Ergreifend. Mit diesem Wort ist alles gesagt. Naja, fast alles - ein "sehr" könnte man noch davorstellen!  ;o)

Great to hear this beautiful moving piece again Hans-Peter.

have you ever heard King Crimsons Thrak, for some reason this reminds me of that

nice to revisit this splendid harmonic work

Magic! It's a beauty and the Cover Art is lovely too...!

FEAR OF DEW (INSANE ERRORS)

In a world so threatening everywhere, these melodies appear, with  the great drummer JAY WEINBERG of SLIPKNOT, greetings to all brothers, I will visit you soon

ROCK METAL 2

INSANE JAZZ METAL

INSANE JAZZ METAL (METALIZADO WHIT JAY WEINBERG  SLIPKNOT) free download, share my art

This track is built on top of a sequence that I produced with the microfreak sequencer which I was quite happy with. The drum track was created in Korg Gadget and many of the added synth lines are from the minilogue.

"A cascading failure is a failure in a system of interconnected parts in which the failure of one or few parts leads to the failure of other parts, growing progressively as a result of positive feedback." - Wikipedia

Cascading Error

Morning Dew On The Window

This is a song i wrote for my next album[Tales of generation x]
it is about class division how the rich and the poor have to share the same citys and the same planet  how we conquer and divide.
Its also a song about our fears and anxietys about love and how we interact with other humans.
We make our own desires so mind the gaps of history us wolfs we hunt alone
keep calm and carry on -jim sept 2022
watch the music video on my youtube https://youtu.be/wLanb1-hulI

Fear of Attraction

fear of attraction

Fear Of Attraction [watch the music video on youtube]

Boxy 2’s “Future Past Mind" remixed into a rock track
Featured voice electronic music composer Delia Derbyshire
BOXY 2 APPROVED ELECTRA VOLCANA @user-6008493 CREATION
Photo : Electra Volcano

[ d o w n l o a d a b l e ]

BOXY - Future Past Mind (REMIX By Electra Volcana)

A snowman is a symbol of happier and a simpler time as a child. As I grow older, and a tad bit cynical, I would like it back.  During this holiday season, may you enjoy the company of family and friends, and have warm memories of those that are missed. That is everything. Merry Christmas to all!

my snowman

Another melody in appreciation of the natural beauty in and surrounding Springville, AL.

Please listen to my "Sights of Springville" playlist.
https://soundcloud.com/kirk-evans-604267716/sets/sights-of-springville-1

Canoe Creek

A Coin In The Wishing Well

My lovely Annie and myself are pleased to offer you our first 2024 Passion Arcade synth pop track !
We hope you will like it!

And of course, check out @annie-smart-1 for more beautiful tracks :)

Passion Arcade - Connect To Me

open collab offer by Paul: https://soundcloud.com/paploviante-and-friends/slightly-paploviante
__________ Paploviante: Synth, Composing, Arrangement, Mix, Picture and Mastering 
__________ joerxworx: Flute, Drums, remix, ... picture= adaption from Paul's hot cover :-)
I understand the flute as being in dialog with the wonderful guitar, played in one go ...

Slightly ... by Paploviante // joerxworx remix

Artist Picture. dolorsilentium Instagram
Cover Art Editor. Shyntwirl
PROD. Shyntwirl 

Shyntwirl - Entity (PROD. Shyntwirl)

An Easy Feeling

Official trailer: https://youtu.be/Wn-nPby2pUo?si=NFXoDrD9VTom2HJV
This track is taken from the original motion picture “VAKHIM” by Francesca Pirani, screened on September 6, 2024, at the 81st Venice International Film Festival – Giornate degli Autori (Notti Veneziane). I composed and produced the original soundtrack, basing all the work on the search for sounds capable of representing and evoking the deep memories of the protagonist’s early years in Cambodia, and connecting that world with the Western one into which he was projected after being adopted by the same director at the age of four. The soundtrack moves between thematic lines linked to the emotional realities of the characters and indeterminate sounds, with detailed spatial design created through the Dolby Surround 5.1 system. This piece, combining symphonic orchestra and Cambodian ethnic instruments, represents a sonic synthesis of the entire soundtrack. It was conceived and mixed in Dolby Surround 5.1, where the Western orchestral sounds are positioned in the front and the Southeast Asian instruments behind, creating an immersive spatial dialogue between the two musical worlds. My compositional poetics clearly emerge in the relationship between music and image, where sounds become part of the visual movement itself, treated as “images within the scene.” The most intense moments are interpreted by the beautiful voice of Lavinia Mancusi. The film received numerous awards, including the Special Mention at the 34th African, Asian and Latin American Film Festival, the Signum Audience Award at the 18th Salina DocFest, three recognitions at the Cambodia Town Film Festival (USA), the official selection by the University of Auckland (CINEDANTE), and the Audience Award at the Rome International Documentary Festival – RIDF. It also achieved great public success (sold out at Cinema Farnese, Rome), attended by the director and several renowned figures, including Maestro Marco Bellocchio.

