The Hop

gianni

Cant stop wont stop

electro hip hop

Classy

Epic

Song

ProGrastination 4.0

Best of both worlds rework of both previous Cure/ODB blends, remade & remastered.

Exclusive download link arriving soon via Spinforth's 91st Scour:
http://ghettofunk.co.uk/spinforths-biweekly-soundcloud-scour-91/

Close to Shimmy (Scour VIP Mastermix)

Download this mixtape for free at http://mavericksabre.bandcamp.com 

Twitter: @mavericksabre
Facebook.com/mavericksabre


I Need

We'll Be Alright

RED HOT TRILLI PEPPERS T-SHIRT... GET ONE HERE! http://teespring.com/trillipeppers

PLEASE HEART ON HYPEM! http://hypem.com/track/22yx9/The+Melker+Project+-+Bone+Thugs-N-Chili+Peppers+(Otherside)+feat.+RHCP+&+Bone+Thugs-N-Harmony

Fresh off the heels of his viral sensation “Ballin’ Oates,” which was dubbed “The Greatest Mixtape Ever” by Philadelphia Magazine, The Melker Project is back with “Red Hot Trilli Peppers.” On this epic offering, The Melker Project mixes 6 Red Hot Chili Peppers classics with the likes of Future, 2 Chainz, Dr. Dre, Tupac and everyone in between.

His 5th EP focusing on a single classic artist, Red Hot Trilli Peppers was a formidable project. “I've been listening to the Chili Peppers since I was in middle school, and have always wanted to remix their songs- they’re the sh#t. The breadth of their catalogue is astounding, so it was tough to choose the perfect tracks." Melker says. The first track off of the project is “Bone Thugs & Chili Peppers (Otherside)” which is premiering exclusively on BroBible. The track features a complete, house and crunk infused reworking of “Otherside” complimented by the epic vocals from “Thuggish Ruggish Bone.”

The entire 6 track project , as well as the official t-shirt, is premiering on Uproxx on March 12th – and the official release party is that night at SXSW. The event features a live set by The Melker Project, as well as performances by Snoop Dogg, Sage The Gemini and more.  Red Hot Trilli Peppers will be available for free download on The Melker Project’s facebook page.

www.themelkerproject.com
@scottmelker

Free Download 

The Melker Project - Bone Thugs-N-Chili Peppers (Otherside) FT. RHCP & Bone Thugs-N-Harmony

Our debut album "When It Was Now," is now available on iTunes- smarturl.it/atlas

Subscribe for more new music on YouTube- bit.ly/W8yTQS
iTunes - www.smarturl.it/atlas
Facebook- facebook.com/atlasgenius
Twitter- twitter.com/atlasgenius
Tour Dates- atlasgenius.com/tour

Lyrics to Trojans:
Take it off
Take it in
Take off all the thoughts of what we've been
Take a look
Hesitate
Take a picture you could never recreate
Write a song
make a note
for the lump that sits inside your throat
Change the locks, change the scene
Change it all but can't change what we've been

Your trojan's in my head

It's ok if it's gone
The thoughts that you had that it was the one
And oh what is left?
For all those times is that what you get?
Oh regardless
The walls get painted anyway
Oh you're guarding
The gates, but it all got away

Your trojan's in my head

Take it off
Take it in
Take off all the thoughts of what we've been
Take a look
Hesitate
Take a picture you could never recreate
Write a song
make a note
for the lump that sits inside your throat
Change the locks, change the scene
Change it all but can't change what we've been

