Spotify: https://open.spotify.com/track/0bf5EW1aMSEpvysqe16iUB?si=CD_igLkpTemBuLVyVEKSLw

Epiloog

🌿 Chill Ambient Soundscape 🌿 Royalty Free.

Dive into a world of serene textures and soothing melodies with calming ambient experience designed to help you unwind, focus, or drift into deep relaxation.

Gentle pads, ethereal harmonies, and subtle organic rhythms blend together to create a peaceful atmosphere perfect for meditation, studying, or quiet reflection.

If you enjoyed this vibe, don’t forget to like, repost, and follow for more tranquil soundscapes.

Let me know in the comments how this track made you feel, I’d love to hear from you!

🔹 Tags: #Ambient #Chill #RelaxingMusic #Soundscape #Meditation #StudyMusic #Atmospheric #Downtempo #LoFiAmbient #Dreamy

Free Download

Breath Beneath the Pianoskin | Chill Ambient Soundscape (Royalty Free)

Orion's Echo

Pre-order 'Everything' on LP/CD, or buy now digitally here: http://phonofile.link/blb-everything

**The physical LP and CD only contain the carefully compiled 10 tracks by label founder Robert Raths, but will come with a download code to retrieve all 43 tracks digitally. **

Enter the all-encompassing universe of Everything, a score by Ben Lukas Boysen and Sebastian Plano – available worldwide via Erased Tapes on July 28th 2017.

Game creator David OReilly has built an interactive world for you to explore at your choosing. Whether you decide to take the role of a microbe inside a plant in the desert, or a star in the furthermost galaxy, each layer of the game is coated with ambience which takes the simulation even further into the limitless boundaries of each world. Composers Ben Lukas Boysen and Sebastian Plano have shaped this experience with their intricate 4-hour soundscape, alongside the continuous narration by philosopher Alan Watts. 

Though the score has an important part to play in heightening the atmosphere of the game, it has the capability of being a standalone album – carefully sequenced down to a 10-track selection by label founder Robert Raths. There is a considerably therapeutic quality about it, allowing the audience to transcend into a meditative state, which is what makes it a perfect partner for Everything. The music is a whole world of its own, yet part of the game’s universe.

Words from Ben and Sebastian, April 2017:
 
“Composing something quite modular yet coherent that connects with the idea and fabric of the game was quite a task. We discussed many approaches, from really mathematical and direct, to abstract and philosophical, and we ended up with a mixture of both. Every element depends and builds on another and connects to previous and following songs. May it be on a compositional or on an abstract and conceptual level, the game and the music follow the same path and shares almost the same inspirational DNA.“ — Ben Lukas Boysen

"Working on the soundtrack has been a truly inspiring collaboration. What fascinates me about the game is the self-exploratory approach it allows the player to experience; there is no purpose other than just being. This concept gave us wonderful freedom in searching for sounds and ideas that would fit the game. Throughout the score there is a subtle level of drama which gives depth to the game, yet the music never becomes predominant taking the player away from the main experience of being anything. Honest, simple and beautiful, Everything has been a rewarding creative journey to contribute to." — Sebastian Plano

The cover image features multiple components of the Everything universe, meticulously pieced together by David OReilly himself, in collaboration with designer Torsten Posselt at FELD.

“Creating the score for Everything was a colossal undertaking. Its scope is as wide as the game itself. The music encompasses a vast range of sound and texture, held together by the immense skill and talent of Ben Lukas Boysen & Sebastian Plano. Together they created an extraordinary library of music which gives this game great dignity and depth, and elevate the experience beyond what I could have imagined.” — David OReilly

Track listing:

1. Opening		
2. We're Here
3. Winding And Unwinding
4. Eisenach
5. An Infinite Day
6. Opening Light
7. Aalystice
8. Inside Air
9. After Our Efforts
10. Reaching Light

Watch the game trailer here: https://www.youtube.com/watch?v=JYHp8LwBUzo

Ben Lukas Boysen & Sebastian Plano - Winding And Unwinding

"The Exquisite Corpse", released in partnership with Bigo & Twigetti, is out now!

