How The World Begins Again : Episode 2: ‘The Space Within’
In this episode of How The World Begins Again singer Elizabeth Hilliard meets with composers and sound artists, Rhona Clarke, Una Lee and Jennifer Walshe and finds out how they found the imposed solitary life that we all experienced in the pandemic. She learns how this was a time for focussed creativity and work, for discovering new ways of creating music, and it allowed time to reflect on how, as artists, we are all individuals on our own journeys.
 
Music heard in this episode includes Rhona Clarke, Piano Trio No 3, Una Lee, Nocturne for Voices One & Two, Jennifer Walshe, Becher.

How The World Begins Again is an RTÉ lyric fm series, researched and presented by singer Elizabeth Hilliard, produced by Helen Shaw and audio mix by John Howard.

Transcript: https://www.happyscribe.com/transcriptions/293cec74a1d84b3cbde41d0f100f13a4/edit_v2?share_code=5a37fec2d078dd150d1f

How The World Begins Again E2 'The Space Within'

How The World Begins Again

A series celebrating the lives and work of women composers and sound artists working in Ireland presented by singer Elizabeth Hilliard.

In this RTÉ lyric fm radio and podcast series, singer Elizabeth Hilliard meets twenty women: composers and sound artists connected to the island of Ireland. They share their stories, their inspirations, creativity and challenges as they connect the listener to their work. In the series Elizabeth explores the wonderfully alive and energised ecosystem of music in Ireland today, talking to women from diverse backgrounds: both academic and non-academic, including an astrophysicist, a computer programmer, artists coming from different places, cultures and countries and reflecting an age range from twenties to seventies, but who are all connected through their music on the island of Ireland. In the eight part series listeners are introduced to their music, ranging from piano trio to orchestral, from games music to improvisation. The series title - How the World Begins Again - is taken from a line in Eavan Boland's poem CODE, about how women; artists, scientists, poets and composers alike, become visible and heard through their work and make the world anew.

 CODE - by Eavan Boland ends with these lines:

"I am writing at a screen as blue,
as any hill, as any lake, composing this
to show you how the world begins again:
One word at a time.
One woman to another."

How The World Begins Again : Episode 1: ‘A Sense of Place’

In this first episode of How The World Begins Again singer Elizabeth Hilliard meets with composers and sound artists, Jane O'Leary, Natalia Beylis and Jenn Kirby and finds out what place and belonging means to them. She discovers how meeting new people from different backgrounds inspires them in their work and how they've explored new beginnings in their lives and brought that into their music and soundcraft. Music heard in this episode includes Jane O'Leary, From Sea-Grey Shores, Natalia Beylis, Invaded by Fireflies and Jenn Kirby, Terre Pop.

The theme music for the series is from Phonology Garden by composer Gráinne Mulvey featuring the voice of Elizabeth Hilliard.  The series is researched and written by Elizabeth Hilliard, the producer is Helen Shaw and the audio mix is by John Howard.

How The World Begins Again - RTÉ lyric fm - trailer - starts Friday Oct 22nd from 7pm

Han-earl Park (guitar), Dominic Lash (double bass), Martin Hackett (synthesizer), David Grundy (laptop). Quartet improvisation as part of a gig in Robinson College, Cambridge, 03/05/2015.

Cambridge 03/05/2015

Hackett / Grundy / Lash / Park - Quartet (03/05/2015)

Excerpt from ‘Orbital Dusk’ from Juno 3 (RAM-163CD) by Han-earl Park (guitar), @larajonessax (saxophone and electronics) and Pat Thomas (electronics).

More: www.busterandfriends.com/juno

Music by Han-earl Park, Lara Jones and Pat Thomas.

Recorded live March 20, 2022, @cafeoto, London.
Recorded by Shaun Crook.
Mixed by Han-earl Park. Mastered by @sharkestra.
Art by Han-earl Park. Design by Atharwa Deshingkar.

Thanks to @r-barrett, @hfrasch and @bastardscience; to Fielding Hope and everyone at Cafe OTO, Laura Cole and everyone at Fusebox, Wesley Stephenson of Jazz North East, and @peterodoherty of Northern Lights Project. Shoutouts to @coreymwamba, Graeme Wilson, rit. and @singinguna. The performance was presented with funding from the Berlin Senate Department for Culture and Europe.

© and ℗ 2023 Ramble Records.

Juno 3

Orbital Dusk

Juno 3: Orbital Dusk (excerpt)

An audio scrapbook compiled by sound artist and musician Graham Dunning, comprised of sonic art and experiments, improvised music, textures and rhythms, as well as selections from Dunning's archive of found home tape recordings, and a variety of regular features. 
https://www.nts.live/shows/fractalmeat/episodes/fractalmeat-3rd-october-2023

Fractal Meat On A Spongy Bone w/ Moritz Simon Geist  031023

Live Performance Mix the Musica di Strada Exhibition, Kleiner Wasserspeicher, Berlin 23.09.2023

Textural Study No 1: for  kinetic sound sculptures & real-time electronics

From the record "CHORD II"
https://doctornerve.bandcamp.com/album/chord-ii
Nick Didkovsky - guitar
Tom Marsan - guitar

Signal

This is a bonus track from the new Doctor Nerve record "LOUD".