About Atlas Genius-
The members of Adelaide, Australia’s Atlas Genius do things a little differently….They set about building a studio where they could write and record music for their newly formed band 3 years before they even played their first live show as Atlas Genius. For two years, they devoted their days to constructing their dream studio and spent their nights performing songs by The Police, The Beatles and The Rolling Stones at local pubs to pay the bills. “We really got down and dirty with dry walling and literally laying the floorboards, and at the same time we were taking a couple of days a week to focus on writing songs,” recalls Keith Jeffery, Atlas Genius’s vocalist/guitarist. "We had a lot of song ideas and it was important to us to have our own studio where we could experiment and hone in on our sound," adds brother and drummer, Michael Jeffery. The studio was designed and outfitted by the brothers with the help of their father (who comes from a music and engineering background). Once the studio was complete, the first song that Atlas Genius finished was a song called “Trojans,” which they wrote, recorded and produced in collaboration with their friend, keyboardist Darren Sell. After many weeks tweaking the song, Michael insisted that the song was ready to be heard outside of the studio walls. Within an hour, “Trojans” was on the Triple J Unearthed Website, SoundCloud, and for sale via TuneCore on iTunes, Amazon and Spotify worldwide.

“We had begun to think that music was a pipedream and we had all gone back to university to pursue more realistic careers,” says Keith. “We’d had such a long slog of playing late nights and working all day, and it felt like we didn’t really have anything to show for it.” But then, in the midst of cramming for their Fall 2011 semester final exams, Neon Gold discovered “Trojans” on the Triple J Unearthed Website and wrote a post praising “Trojans” as a song sure to “invade your head, all dressed up in a clever disguise of earnest vocals riding a hooky riff.” Checking the band’s email account for the first time in over a month, the band found that dozens of record labels, publishers, lawyers, booking agents and management companies from all over the world had contacted them.

“We were trying to focus on school, but it was just impossible,” recalls Keith. “So we said, ‘There’s something going on here. Let’s get back to the music.’” The band added manager, Jonny Kaps from +1, to their extended family to navigate all of the interest as the band focused on writing and recording more songs.

Quickly named an iTunes Single of the Week in Australia and New Zealand, “Trojans” reached #4 on Hype Machine by the end of May. In August, SiriusXM Satellite Radio’s Alt-Nation discovered the song on a blog and decided to give it some spins. There was an immediate reaction from listeners, and in September, “Trojans” was placed into heavy rotation, where it maintained a top-five position on the listener-generated Alt-18 countdown and peaked at number one for 4 consecutive weeks in January 2012. “Trojans” began selling over a thousand tracks per week on U.S. iTunes and soon climbed to 45,000 sales - all with zero promotional efforts from the still-unsigned Atlas Genius.

“Knowing we had this audience that was waiting on new songs, we had a much greater sense of purpose than we had before,” says Keith. “It was really exciting to know that there were people who wanted to hear more of our music.” Although labels were clamoring for the band to come to the U.S. and play a series of showcase gigs, Atlas Genius turned down those offers in favor of staying in Adelaide to keep writing and recording new songs. In February 2012, after months of communicating with numerous labels via Skype, the band chose to travel to the US in order to make their label decision.

“We’d never been to America before,” says Keith. “We flew in at night and saw this sea of lights, and it really became apparent to us how massive the U.S. is. It was pretty intimidating - like ‘How do we fit into all this?’” In April 2012, the band returned to the states having made their decision to sign with Warner Bros. Records. “We felt a connection with them,” notes Keith. “Everyone there feels very creative and dedicated to the music.”

The band’s first release from their new label home, the EP Through The Glass (produced, engineered and mixed by the band), came out in June of 2012. With Through The Glass completed, Atlas Genius then holed up in its studio and worked on writing and recording its first full-length album, while at the same time rehearsing for their first ever tour. The tour started in August 2012 and led to three more tours back to back taking them thru to the end of the year. Thus, their full-length debut was finished up between tour dates and got completed just before Christmas 2012. When It Was Now is set for a US release on February 19th, 2013, with an international release to follow soon after.

The debut captures Atlas Genius’s singular combination of sophisticated musicality and warm, wistful spirit. Infused with a classic sensibility, each of the songs would fit seamlessly if somehow slipped into a long-treasured mixtape. On the shimmering “Symptoms,” for instance, taut keyboard riffs mesh with urgent acoustic strumming before the band bursts into a gently frenetic, guitar-drenched chorus. Meanwhile, “Back Seat” blends its pulsing bass throb with a sweetly infectious beat and tender vocals that alternately soar and sigh. And on “Trojans,” Atlas Genius begins with a restrained guitar melody and vocal (“Take it off, take it in/Take off all the thoughts of what we’ve been”) before giving way to the handclap-accented, harmony-soaked refrain and lush yet kinetic bridge.

