What a visual! Then, there is the journey of your epic music! I was intellectually satisfied and elegantly spoken to. Breath of fresh air.

Anti-Anxiety Ambient: Calm

We’re happy to welcome Berlin based musician Midori Hirano to the label with her new album Soniscope. The album will be out on September 10th on a heavyweight vinyl edition and digital. Award winning composer Robot Koch provided a rework of the track Patterns under his recently announced new ambient project Foam and Sand.

LISTEN/BUY: https://dauw.bandcamp.com

Artwork by Jelle Martens 
Mastered by Ian Hawgood

DAUWLP019

© & ℗ 2021 all rights reserved

https://dauw.bandcamp.com
https://jellemartens.info
https://midorihirano.com
https://www.robotsdontsleep.com

Midori Hirano - Patterns (Foam And Sand Remix)

X.Y.R. "Aquarealm" LP (NNF377)
Not Not Fun / 2022

ENTER THE REALM:
xyrmusic.bandcamp.com/album/aquarealm
midheaven.com/item/aquarealm-by-xyr

X.Y.R. "The Signals From The Abyss"

The Unfolding

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sdr gtr

Diatom Deli - Disarray

Listen / Buy: https://found.ee/rvngnl79

Lyrics
Guess I'll get away
since the day went wayside
I'm waking up in
six shades of disarray
all because I didn't go
Tell me is there someway
to skirt around this high tide?
or do I just let it cast me away?
oh how my fears crash then overgrow!
My old ways in which you cared for
go away once I start knowing
Since i've been away
my days are on the upside
but I'm looking
hard for you
in six shades of disarray
cause when I'm lost
you're where I'd tend to row
you know it's hard to think
how could it end up this way?
no honor and no meaning
tells me love has a way
on why it feels right to let it go
though I don't want to
My old ways in which you cared for
go away once I start knowing
Maybe we could try
Or maybe we won't
I miss you so much

©2022 RVNG Intl. // www.rvng.com

Time~Lapse Nature

Diatom Deli - Disarray

With a strong interest in geology and biology, Takahashi started imagining the landscape and life of the Earth in prehistoric times based on fossils and illustrated books, later used as inspiration for his compositions. At first sight, these images make it easy to envision the ecosystems and environments of prehistoric Earth as so distinct from those of today that they could almost be seen as different planets. Living through the pandemic, when Takahashi first started composing the songs, made him rethink his initial thoughts. 

“The Palaeozoic era was a time of extinction, of prosperity and decline. When I think ab out these facts from geology, they are quite spectacular. But I felt that this cycle is still happening today, b ut on a different scale. If you think about the time before Covid-19, people were very active and free to move around. It was with this in mind that I set about writing the music, imagining what it would be like to overcome the social upheaval of Covid-19." 

It's the similarities between his initial analogy and the new pandemic reality that ultimately formed the main context for Paleozoic. This led Takahashi to make an album which sonically reflected the sequence of Paleozoic: starting from a time when life flourished in the sea ,before the arrival of life on land, to the gradual arrival of plants and insects on land and the end of an era due to change. 

In order to create a more vivid representation of the life force and grandeur of nature, Takahashi decided to forgo his signature lo-fi production style of using GarageBand on his Iphone. For this, he enlisted the help of sound engineer, producer and Atoris bandmate Kohei Oyamada with the mix and arrangements, resulting in a highly evocative, expansive sound palette. 

“With his techno sensibility and sound engineering skills, he was able to bring me closer to the sound I've been chasing, which is full of mystery, life and images of a wild and simple time. This record is the first step in my work with him and the foundation for further progress." 

The result is a fascinating journey through imaginary landscapes infused with great dramatic affect and an acute sense for details across sweeping drones and electronic glistens. 
credits
released April 29, 2022 

Composed by H. Takahashi 
Mix & arrangement by Kohei Oyamada 
Mastered by Taylor Deupree (vinyl) and Kohei Oyamada (digital) 
Artwork by Alicia Carrera

Emerald

Sudany

Ocean

Ocean (Glimpse)

'Someone Close', out now on Ninja Tune: https://floatingpoints.lnk.to/someoneSo

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Someone Close

epoch

guise

Sad Face

08. [X - I#VI]

Disquiet0426 - Cellular Chorus

Passiflora

Composer / producer / singer

LIVE Dates and INFO
http://www.hannahpeel.com

The electronic underground, from minimal beats to ambient and everything in between. Curated by SoundCloud.

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