Wonderful playing and nice remix‼️ Great work‼️

very beautyful relaxing Mood 🙏 Klasse gespielt.... smooth Backing 🙏

❤️❤️❤️❤️❤️🎶🎶🎶🎶🎶🎶

Gorgeous flute addition! Fantastic collab!

A beautiful piece and Your flute additions make it very spacious. Wonderful sounds played on point. Fantastic collaboration!

what a great collab! excellent mood in this track! liked the spirit of this sound, remebered me so great experiences from the seventies!

Dusty Trails

Surfers like us - Guitar https://soundcloud.com/user-411502040/tracks
Well - synths
This piece is the final result of our latest collaboration. This time we have the pleasure of inviting you to travel through time and space, and perhaps we can cross that boundary together.
   The end of the year is a time to visit each other and travel. So this will be a winter journey, in snow and blizzard. Perhaps during sunset or even at night... Either way, the doors of imagination have been opened!
    We hope to drift together in melancholy reverie towards the new year. Thank you for your time, attention and your ongoing support. Happy New Year!!!

Release date 28/12 2023

WINTER TRIP - w/Surfers Like Us

Now Christmas time is now passing and we are heading into a new year I would like to thank all of you who have taken your precious time to listen and support my music over the past year. I appreciate you all.

Music,arrangment,orchestration,mix and production :- Pablo

Christmas Passing

Brian Butts - Guitars, Drums, Bass, Keyboard, Master Mix
Bastacho - Recorder

Morphometry

Bandcamp

Downfeather (feat. Bastacho)

Music by Kontra Sz & Val Akey.
- Kontra Sz: plays rythm guitars, lead guitars;
- Val Akey: drums-, bass- and keys programming (mixing and mastering) + cover art.
Many thanks Kontra Sz for the fantastic guitar play! https://soundcloud.com/kontra-sz

Release date:
12 January 2024

Captive Of Time (Kontra Sz & Val Akey collab)

a softer track to repair your hearing damage by listening to my metallurgical track!

C'est Un Trou De Verdure Où Coule Une Rivière (It's a green hole where a river flows)

open collab offer by Paul: https://soundcloud.com/paploviante-and-friends/slightly-paploviante
__________ Paploviante: Synth, Composing, Arrangement, Mix, Picture and Mastering 
__________ joerxworx: Flute, Drums, remix, ... picture= adaption from Paul's hot cover :-)
I understand the flute as being in dialog with the wonderful guitar, played in one go ...

Slightly ... by Paploviante // joerxworx remix

Jellyfish Palace

Portal To Another World

PS Perkins: Guitars, bass, lyre, vocals
Ron Thomas: Autoharps, Drums

Production notes:
---------------------------------------------
Very early on we wanted to use autoharps on this song to create a sort of swirling backdrop, reminiscent of the harps in Indian/Bollywood soundtrack songs of the seventies.

Right away there were challenges because the song is in B flat and is not wholly diatonic to begin with, utilizing a chord built on the augmented lydian scale in the choruses. So rather than transpose the song to a more amenable key (since the chromatic bits weren't going to work no matter what key we used) we instead re-tuned the autoharp. Moving through the strings one by one we tuned them either up or down a half step where applicable to bring them into key. Where the augmented chord hit in the choruses, we excluded those notes so that the autoharp was filling the diatonic parts of the chords and omitting the accidentals. It took us several tries to get it right. In the end we arrived at a chord progression that could be strummed on the autoharp and the modified chords could be played with existing dampers.

We also tuned the lyre so that the top half of the strings included the chromatic augmented notes while the lower register of the lyre was tuned using the diatonic, so the lyre could play the melody all the way through both parts of the song.

The inspiration for this song was essentially fourfold:
--------------------------------------------------------
First, H.P. Lovecraft's terrifying necromancer Joseph Curwen (from "The Case of Charles Dexter Ward") who masked his true identity in order to thwart suspicion from his fellow townsfolk. He has many secrets lurking in his underground catacombs where he performs acts of necromancy most foul, extracting the "salts" of the dead in order to raise them at will and learn the secrets of ancient eldritch deities.

Second, a poem by Rudyard Kipling titled "En-Dor" which was a warning against the rise of spiritualism and the cost of communion with the dead in the early 20th century.

Third, the biblical Saul who traveled in disguise to visit a witch at the city of Endor in order to summon Samuel from the dead and garner advice on defeating the Philistines, but who only prophesies doom for Saul. Saul dies later the next day in the battle of Gilboa.

Lastly, the story of Odysseus communing with the underworld where he enlists the help of Tiresias to have a chat with the dead and secure for himself a safe journey home.

They all seek communion with the dead for one purpose: to gain knowledge which only those who have crossed over between realms might possess. 

Lyrics:
-------------------------------------
A mask may reveal what it’s meant to conceal
From those who are standing beside us
Armor of pride, so we learn to abide
By the monsters which hide deep inside us
The monsters which lurk deep inside us
Oh, how they scratch and they bite us
The monsters which lurk deep inside us

Only to know what the professor knows

Eating black bread, wearing clothes of the dead
The soil soaked in honey around us
For fear if we failed, leave the ogre unveiled
And it’s back in the grave where they found us
Back in the grave where they found us
Freed from the ties which had bound us
Back in the grave where they found us

Only to know what the professor knows

In the catacomb vaults, we extracted the salts
From cadavers to lengthen our youth
Chanting the names at the edge of the flames
And a mirror to show us the truth
A mirror which speaks only truth
See how it seeks not to soothe
A mirror which speaks only truth

Only to know what the professor knows

In the underworld maze, in the night of no days
Concocting the plan we’re devising
Much to endure on the road to En-Dor
And to snatch from Elohim arising
To snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising

BARDS: Of the Shimmering Seraphs

The Professor

For Phillis Wheatley

Thanks so much for 437K plays since 2013 !!!*
https://soundcloud.com/charts/new?genre=all-music&country=all-countries
___ https://www.drumax-project.de
___ Drumax PROJECT with @docfritz / https://oesj.eu/drumax
___ the Lunatics project with @cosmic-ratzzz
A playlist of collabs which should be updated :-))
https://soundcloud.com/joerxworx/sets/joerxworx-collabs-the-big
.......... band/jam cloud: https://soundcloud.com/pland-jammin
.......... my old account: www.soundcloud.com/joerxtune
.......... Also on https://hearthis.at/joerxworx-8v/
Jörg S. born in Cologne, from youth on, was fascinated by all kinds of art, so he taught himself the saxophone very early. Nowadays flutes of all kind are also part of the equipment, as are jaw harps, percussion, bass, guitars and keyboards.
He was and is always involved in many band projects and session events.
In the 80s he was a saxophonist in the Adam Noidlt Intermission Orchestra with gigs in Berlin, Cologne, Düsseldorf and Basel. Very early on he also worked as a writer with live readings in the Cologne area and was a painter with large formats for many years, all in addition to his job as a graphic designer. Now, retired, devoted solely to music: home recording with the platform of choice, Soundcloud and global collaborations.

*32K before 2016

Slightly ... by Paploviante // joerxworx remix

joerxworx

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