“It’s still surreal,” says Keith of all that’s happened over the past 18 months. “I think when we were very young, we had hopes that something like this might happen one day,” he continues. (Thanks largely to encouragement from their Beatles fanatic parents, who encouraged the brothers to begin playing music by age 14.) “But then you grow up a bit and it seems less and less likely. So when we put ‘Trojans’ out, we figured it would be a success if maybe a hundred people heard it. We don’t want to force our music onto anyone. Our goal is to write songs that we love and we hope they connect with other people too.”

Trojans

Buy on iTunes

Ain't Nothing Like (Nextmen Remix)

Played out featuring the Jungle Brothers

A Story About The Honest Boy And The Naughty Girl

C'Mon

Can't Stop Won't Stop -- Stop, Drop, Roll

Can't Stop Won't Stop - Up And Away

<a href="http://www.redbull.co.uk/cs/Satellite/en_UK/Article/DJ-Mix--Bondax-021243249368366"_blank"">Go to RedBullStudios.com for the full track list and exclusive Bondax content.</a>


Tracklist

Introducing Mix for Red Bull Studios London

Remix of Ben Ivory's "Better Love". 
(https://www.facebook.com/pages/Ben-Ivory-Official/180813192018411)

Available now, in certain regions, on Beatport.

Ben Ivory - Better Love (Robotaki Extended Mix)

Buy on Bandcamp

Teragraph

No Strings [RAC Remix]

The Chase

Support on iTunes

Televisor - The Chase

Yonkers- Tyler the Creator

M I A - Paper Planes

New Green Day's song from ¡Dos! Vynl "Drama Queen" 

Green Day: "Drama Queen" - ¡Tré!

Strut

Televisor - Strut

Tracks from brand new cd, "Dragon Slayer".

The Bomb

Eyes Wide Open is from the Gotye album Making Mirrors, released August 19, 2011

Produced by Wally De Backer
Additional production by Francois Tetaz

Mixed by Francois Tetaz,
Assisted by Andy Stewart and Wally at The Mill, Gippsland, VIC

Drums recorded by Francois Tetaz at Soundpark Studios, Northcote, VIC
Cellos and bass recorded by Francois Tetaz at Moose Mastering, Richmond, VIC 
Pedal steel guitar recorded by Lachlan Carrick in the loungeroom of Matt Walker's house, Upwey, VIC
The Winton Musical Fence (designed and constructed by Graeme Leak) recorded by Wally, Winton, QLD
All other sounds collected, manipulated or recorded by Wally in The Barn, Merricks, VIC

Performers:
Whale Cellos: Gareth Skinner
Poker Bass: Lucas Taranto
Wasteland pedal steel guitar: Michael Hubbard
Drums, Winton Musical Fence, sampled sounds,
lead and backing vocals: Wally

Mastered by William Bowden at King Willy Sound, Stanmore, NSW

Artwork: Wally

*****************************
So this is the end of the story
Everything we had, everything we did
Is buried in dust
And this dust is all that’s left of us

But only a few ever worried
Though the signs were clear, they had no idea
You just get used to living in fear
Or give up
When you can’t even picture your future

We walk the plank with our eyes wide open…

Some people offered up answers
We made out like we heard, but they were only words
They didn’t add up
To a change in the way we were living

And the saddest thing-
Is all of it could have been avoided
But it was like to stop consuming is to stop being human
And why would I make a change if you won’t
We’re all in the same boat, staying afloat
For the moment

And we walk the plank with our eyes wide open, we..
Walk the plank with our eyes wide open

With our eyes wide open we...
Walk the plank, we walk the plank

And that was the end of the story



Eyes Wide Open

Can't Stop Won't Stop - Place to Be

Our debut album "When It Was Now," is now available on iTunes- smarturl.it/atlas

Subscribe for more new music on YouTube- bit.ly/W8yTQS
iTunes - www.smarturl.it/atlas
Facebook- facebook.com/atlasgenius
Twitter- twitter.com/atlasgenius
Tour Dates- atlasgenius.com/tour