Questo brano è tratto dalla colonna sonora del film “VAKHIM” di Francesca Pirani, proiettato il 6 settembre 2024 alle Notti Veneziane – Giornate degli Autori (81ª Mostra del Cinema di Venezia). Ho composto e prodotto la colonna sonora originale basandomi sulla ricerca di sonorità che potessero rappresentare ed evocare le memorie profonde dei primi anni di vita del protagonista, vissuti in Cambogia, mettendo in relazione quel mondo con quello occidentale nel quale è stato proiettato dopo l’adozione, avvenuta a quattro anni da parte della stessa regista. La scrittura musicale si muove tra linee tematiche legate alle realtà emotive dei personaggi e suoni indeterminati, con un accurato lavoro spaziale realizzato in Dolby Surround 5.1. Questo brano, con orchestra sinfonica e strumenti etnici cambogiani, rappresenta una sintesi sonora dell’intera colonna sonora: gli strumenti occidentali sono disposti in primo piano e quelli del Sud-Est Asiatico sullo sfondo, creando un dialogo immersivo tra i due mondi musicali. Nel rapporto musica-immagine emerge la mia poetica compositiva, dove i suoni diventano parte integrante del movimento scenico, trattati anch’essi come immagini nella scena. I momenti più intensi sono interpretati dalla splendida voce di Lavinia Mancusi. Il film ha ricevuto la Menzione Speciale al 34° Festival Cinema Africano, d’Asia e America Latina, il Premio Signum del Pubblico al Salina DocFest, tre riconoscimenti al Cambodia Town Film Festival (USA), la selezione ufficiale alla University of Auckland (CINEDANTE) e il Premio del Pubblico al Rome International Documentary Festival – RIDF. Grande successo di pubblico (sold out al Cinema Farnese di Roma), alla presenza della regista e di importanti esponenti del cinema, tra cui il Maestro Marco Bellocchio.

TEMA DI VAKHIM (from the original motion picture "Vakhim")

Guilty pleasures:

1.  70's synth wig-outs
2.  Guitars put through modern amps with fuzz, ping-pong delay and a s**t load of reverb
3. Mellotron choirs...

ESP (Weaponised)

Track shows a very delicate theme and a quite hard-riffed part, both alternating and finally flowing up to an endless symphonic dream (words are half a poem I wrote previously (not these, but lyrics below)).

Letra  /  Translated lyrics:

No despiertes (Sólo un sueño)  /  Don’t you wake up (Only a dream)

No... despierta... no... no despiertes  /  No ... wake up ... no ... don’t you wake up
no, cuidado... no despiertes, na na na na na...  /  no, take care ... don’t you wake up, na na na na na…
... despierta al fin y date cuenta  /  ... wake up at last and realize
de que todo ha sido un sueño, na na na na na...  /  everything has been a dream, na na na na na...

Una vez más, nervios y resentimiento,  /  Once again, nerves and resentment,
todo en mi vida es sueño, sólo ha sido eso.  /  everything in my life is a dream, it has only been so.

Y de nuevo, con el tiempo,  /  And again, with time,
incubando un nuevo sueño,  /  incubating a new dream,
me voy hundiendo en mis propios brazos,  /  I am sinking in my own arms,
me acuno, me canto y me voy acostumbrando...  /  cradle myself, sing to myself and get used...

Otro escenario, otros personajes,  /  Another stage, other characters,
la misma historia, na na na na na...  /  the same story, na na na na na...
que durará un día, un milenio,  /  which will last one day, a millenium,
toda mi vida, na na na na na...  /  all my life, na na na na na...

Pero sin duda vendrán a despertarme  /  But undoubtedly the laughs of people
las risas de la gente, alguna tarde.  /  will come to wake me up, any evening.

Y entonces, con miedo...  /  And then, fearfully...

No... despierta… no… no despiertes (…)  /  No ... wake up ... no ... don’t you wake up (…)

No despiertes (Sólo un sueño)

(Don't follow me here, best on my main page ;)

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Hans-Peter Sommeregger

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