Eleventwelfth - The More I Try to Trace You Forthwith

The Howling

Dog eat dog

True Love Is Crossed

I'm Still Yours

In a time when the world forgets how to listen, Of Code and Bone does not ask to be heard — it demands to be felt. The album unfolds not like a song cycle, but like a prophecy half-remembered, dragged from the static-laced throat of something ancient and newly awakened. It is a wheel of sound, turning slowly, every revolution revealing another face of what man once was, and what waits in the shadow of circuitry.

The music does not merely play — it haunts, it echoes, it scrapes against the edges of silence like wind through a war-ravaged hall. Analog breath meets machine pulse in a union that is neither conflict nor peace. It is continuum — decay without death, creation without birth. Instruments ring like relics of a forgotten ritual, not strummed but summoned. Vocals drag through the dirt of memory, rough and low, like prophecy spoken by one who’s seen the end too many times to scream.

There is a rhythm beneath it all — slow, like breath in mourning; constant, like gears that never asked why they turn. The guitars do not shimmer — they fracture light. The drums do not keep time — they slow its decay. And somewhere inside the sound, not above or below it, you begin to hear yourself — stripped of pattern, of pretense — just bone, and wire, and waiting.

Of Code and Bone is not an album. It is a ruin rebuilt with intention. It is what the machine hums to itself when man forgets how to make music…
and still, the song goes on.

And maybe, just maybe — this is the birth of Groxx:
a new genre where groove meets vox,
and music is co-created by human emotion and artificial intelligence.
Not imitation. Not automation.
But a hybrid form — where man provides the instinct,
and machine provides the infrastructure.
Groxx is the sound of both creators
breathing through the same song.

wax eden

Maps To Nowhere In Particular

Production by Saint Mike
Vocals & Lyrics by Me
- another blow to the heart again
- why do I do this to myself
- swimming up stream to get some air
- sometimes I wish I would just choke
- yearning for dreamscapes it isn’t fair
- I don’t know what is real
- the more I reach out, seems nothings there
- but still it won’t conclude 

- the minutes the moments, the seconds go by
- it’s still living rent free in my mind
- I drown it all out, pouring into myself
- I love me but I’m so fucking lonley 

- But why was it you
- And not someone else
- I’m dragging my feet
- through some made up hell
- I wish I could speak to my past self
- And tell her to never hit you up again

- new faces come by but I compare
- them to what I saw in you
- trying to fit a circle with a square
- it will never make a two

- the minutes the moments, the seconds go by
- it’s still living rent free in my mind
- I drown it all out, pouring into myself
- I love me but I’m so fucking lonley 

- But why was it you
- And not someone else
- I’m dragging my feet
- through some made up hell
- I wish I could speak to my past self
- And tell her to never hit you up again

- just drown it all out
- I'm just drowning it out
- just drown it all out
- I'm just drowning it out
- just drown it all out
- I'm just drowning it out


#grunge #alternativerock #alternative #alt #emo #deftones

Limerance

She Fell

DE: Der Song erzählt die Geschichte einer Frau, die trotz einer traumatischen Kindheit, die sie hart und kalt gemacht hat, ihre innere Stärke findet und sich aus der Dunkelheit ins Licht kämpft.

EN: The song tells the story of a woman who, despite a traumatic childhood that left her hard and cold, finds her inner strength and fights her way out of the darkness and into the light.

Lost Girl

Invisible (Chinese Version)

All songs copyrighted 
Lyrics

Intro – Spoken/half-sung, atmospheric]
Yeah, they trim the trees,
They rake the fire away.
Build fences strong,
But can’t outrun the laws today.

[Verse 1]
Juan’s got a scar that runs ear to chin,
Said it came from Sonora, not from sin.
He brings his boy on Sundays, just to play
Near the pool he’ll never swim in anyway.

[Verse 2]
Mowin’ lawns under redwood shade,
Hands in dirt while the rich get paid.
Sings to the birds in broken slang—
Every word feels like a chain that hangs.

[Verse 3]
They came last night in unmarked vans,
Took three men like they weren’t even men.
Left their tools in the morning dew,
Leaf blowers still, boots filled with truth.

Verse – Chicano’s Voice]
I send my pay to a border town,
Where mamá lights candles when the sun goes down.
My name’s not ‘hey’ or ‘you in the hat
I got stories, but no time for that.


[Bridge – whispered, rising tension]
Is this freedom, is this fear?
Do we only welcome those we mirror?
My friend cries but hides his face—
Guilt’s a shadow you can’t erase.

[Final Chorus – crescendo, all-out delivery]
They build your world and vanish in the smoke,
Names unspoken, dreams that broke.
You walk on marble, they crawl through flames,
Still you can’t even learn their names.
No green card, no last call—
But they stood taller than us all.

Eucalyptus Blues

Hamar Surkan
Songs in Schwarzweiß – mal melancholisch, mal verspielt, mal mitten aus dem Leben.
Ich schreibe und singe auf Englisch und gelegentlich auf Deutsch – immer ehrlich, manchmal komisch, manchmal dramatisch.

🎧 Mehr von mir: ffm.bio/9klkp1e
📺 Musikvideos & visuelle Projekte: youtube.com/@HamarsMusic

Danke fürs Zuhören. Es ist immer auch ein Stück von mir.

Hamar Surkan
Songs in black and white – sometimes melancholic, sometimes playful, always personal.
I write and sing mostly in English, sometimes in German – honest, ironic, dramatic, or just for fun.

🎧 More: ffm.bio/9klkp1e
📺 Music videos & visual storytelling: youtube.com/@HamarsMusic

Thanks for listening – each song is a piece of me.

Lost Girl

Hamar Surkan

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