Juho has been pushing tracks for some time. He played his first gig in 1997 and to be honest, not much has happened after that.

Ok, few lucky shots here and there. He did get some courage through his releases on M_Rec Ltd. Grey Series, Prologue Music and BPitch Control. 

We might ask him why is he still here? Some people understand to stop when there is no progress.

Juho is a stubborn individual. As a musician his "career" might have been an anti-climax with a lot of effort and not much achievements, but is there something else he could do? The poor bugger is not much of an athlete. You couldn't imagine him as a model either. Let's face the facts: he is good enough to be a dj. Juho's problem is that he wants to be a bit more than that. 

He draws his inspiration from melacholy, depression and anxiety. And almost like in science fiction, the future is something to fear. It might be that this kind of self-pity and pathetic dystopian visions feed him as an artist. What a loser.

Do not feel sorry for him. He has chosen to live this way. It is possible that he even wrote this piece-of-shit text himself. 

One of the most acclaimed DJ’s and producers from Spain, Nacho Marco’s rich musical history is evident in all of his productions. As comfortable creating a peak time acid number as he is rolling the depths of house, Nacho is clearly influenced by the early sounds of Chicago and acid house and always delivers a modern twist on what is a timeless sound. It’s one thing to take influence from the past, but its quite another to ensure that you keep on pushing forward. He played Sonar more than 10 times, clubs like Fabric, The End, Egg (London), Sub Club (Glasgow), Redlight, Cafe de L´Arc, Wanderlust (Paris), Cocoon (Frankfurt), Prinzip (Munich), Propaganda (Moscow), Jakkata (St Petersburg), Ku De Ta (Bali), Adjara (Georgia), Colosseum (Macedonia),  Row, The Loft, Moog (Barcelona), Deep, Goya Social Club, Danzoo, Goa (Madrid), Pacha, Space (Ibiza) and many more.
Nacho releases can be found on labels like Pacha Recordings, Kerri Chandler´s Madhouse, Josh Wink´s Ovum, Deep Dish´s Yoshitoshi, Classic, Freerange, Om Records, We Play House, Nite Grooves, Plastic City and on his own label Loudeast Records which he directs since 11 years ago. Remixer of Shakira, Fangoria, Groove Armada, Derrick Carter (Rednail Kidz), Marc Almond, Paul Hardcastle, Tony Lionni, Wally Lopez, Pezzner, etc. and he´s the producer of dream pop band Lost Tapes on renown Spanish indie label Mushroom Pillow.
At present he combines his work as Dj and producer with that of teacher at the prestigious Berklee College of Music - Valencia Campus, guest teacher in Berklee Boston, Roland Planet Milano, Amsterdam Dance Event and IMS Ibiza and Malta editions. He´s also official artist, tester and demonstrator of Roland.
He´s just released in 2018 “Feed My Soul” on his label Loudeast Records supported by top underground DJs Karizma, Jimpster, Luke Solomon, Mateo & Matos and featured on Traxsource´s Deep House, Hype and Essentials charts.

Career highlights
-DJ since 1992, playing the best clubs and festivals worldwide, including Fabric in London, Pacha in Ibiza, Redlight in Paris, 360º in Dubai and Propaganda in Moscow, among others 
-DJ at the Sonar Festival (Barcelona, Spain) between 2000 and 2013, sharing the stage with artists including Grace Jones and Laurent Garnier, among others
-DJ of the Aston Martin European tour in 2011
-Current or former artist on the following labels: Odori (Sheffield), Shinichi/Yoshitoshi (Washington, D.C.), Freerange (London), Pacha Recordings (Ibiza), OM Records (San Francisco), Plastic City (Frankfurt), Apt. International (Tokyo), We Play House (Gent), Muak Music (London), Ovum Recordings (Philadelphia), and Classic Music Company (Chicago)
-Remixer of Shakira, Marc Almond, Groove Armada, and Paul Hardcastle
-Director and A&R for the label Loudeast Records since 2006
-Director of the radio show and podcast Loudeast FM between 2008 and 2013, broadcasted on Ibiza Sonica and Pioneer DJ Radio
-Professor at Berklee College Of Music - Valencia Campus since 2014
-Official artist, tester and demonstrator of Roland since 2014

Related links
-https://valencia.berklee.edu/nacho-marco-conquering-the-dance-floor/
-https://www.youtube.com/watch?v=Lno5OLCRQvM
-https://www.youtube.com/watch?v=Qfz8TaCz4ns
-https://www.youtube.com/watch?v=rQ2fZ2fUGjs
-https://www.youtube.com/watch?v=VjLhUiN_5MA

www.djnachomarco.com

Detroit Techno Records hailing from the land of TECHNO with the ability to be heard.

License & Booking: detroittechnorecords@gmail

https://fanlink.to/zeitgeistvol1 
https://www.readymadedistribution.com/?product=wnd-low-life-city-avd001-12
https://paternosterltd.bandcamp.com/album/pater-noster-002-windom-tart-tart
Windom is using Only analog synths and drum machines 
- passion for rhythms and raw sounds 
- no compromise.

All songs are usually One Take Live recordings.

https://avalonemerson.com/andthecharm

Now one of dance music’s most respected DJs, Avalon Emerson first made a name for herself in the storied warehouse scene of her birthplace, San Francisco, before relocating to Berlin in 2013. Over a decade of performances at the famed Berghain led to appearances at numerous festivals around the world which all cemented Emerson, and her evocative, genre- and decade-spanning sets, as perennially in demand. 

In 2020, she released her first full-length collection: a contribution to the longrunning DJ-Kicks series (which Resident Advisor described as “The sound of a well-honed DJ at the top of her game.”), nestled alongside a steady stream of remix releases for the likes of Four Tet, Slowdive, Robyn and more.

Next up was 2023’s Avalon Emerson & The Charm, an instant classic which saw Emerson exploring her singing voice and more traditional songwriting outside of the boundaries of her dance music work.  Created after a move to New York, the resulting & The Charm album was released to critical acclaim, landing on numerous critics’ best-of-the-year lists.

The stage is now set, then, for her to carve out a wholly unique path, and with the help of new label home and indie giant, Dead Oceans, Emerson is poised to connect her various musical endeavors to create an untouchably rich output of material. First up is Perpetual Emotion Machine, consisting of songs created for her DJ sets, delivered via a living, evolving project and announced ahead of her worldwide tour.

YOKOTAI is all about analog synthesizers and drum machines with soundscapes from movies.

Happo-Seppo is following