Vex / Don't You Know

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Don't You Know

i hoop and i like good music
insta - @dubkeks // twit - @dubkekss

Supported Acts: Sustance, Benny L, Upgrade, AC13 and Inja

- Available in all half-decent boozers near youuu
- Head of Charlene's Angels (dm applications)
- HMU for name related jokes, I got dat

Just an account for liking and saving music. Nothing special; move along. Most of my playlist is edm.
Also working on a book series, hit me up to hear about  it. Check out my blog.

Gemini Gemini

Bookings
Worldwide (ex. N. America) - clive@earth-agency.com
N. America - nicole@subdotmission.com

--
Free Palestine 🇵🇸

F these long ass bios. If you know then you know. If not then sucks to be you i guess.

Co-founder at TransFrequency Recordings



drum n bass alchemist
 


@transfrequencies-label
@transvalue27
@sephiadnb
@shar-worrell

https://www.youtube.com/@transfrequencyrecordings1801

https://missjean6.wordpress.com/






dnb/sci fi (from 90's to now, what happened?)

essential listening:

Dillinja (Silver Blade)
Matrix (Destiny)
Nico No U Turn (Droid)
Skynet & Stakka (9000 Series)
Dom & Roland (Deckers Theme)
Doc Scott (Machines)
Foul Play (Artificial Intelligence) Moving Shadows
Bad Company UK (Colonies)
Ed Rush & Optical (Mystery Machine)
Dave Shichman (The Running Man)
LTJ Buckem (Horizons) and GLR
Dunk & Black Opps (Bang Bang)
Ram Trilogy (Human Future)
A Guy Called Gerald
Metalheadz/Goldie
Adam F (Metropolis)
Johnny L (Piper)
Tech Itch (The Real)
Teebee (Behind The Sun)
Trace/Nico (The Mutant)
Current Value (Cybernetic Future)
Noisia (Stigma)
Photek (Rings Around Saturn)
Audio (Point of No Return)
Roni Size (Destination)
Krust (True Stories)
Die (Clear Skyz)
Cause 4 Concern (Future Shock)
Planet V
Fabio and Grooverider

La muerte nos compromete por lo que tiene de vida : Death commits us to the life it contains - Sub Galeano

A-Effect D&B, in love with Drum n Bass, started to get involved in the field of electronic music since 1995, at the time of Dance Music and andground and garage was heard a lot. He followed the scene in Brazil with the jungles and strong and fast beats coming from England. With the arrival of Drum n Bass, which until then was the sound of the moment in the country and in Europe, he immediately identified himself with the style and the broken beats, which was in 1997. In a short time he attended many raves and parties in his City. These parties were huge, he soon found himself as a DJ and organizer of small parties and Drum n Bass programs on local radio stations. Listening today to many tracks, even today, and always looking for experience, and others acquired by DJs and nearby producers, he started to produce his own tracks, always inspired by great producer icons of the European and world scene. Its production style ranges from the heaviest Drum n Bass to the liquid, which makes your heart beat faster.

Don't You Know

Halogenix