About Atlas Genius-
The members of Adelaide, Australia’s Atlas Genius do things a little differently….They set about building a studio where they could write and record music for their newly formed band 3 years before they even played their first live show as Atlas Genius. For two years, they devoted their days to constructing their dream studio and spent their nights performing songs by The Police, The Beatles and The Rolling Stones at local pubs to pay the bills. “We really got down and dirty with dry walling and literally laying the floorboards, and at the same time we were taking a couple of days a week to focus on writing songs,” recalls Keith Jeffery, Atlas Genius’s vocalist/guitarist. "We had a lot of song ideas and it was important to us to have our own studio where we could experiment and hone in on our sound," adds brother and drummer, Michael Jeffery. The studio was designed and outfitted by the brothers with the help of their father (who comes from a music and engineering background). Once the studio was complete, the first song that Atlas Genius finished was a song called “Trojans,” which they wrote, recorded and produced in collaboration with their friend, keyboardist Darren Sell. After many weeks tweaking the song, Michael insisted that the song was ready to be heard outside of the studio walls. Within an hour, “Trojans” was on the Triple J Unearthed Website, SoundCloud, and for sale via TuneCore on iTunes, Amazon and Spotify worldwide.

“We had begun to think that music was a pipedream and we had all gone back to university to pursue more realistic careers,” says Keith. “We’d had such a long slog of playing late nights and working all day, and it felt like we didn’t really have anything to show for it.” But then, in the midst of cramming for their Fall 2011 semester final exams, Neon Gold discovered “Trojans” on the Triple J Unearthed Website and wrote a post praising “Trojans” as a song sure to “invade your head, all dressed up in a clever disguise of earnest vocals riding a hooky riff.” Checking the band’s email account for the first time in over a month, the band found that dozens of record labels, publishers, lawyers, booking agents and management companies from all over the world had contacted them.

“We were trying to focus on school, but it was just impossible,” recalls Keith. “So we said, ‘There’s something going on here. Let’s get back to the music.’” The band added manager, Jonny Kaps from +1, to their extended family to navigate all of the interest as the band focused on writing and recording more songs.

Quickly named an iTunes Single of the Week in Australia and New Zealand, “Trojans” reached #4 on Hype Machine by the end of May. In August, SiriusXM Satellite Radio’s Alt-Nation discovered the song on a blog and decided to give it some spins. There was an immediate reaction from listeners, and in September, “Trojans” was placed into heavy rotation, where it maintained a top-five position on the listener-generated Alt-18 countdown and peaked at number one for 4 consecutive weeks in January 2012. “Trojans” began selling over a thousand tracks per week on U.S. iTunes and soon climbed to 45,000 sales - all with zero promotional efforts from the still-unsigned Atlas Genius.

“Knowing we had this audience that was waiting on new songs, we had a much greater sense of purpose than we had before,” says Keith. “It was really exciting to know that there were people who wanted to hear more of our music.” Although labels were clamoring for the band to come to the U.S. and play a series of showcase gigs, Atlas Genius turned down those offers in favor of staying in Adelaide to keep writing and recording new songs. In February 2012, after months of communicating with numerous labels via Skype, the band chose to travel to the US in order to make their label decision.

“We’d never been to America before,” says Keith. “We flew in at night and saw this sea of lights, and it really became apparent to us how massive the U.S. is. It was pretty intimidating - like ‘How do we fit into all this?’” In April 2012, the band returned to the states having made their decision to sign with Warner Bros. Records. “We felt a connection with them,” notes Keith. “Everyone there feels very creative and dedicated to the music.”

The band’s first release from their new label home, the EP Through The Glass (produced, engineered and mixed by the band), came out in June of 2012. With Through The Glass completed, Atlas Genius then holed up in its studio and worked on writing and recording its first full-length album, while at the same time rehearsing for their first ever tour. The tour started in August 2012 and led to three more tours back to back taking them thru to the end of the year. Thus, their full-length debut was finished up between tour dates and got completed just before Christmas 2012. When It Was Now is set for a US release on February 19th, 2013, with an international release to follow soon after.