Download on Bandcamp: http://bit.ly/TheExquisiteCorpse_BC
Listen on Spotify: http://bit.ly/TheExquisiteCorpse_SP

‘The Exquisite Corpse’ is based on the surrealist game of the same name. Taking Leah Kardos 'Little Phase' as it's starting point, the piece has been reworked by a series of composers and producers to create an album of tracks which continually evolve as each new version is passed from one artist to another, adding to and transforming material from the original piece.

Tim Linghaus - At The End All Is Black

A Silver Kind Of Gray (for Piano Day 2018)

Canopus, the second brightest star in the night-time sky.

A piece written for Piano Day 2018.

Composed: HAMU
Produced & Mixed: Patrick Jonsson (http://patrickjonsson.com/)

www.facebook.com/hamumusic/
Check out my debut EP; 
hamu.bandcamp.com/releases
open.spotify.com/album/6GfmsZ395BIThxu86iDX4K
itunes.apple.com/gb/album/introve…on-ep/1315805632

Touch Canopus

Albecq is the project of Angus MacRae, James Jones, and Thom Robson, three London-based experimental artists and composers. The collective was formed in late 2016 based on a love of vintage synths, unhurried free-flowing soundscapes, and the pioneering ambient expeditions of Basinski and Stars Of The Lid. 

Taken from their debut album - A Distant, Guiding Sun - released 7th September.

Pre-order: https://albecq.bandcamp.com
albecqmusic.com

LACE

1631 Recordings is proud to release the original score for the indie documentary “The Man Behind The Microphone” composed by Tom Hodge and Franz Kirmann.

Directed by Claire Belhassine and produced by Claire de Lune Films and Roast Beef/Nutopia, The Man Behind The Microphone starts from a very personal story (the British director found out by chance in her early 30s that her grandfather was a legend of Tunisian music, the ‘Frank Sinatra’ of Tunisia) and turns into a family saga and a reflection on the nature of fame, culture, heritage and homeland.

Tom Hodge and Franz Kirmann have worked collaboratively over the past 10 years and have released three albums together under the guise of their post-classical/electronic moniker Piano Interrupted. This is their  second soundtrack together, having composed the score to BBC One series McMafia earlier this year.

The Man Behind The Microphone took several years to complete and Kirmann & Hodge were involved early on, sketching compositions loosely inspired by some of Hédi Jouini’s own music. Sometimes they would sample a small musical phrase from his old recordings or write harmonies and chords in a relative key to use as a starting point for their pieces. Their score echoes the melancholy and investigative nature of Claire Belhassine’s quest for her grandfather and the mysterious and fragmented aspects of the story.

Kirmann’s vaporous electronics and Hodge’s ghostly piano and clarinet lines are mixed with earthy analog synth basses and a string quartet provided by the London Contemporary Orchestra. The soundtrack is a melancholic and dreamy journey over 9 pieces, oscillating between post classical, minimalist and ambient music.

“There is a real sense of culmination about this soundtrack. In one way way it is our very first score, as it started long before McMafia. But even more so, you might say it is simultaneously our first and last Piano Interrupted record, or our very first collaboration even. Our album Two By Four was strongly influenced by our work on the prototype of this film and the sound of Papa Hedi. Yet because of the longevity of this film project, our combined musical voice has been profoundly altered by our work on our other two Piano Interrupted albums, as well as the four hours of score we wrote for McMafia. Here we are, full circle.”

www.1631recordings.bandcamp.com

The Man Behind The Microphone

Tom Hodge & Franz Kirmann - Ghost Of My Grandfather

Sine

Fall single series no. 3 
stream/download : https://orcd.co/swells 

Beautifully balanced rhythmic piano patterns swell in and out of ambient synths in this relaxed & uplifting piece by Montreal pianist Adam Daudrich. Pairs with quiet mornings, a good book and evening strolls.

Swells

Stream/Download

Adam Daudrich - Swells

Feel free to message me on here for anything, or via my facebook!
www.facebook.com/hamumusic/
hamu.bandcamp.com/releases
open.spotify.com/album/6GfmsZ395BIThxu86iDX4K
itunes.apple.com/gb/album/introve…on-ep/1315805632