You can download all kukan effect's songs for free on Bandcamp. I would be happy if you could listen to it.

https://kukaneffect.bandcamp.com/music

#ambient
#ambientguitar 
#drone
#electronica 
#Japan 

■Official Site
https://kukaneffect.theshop.jp

■bandcamp
https://kukaneffect.bandcamp.com/music

■YouTube
https://youtube.com/@kukaneffect

■Spotify
https://open.spotify.com/artist/1AMsFh39nvVYLpqYfyfrrg

■Twitter
https://mobile.twitter.com/kukaneffect

■Instagram
https://www.instagram.com/kukan_effect

■Facebook
https://www.facebook.com/profile.php?id=100084217587504

coffee break - mastering ver.

'I don’t have a proper job, I'm a metamodern skank'
Varrick Zed's insouciant introduction sets the tone for 'Very', a taut new assault on the dancefloor from NYC avant-pop miscreants, Strange Flesh.

Taking aim at societal expectations as to how a life ‘ought’ to be lived, ‘Very’ is an anthem for those on their own deliciously precarious path, the soundtrack to beloved but ill-paying employment, affordable decadence, no children, and a healthy disregard for the future. 

Underpinned by a pulsating bassline and minimal electro-funk beat, the track’s wickedly catchy sonic palate is peppered with deconstructed synth hooks and subtle ambient flourishes, which, together with Varrick’s ice cool sprechgesang vocals, turn ‘Very’ into a full-blown pop leviathan. 

While we're feeling nebulous, 'Very' is backed by the darker, galloping strains of 'Sugoku', an accelerated club belter that complements its predecessor very well, before the EP's title track is hacked to pieces and rehewn by Digital Equipment Co. into a dementedly hiccupping new beast.

Last of all, legendary New Zealand DJ Stinky Jim elongates 'Very' into a jawdropping eight minute dub extravaganza, closing out this sizzling EP with aplomb.

For the as-yet-uninitiated, Strange Flesh comprises native New Yorker Varrick Zed, and London expatriate Ed Zed. The duo is based in Brooklyn, where they craft left field pop music out of whatever they find lying around in their apartment and their ravaged minds.

Very

Ymdrech

sunbeam

I've made collage audio forever, so this sort of project is easy for me.  The hard part is finding audio scraps that I haven't used, or used much.

In 2011, when I was living in Iowa City, I went downtown and made a bunch of field recordings.  A lot of that material ended up on my album Hide Yourself In Plain Sight.

One thing that didn't make the cut was me capturing a writer starting to read, and starting over, at Prairie Lights Bookstore.  He was reading something he wrote about Norbert Wiener and juxtaposing it with some Gwen Stefani reference, which to me is an excellent example of modern academic and literary nonsense, or I guess a "signal to noise".  

As that short clip in the track finished, I included two quick samples, panned left and right.  Left is a girl asking a bus driver a question, and Right is some drunk guy saying "Viggo Mortenstein" instead of Viggo Mortensen.

Also in there are some other loops, largely recorded from apps on the first generation iPad I had at the time.

More about me and my music at:  https://www.markrushton.com

More on this 621st weekly Disquiet Junto project, The Leftovers (The Assignment: Use recently discarded material to make something new), at: https://disquiet.com/0621/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0621-the-leftovers/

Norbert Wiener Signal Versus Noise (disquiet0621)

More on this 621st weekly Disquiet Junto project, The Leftovers (The Assignment: Use recently discarded material to make something new), at: https://disquiet.com/0621/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0621-the-leftovers/

I'm In The House (disquiet0621)

JAZZ

Instructions: Take one held tone and make it dance slowly.

I took a sine wave at C3 and made it dance slowly, and later, less slowly.

C3 Slowdance [disquiet0631]

Awfully Civilised marks a significant milestone for Broken Bear as it represents their first collaboration with a producer outside of their ranks (whose recent credits include Blur, Massive Attack, Tom Grennan, and James Bay!). This collaboration has allowed them to infuse new life into their already unique sound, resulting in a track that promises to captivate audiences with its emotive lyricism and innovative soundscapes.

Broken Bear’s signature dark, melancholic, moody, raw, and grungey style has captured the attention of BBC Introducing and Tom Robinson's BBC 6Music Mixtape and has garnered them comparisons to iconic acts such as Nirvana, Radiohead and Fleetwood Mac.


LYRICS:

I found my peace
In the middle of a war 
Became the beast 
But forgot what for
Smashed through the ceiling 
Which was also a floor 
Feeding the plants
But killing the soil

Bleach it 
Start again

Been awfully civilised 
Being awfully civilised

I cut my teeth
As a professional whore 
On my knees
I can see much more
Saving yourself 
Is killing us all

Bleach it 
Start again

Been awfully civilised 
Being awful civilised

We are adjusting to a sick society

Awfully Civilised

Ah ces poly-sons ! Ils sont complètement tirés par les plumes en saison sèche … car, quand l’appel du parapluie fait un sens averse, c'est une pluie d’oiseaux qui vient fredonner la polyphonie d’Azillanet.

"Goutte que Goutte" est une pièce sonore réalisée par la fusion de 4 gouttes de Belgique avec 5 gouttes de France. C'est une composition de sons glanés dans le village d'Azillanet et sa nature environnante, à différents moments d'une journée et d'une semaine, et aux hasards de rencontres avec les habitant.e.s, les oiseaux, les fluides, les végétaux et les lieux de vie. 
Elle témoigne autant de la diversité des sensibilités de ses créateurs et créatrices, que de la singularité de leur écoute poétique du monde. Ecouter le monde, c'est se relier à lui et en prendre soin, même en temps de pluies, alors coûte que coûte, les micros ont été sortis et les oreilles se sont ouvertes.

Les 4 gouttes de Belgique : Virgile Loiseau, Zoé Maus, Katherina Lindekens et Anne Versailles.
Les 5 gouttes de France : Marie Spiller, Nils Loret, Floriane Pochon, Anne Girard Esposito et Juliette Mariel.
L'espace temps de leur fusion : le merveilleux stage de field-recording organisé par Félix Blume, du 30 avril au 5 mai 2024. 
Merci à Georges, Nico, Stéphane, Anne, Mireille, Patrick, Ana, tous les habitant.e.s d'Azillanet, le rossignol, le Couvent, le Foyer Rural, la cloche, la mare aux crapauds, et bien sûr la pluie !

Goutte que Goutte

Song: Be my friend
music and lyrics by Hannya White
all rights reserved

Lyrics:

Hello, you want to be my friend
Hello
Hello, you want to be my friend
I want to play with you
Hello, you want to be my friend
Come let's play
Hello, you want to be my friend
I play with you
Hey, you want to be my friend
Let's play
Let's play
The Game
Hello
Want to be my friend

People far away
Smoke and the smell
Laughter
Playing for me
Tingeling, sail away
High-rises in between

Be my friend

for hello 
hannyawhiteofficial at gmail dot com
Next gig:
13th Jan 24 The George Tavern , London
https://www.realsounds.uk/event-details/48

Silver Cowboy 'OUT NOW'
linktr.ee/hannyawhite


will be nice
https://linktr.ee/hannyawhite
Release 2023 'I call you another name'
Release  "No Preview" OUT NOW
https://hannyawhite.bandcamp.com

I make music, I do paintings, mmmmmh I like that show!
Musician/Band from London
See you out in the world
hannyawhiteofficial@gmail.com
The world is an (R) and a (c)

Be my friend

Hannya White

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