Doctor Nerve is a rock band led by Nick Didkovsky, that has been annihilating the boundaries between rock, metal, improvisation, jazz, and experimental music since 1983. 

After finishing the mix, Nick invited some of his favorite guitarists to record alternative solos in place of his, and offer them as bonus tracks.

Here's Mike Keneally ripping it up on the track"Painting With Bullets"
His solo starts at 1:40

Get Doctor Nerve "LOUD" here:
http://www.punosmusic.com/doctornerve/loud/

Doctor Nerve with Mike Keneally: "Painting With Bullets"

Unreleased trio version of my tune Sweat the Grub, recorded 31 October 2011 at Strobe Recording in Chicago.
Jeb Bishop, trombone
Jason Roebke, bass
Frank Rosaly, drums
Recorded by Nick Broste.

Roughs 10-31-2011

SWEAT THE GRUB TAKE 3 ROUGH

"martyrs" is the first track from the third release by the free metal guitar duo CHORD (Nick Didkovsky and Tom Marsan on guitars). CHORD III draws the listener further into the expansive chasms of sound that were excavated by their first two releases.
Physical: http://www.punosmusic.com/chord/
Digital: https://doctornerve.bandcamp.com/album/chord-iii

"martyrs" from CHORD III

Artist: Paul Dunmall, Mark Sanders
Album: Unity
Label: 577 Records
File Under: Avant Jazz / Avantgarde / Free Jazz
Release Date: 5/14/2021
Cat#: 5852
Format: CD (first edition)
Barcode: 755491194232
CD-577R-5852

ABOUT THE SINGLE

After decades of collaboration and friendship, UK-based saxophonist Paul Dunmall and UK-based drummer Mark Sanders realized they had not made an album as a pair, featuring their respective instruments. On Unity (2021), they improvise uncomplicated, poetic and uplifting avant jazz melodies. This natural musical chemistry is exemplified on their track, ‘The Quiet Mind’ where Dunmall’s tenor saxophone paints a cohesive melody over Sanders’s percussive abstractions. This project is one of 28 that the pair has collaborated on over the span of their careers, and one of many that Sanders has made with 577 Records; it marks Dunmall’s second release with 577 Records, following Onosante (April 2021). Their full album, Unity, will be available on CD on May 14, 2021.


ABOUT THE ALBUM

After decades of collaboration, scores of musical projects and 28 releases, old friends and professional musicians might find themselves searching for either novelty or a return to the foundations. In the case of UK-based saxophonist Paul Dunmall and UK-based drummer Mark Sanders, it was both. The two musicians have had prolific careers—and made much of their work together—but in a recent phone call, they realized that they had never created a project that featured just their preferred instruments, saxophone and drums. Seeking to correct their oversight, they improvised Unity, a tempered and simple presentation of the instruments they’ve mastered alongside each other. Its five tracks offer unpretentious and uplifting avant jazz, exhibiting both their musical affinities and their natural collaborative chemistry. Following Onosante (April 2021), this marks Dunmall’s second release with 577, and will be one of Sander’s many projects with the label, including albums with Rachel Musson, Pat Thomas, Dave Tucker and Thurston Moore. Unity will be available on CD on May 14, 2021.

Paul Dunmall: Alto Saxophone (track 1), Tenor Saxophone (track 2 & 3), C Melody Saxophone (track 4 & 5)
Mark Sanders: Drums, Percussion      


577 Records is an independent record label based in Brooklyn, New York operating since 2001

577 Records
Brooklyn, New York
www.577records.com
©+℗ 2021

Unity

Paul Dunmall & Mark Sanders 'The Quiet Mind' from album UNITY (577 Records)

“Guitarist Han-earl Park is a musical philosopher…. Expect unexpected things from Park, who is a delightful shape-shifter….” — Brian Morton (Point of Departure)

Shifting and switching from No Wave skronk to interstellar guitarist-as-drummer virtuosity, from stampedes of miniature Pomeranian Buffalos to All-You-Zombies heterophonies, Han-earl Park (박한얼) has been performing beautifully messy, joyously difficult, ambiguous and discordant improvised musics for over twenty years.

Park is the mastermind behind ensembles including Eris 136199 with Catherine Sikora and Nick Didkovsky; Juno 3 with Lara Jones and Pat Thomas; and Gonggong 225088 with Yorgos Dimitriadis and Camila Nebbia; and performs as part of a duo with Richard Barrett. His ensembles have appeared at festivals including Jazz em Agosto (Lisbon), EFG London Jazz Festival, Brilliant Corners (Belfast), Freedom of the City (London), ISIM (New York), dialogues festival (Edinburgh) and Sonic Acts (Amsterdam). Park’s recordings have been released by labels including NEWJAiM, Ramble Records, SLAM Productions, Creative Sources and DUNS Limited Edition.

“A colorful, sometimes violent and revelatory listening experience that infuses modern aesthetics with the spirit of the ancient…. Ancient and primordial with ideas as open as the night sky….” — John Morrison (Jazz Right Now)

“Park… may just have the specter of drumming giant Rashied Ali guiding his hands. His fingers, palms and wrists tirelessly bounce, skitter, smear, stroke, strum, hammer-on, pull-off and thump his solid-body electric. Considering the rapidity of his technique, the effect is not simply percussive, but utterly drumkit-like and a liberated kit at that….” — John Pietaro (The New York City Jazz Record)