Live & improvised hardware techno jam on PBS Radio 106.7FM - The Blend. (Monday 14th October)

JXTPS - https://soundcloud.com/jxtps
Her Waveform - https://soundcloud.com/her-waveform
In promotion of the debut album by Her Waveform - 'Warmth and Green Water'.
https://on.soundcloud.com/AxCGHsrmfRpajbU48

Live & Improvised on PBS Radio - The Blend

A Moment Between Observation and Reflection, Live at Livehaus, Tokyo

Fifth World w/ Niko Demus : 07.30.25

We’re excited to share the Far Blue perception of Zürich-based Serenne with you today. After catching her live this summer, we were pulled in by the way she blends lush, dreamy sounds with darker moods. While keeping things subtle and immersive, she brings that same energy and depth to this one-hour mix.

“I recently had a conversation with Ben Kaczor, who mentioned an artist I hadn’t heard of before: Hilma af Klint, a Swedish visionary whose work immediately spoke to something inside me. Touched by her paintings, I printed two of her blue-hued pieces — The Ten Largest, No. 1 (1907) and Childhood and Primordial Chaos (1906–1907) — hung them above my setup, and started recording this one-take mix, letting myself drift into the world they opened.

But as I listened back, I found myself entering something else entirely — something that goes beyond those paintings — something deeper, something that transforms. A space beyond sight. That’s where the journey begins for me. And I hope that, for whoever listens, it becomes something personal too. Maybe even a small doorway to something deeper, something invisible… just as Hilma found through her art.

This mix also features beautiful tracks from many dear friends — I feel grateful for each of their creations.”

ᐁ ᐁ ᐁ ᐁ ᐁ ᐁ 
@serennee

Instagram.com/farblue_
farblue.bandcamp.com/

A Far Blue concept by Serenne - 'A Blue Beyond Sight'

‘For home use only’ is an anti-club social, a chance to get to know someone/something. A series of transmissions purely dedicated to exploring the other side.

Alas! We’re still alive (whatever that means) and still here (wherever you are). Returning from the far edges of the cosmos-via the duty-free shop-we bring an audible delicacy to share. People of Earth, Fefe has arrived, and you should be both honoured and excited.

An introduction stitched with the very fabric of time and space, Fefe offers a love letter that strikes straight at the heart-lifting happiness by at least 50-60%. A radiant testament to the kinder side of human nature (the part we sometimes forget), and a gentle reminder of music’s true power when made with pure intent.

Switch to airplane mode, take the long way home, and enjoy this in full.

Love from us. 

His new ep >>>> https://danzanativa.bandcamp.com/album/body-weather

FHUO # 97 // Fefe

Sleeping Beauty

Living Room n°88 ~ @user-195275547

q. pls introduce yourself…
Hello, we are forest.exe (Sven and Silvan). We run a label that focuses on ambient, avant-garde and experimental music. It is called Jurassic Ambient Records. The name is inspired by the Jura forests in Switzerland, where we live and grew up. We create our own mixes and also release guest mixes as well as music from friends and anyone interested. We started about four years ago. Over time, we gradually moved away from technoid sounds and club culture, and began experimenting and mixing together within the genres of ambient, experimental and drone, where we felt more at home. For us, it is essential to connect music with the wellbeing in nature, which is also the origin of everything.

q. is there a story behind the mix?
This time we created the mix with Ableton in Sven’s home studio, nestled near the Jurassic forest — not, as we usually do, in a rehearsal room with a Pioneer setup. It was a warm and luminous day at the very beginning of summer. Surrounded by nature, we let the atmosphere guide us, working spontaneously and intuitively. Instead of CDJs, we wanted to explore a new approach, giving ourselves more time and space to shape the flow. This allowed us to engage more deeply with each track and to sculpt the transitions with greater precision.
The result is a mix that feels reduced and calming, almost dreamlike, yet still carries a quiet strength. It mirrors the uncertainties and concerns we feel about the world, and the question of how we might navigate through them. We dedicated an entire day to the process, with pauses, a few beers, and long conversations about the value of music and the character we wanted this mix to embody.

q. what’s the best way to enjoy your mix?
Step into the forest, put on your headphones, leave the world behind and sink into natural, calming sounds. You might wander along the paths and lose yourself in the embrace of nature, or sit quietly on a tree stump, listening to the mix while observing the subtle life unfolding around you. This is, in essence, what our name forest.exe is meant to evoke.

q. describe a favourite object in your living room...
Silvan: My favourite object in my living room is a handmade ceramic piece with an organic, natural design. I discovered it in Krakow last year during my visit to the Unsound Festival.
Sven: Hehe… epic indeed. My favorite object in my living room is a triptych of three Japanese woodblock prints. In the first, several farmers brandishing katanas burst forth with fierce cries. In the second, a lone farmer leaps dramatically over a waterfall, sword in hand. And in the third, a bear flees from the oncoming attackers. The imagery is raw and powerful, yet strangely inspiring. I don’t know the artist or when the pieces were created — but stumbling upon them in an antique shop felt like a stroke of fortune, as if they had been waiting there for me.

q. are you working on any projects right now (music or not music)?
We are both working on new music, though it often takes a lot of time — which can be challenging, since we both work more or less full-time as social workers, and Sven also has children. Still, we meet regularly to create ambient mixes, discuss musical developments, and continue shaping our vision for the label. Through it, we keep releasing new mixes as well as music (EPs) from ourselves and from other artists.
What we love is that this project has been with us for quite some time, and we can move at our own pace — deciding how much energy to put in, or when to slow things down. That way, it never becomes stressful, because we are not chasing success, but rather sharing our musical principles and offering others a fresh listening experience. We are also searching for a spot in the forest where we can record outdoor mixes, letting nature inspire our music even more directly.

Living Room n°88 ~ forest.exe

| MOODSHIFT | w/ Miscmeg & Ivy | E2

@mgmldrm

https://www.instagram.com/megmldrm

pi/live: Miscmeg at Miscellania 08-10-2025

https://allpossibleworlds.bandcamp.com/track/untitled-6

all possible worlds - untitled

Spaces

Says

Hand Clap, is the moniker of Maya Borjesson, an Architect and visual/sound Artist. Using synthesizers, spoken word, and field recordings, their compositions explore themes of connection, memory, nostalgia and grief.
This year Hand Clap embarked on a tour of Japan, supported Penelope Trappes and presented ‘A Thread Beneath Our Skin’ at No Vacancy Gallery. This body of visual and sound work, traced the layered and intimate terrain of connection - between individuals, identities, and past and present selves - it was a practice of listening outward, as well as, to the quiet within. 
Hand Clap’s practice is deeply personal and sits at the crossroads of ambient music, electronic experimentation, string composition, and visual art.

A Moment Between Observation and Reflection, Live at Livehaus, Tokyo

Hand Clap

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