The debut captures Atlas Genius’s singular combination of sophisticated musicality and warm, wistful spirit. Infused with a classic sensibility, each of the songs would fit seamlessly if somehow slipped into a long-treasured mixtape. On the shimmering “Symptoms,” for instance, taut keyboard riffs mesh with urgent acoustic strumming before the band bursts into a gently frenetic, guitar-drenched chorus. Meanwhile, “Back Seat” blends its pulsing bass throb with a sweetly infectious beat and tender vocals that alternately soar and sigh. And on “Trojans,” Atlas Genius begins with a restrained guitar melody and vocal (“Take it off, take it in/Take off all the thoughts of what we’ve been”) before giving way to the handclap-accented, harmony-soaked refrain and lush yet kinetic bridge.

“It’s still surreal,” says Keith of all that’s happened over the past 18 months. “I think when we were very young, we had hopes that something like this might happen one day,” he continues. (Thanks largely to encouragement from their Beatles fanatic parents, who encouraged the brothers to begin playing music by age 14.) “But then you grow up a bit and it seems less and less likely. So when we put ‘Trojans’ out, we figured it would be a success if maybe a hundred people heard it. We don’t want to force our music onto anyone. Our goal is to write songs that we love and we hope they connect with other people too.”

When It Was Now

If So

Can't Stop Won't Stop  - Toys For Boys

Life is beautiful - Original song by Timmcmorris

2nd track by Klingande! Have a good time!

Follow us on:

www.facebook.com/Klingande
www.youtube.com/Klingande1
www.twitter.com/kllingande

Jubel

Buy on itunes

Pelicans We

Download/Stream

The Fly

Jake Miller - Steven (Official Audio)

FREE DOWNLOAD HERE - 
http://beatsantique.bandcamp.com/track/daft-punk-get-lucky-feat-charles-butler-beats-antique-remix

This remix / cover came about because an old school friend of David Satori by the name of Charles Butler decided to post a video of himself playing a little diddy called "Get Lucky' from the badass french duo known as DAFT PUNK! This video inspired Beats Antique to feat. Charles in a collaboration and here you go! Charles is the reason David from Beats Antique plays Banjo so its been a pleasure collaborating with this fine young gentleman once again. Hope you enjoy and check out Charles's original cover and his music here ! ROCK ON ! 

Charles Butler YouTube 
www.youtube.com/watch?v=2kzt5dzyy-Q 

Charles Butler Music 
solo banjo version 
https://soundcloud.com/charlesbutler/get-lucky-solo-banjo

www.charlesbutler.net

Credits
released 31 May 2013 

Charles Butler - Banjo and Dobro 
David Satori - Bass, Percussion, Production 
Sidecar Tommy - Drums

Mastering and additional Engineering by Eric Oberthaler https://witchdoctormastering.com 

DAFT PUNK - GET LUCKY  (feat. Charles Butler) - Beats Antique - COVER

Can't Stop Won't Stop's new single. I'm not claiming this is mine. Enjoy guys!

Can't Stop Won't Stop - Scrape The Sky (feat. Fresh Big Mouf)

'Tell Her' is available to buy from iTunes now: po.st/T191Ic

'Roaring 20s' the new Rizzle Kicks album is available now on 
iTunes: http://po.st/RKroaring20sDS
Amazon: http://po.st/roaring20samazondeluxe
Webstore: http://store.rizzlekicks.com/

Watch 'Skip To The Good Bit' lyric video: http://bit.ly/1bH0x2u
http://facebook.com/rizzlekicks
http://twitter.com/rizzlekicks
http://instagram.com/rizzlekicktures
http://youtube.com/rizzlekicks
http://store.rizzlekicks.com/
http://rizzlekicks.com

Can't Stop Won't Stop - Scrape The Sky (feat. Fresh Big Mouf)

Hansen Murray