picture. Slots Full
Art Cover Editor. Shyntwirl
Colorist Editor. Shyntwirl
Quality. Shyntwirl
Lightning. Shyntwirl

- Music -
Producer. Shyntwirl
Composer. Shyntwirl
Structure. Shyntwirl
Developer. Shyntwirl
Programmer. Shyntwirl
Configuration. Shyntwirl
Equalizers. Shyntwirl
Reverb & Echoes. Shyntwirl
Bass. Shyntwirl
Background. Shyntwirl
Background Synthesizers. Shyntwirl
Principal Synthesizers. Shyntwirl
Synth. Shyntwirl
Deep. Shyntwirl
Intro & Outro. Shyntwirl

Ambient / Atmosphere / Experimental / Dark / Relaxation / Alternative / Mix / Background 

PROD. Shyntwirl

Shyntwirl - Deep Darkness

full version available: https://30gradx.bandcamp.com/track/klang-27

Kling Klang

NIN Setlist 


Right where it belongs
Ruiner
Piggy
Wish
March of the pigs
The Frail
The Wretched
Reptile
Copy of A
Gave Up 🥳
Vessel
Parasite
Came Back Haunted
Mr Self Desteuct
Heresy
Closer
Afraid of Americans 😃 (the smile is because it's a David Bowie song 🙏🏽 It actually felt a little bit weird not hearing his voice but was still epic)

the hand that feeds
Head like a hole
Hurt


https://www.rollingstone.com/music/music-news/nine-inch-nails-perform-live-rarities-tour-kickoff-dublin-1235365343/

Love

This piece is about a little more love. A very romantic theme in an Italian mood (I think). Starting as a whisper. A gentle melody floating above it. Like a butterfly. Getting free in the end. Hope you like it...

Amore piu

Speech by actress Jodie Comer as sociopathic assassin Villenelle in the BBC television drama “Killing Eve” (2018-22)
Image of Miss Comer at the Savannah film festival 2024

I’m Just So Bored (featuring Jodie Comer)

Care

For every child who’s been told they’re “too much” or “not enough”
This is the story of life in a world that won’t slow down.

A neurodivergent mind trying to survive the noise, the lights, the looks, the labels. Misunderstood by teachers. Isolated by classmates. Always one step behind, or three steps ahead, but never quite where the world expects.

Until one quiet moment, and in my case, the sound of a clarinet.
It didn’t fix everything, but it gave my chaos a rhythm, and my mind some space to breathe.
(It won’t be the answer for everyone, but it helped me begin to find my way.)

This track isn’t perfect, neither am I.
But it’s honest. And sometimes, that’s enough. 💙🎵🕊️

This track is for the kids who feel everything.
💙 For the ones masking to fit in.
💙 For the ones melting down inside.
💙 For the ones still searching for a safe place to just be.

You’re not broken. You’re brilliant.
And your rhythm matters. 🎵🕊️

****Lyrics****

They said, “Use your words,”
But mine don’t come when I need them
They said, “Pay attention,”
But I already was, just not the way they wanted
I don’t talk much in class
But my head never stops
I see things they don’t
And they call it “wrong”

It’s too loud, too bright, too fast
And I’m trying, I promise, I really am
But I don’t fit in their lesson plan
So they call me “difficult” again
I’m not broken, I’m not bad
I just need someone to understand
It’s too loud, too bright, too fast
And I’m doing the best I can

The lights flicker hard
And the questions come too quick
They say “just be normal”
But don’t say what that is
I like quiet corners
They call that “hiding”
But I call it breathing
When the noise keeps rising

It’s too loud, too bright, too fast
And I’m trying, I promise, I really am
But I don’t fit in their lesson plan
So they call me “difficult” again
I’m not broken, I’m not bad
I just need someone to understand
It’s too loud, too bright, too fast
And I’m doing the best I can

I wish they’d stop asking me why I’m like this
And just ask me what I need
They might find I’ve got answers
They’ve never even seen

Then one day they handed me a clarinet
Said, “Let’s see what happens”
And I did
I held it close
Like something that understood
One steady breath
And the chaos moved

It’s still loud, still bright, still fast
But I found a way to hold it back
Through every note I find my pace
In every sound, I carve some space
No, it didn’t fix everything
But it helped my heart to sing
It’s still loud, still bright, still fast
But now I know who I am

I am not naughty
I am not wrong
I just needed
My own kind of song
And if you’re someone who stands beside us
When the world feels too sharp to explain
Who waits through the silence
And stays through the strain
If you've helped us breathe
When the noise felt too wide
If you’ve shown us our value
Instead of making us hide
Then thank you
For seeing the spark
For hearing the thread
For loving us gently
When others just fled

🎵 Too Loud, Too Bright, Too Fast

Existencial Dread

Hallucinophonics exist at the nexus of consciousness and sound—crafting immersive soundscapes that challenge the boundaries between reality and reverie. Drawing from Pink Floyd's cosmic explorations, Porcupine Tree's atmospheric sophistication, and Tame Impala's psychedelic innovation, they create music that functions as both artistic statement and transformative experience.
Band's name reveals its mission: the precise articulation of hallucinogenic experience through sound. Their compositions weave together ethereal textures, progressive architectures, and hypnotic rhythms, exploring themes of consciousness evolution and existential discovery. From transcendent space rock anthems to introspective nocturnal transmissions, their music occupies that sacred territory where the cerebral meets the celestial.
Emerging in September 2025, Hallucinophonics represents a bold new chapter in psychedelic music—an invitation to perceive reality through different frequencies and discover that the most extraordinary journeys often begin with simply closing your eyes and listening.
Launching: September 2025
Genre: Psychedelic Rock, Space Rock, Progressive Rock, Art Rock
For Fans Of: Pink Floyd, Porcupine Tree, Tame Impala, King Crimson, Radiohead