INTERIEUR

pic by Valerie Hegarty 
Thanks to Josch for parts of the lyrics !!!
And many thanks to the amazing Mr. Love for his magical guitar solo !!!

Unreachable-Bordeaux & Love

Happy Skeleton - Do Re Mi [Nirvana COVER](studio version)

A cover of a rare song!
(performed/recorded/mixed by Davide Delmonte aka Happy Skeleton)

Do Re Mi [Nirvana COVER](studio version)

track made on ipad
list of apps: Aum, poly2, eventide blackhole reverb, klevgrand luxe and TB ReelBus.

Mystery

Inspired by the band, weather report.
Been in a key phase learning my instrument keepin it nice and simple wish i had a sax
Gm11/F
F#m11/E
D#sus2
D6
G#6/C
G#m11/F#
D6
D#sus2
 
then i just mixed around the progression whatever feels right for you

12th Fairway

Picture reference: https://www.goodeveca.net/nimrod/bowden.html.

Claudio Ferrari: electronics - percussions - vocal intrusion.
Alessandro Bona: flute - bass flute - sopranino recorder - reeds - electronics - percussions - bunch of keys - tuner.

It may appear that, in trying to make machines play games, we are wasting our time. This is not true as the theory of games is extremely complex and a machine that can play a complex game can also be programmed to carry out very complex practical problems.
(From the pamphlet accompanying the Nimrod, sold to Festival of Britain attendees).

Nimrod

Sonopoetry and field recording by https://soundcloud.com/ilaria_boffa

Field recording: recordings taken at the 'Anello dei Colli Euganei'. The deafening noise is the sound of leaves (only) rustling in the wind.

Sonopoem: 
'Translations

A clear geography of silver poplars 
ashes and maples surrounds this fluvial area.
A narrative of rustles, chatting loudly.
Translations. What we hear and the language
that makes it audible imply investigations 
on others’ listening modes.
We question affectivity, objects’ reverbs 
crashing into beings beyond us.
Inside those cubic metres of soil and air
noise spacialises, builds and hits. 
It neuroshapes and impacts the plasticity 
of things.
We translated our voices into exact
references and wording. Now, hear.'

Translations

Watch this video of Exo One with the sound turned off while listening to this track in loop mode:

Exo One - Full Walkthrough: https://www.youtube.com/watch?v=ZiKlA60D5UM

The dark Side of the Moon

I think I am lost

This piece was something I initially composed as a submission/invitation   to the fabulous Agnostura Elwar. @agnosturaelwar. I was lucky enough for him to reply with something I believe that is something very special. In my mind at least, we seem to have some kind of chemistry together that defies distance, space and time. I hope you agree .

My dear friend  Ingvar blessed me with a great guitar part and these kind words about this piece, " My brother from Wet Mountain Valley, Colorado, United States, mr. Re-Evolution Café Orchestra @re-evolution_cafe has sent me several great recordings for me to add something. Thats an honor, but also its hard work, hahaha."  

"Well, this was challenging, I did it the free spirit way. It would have been easier to do it through the guitaramp, hi gain, load because then you feel the music much on your body than sitting with headphones and play. This is without a lot of rehearsal just because if I rehears to much I tries to hard to follow scales and harmonies, but this music aint about that. I think leaving music theory is good learning, be free from the chains."

I am lucky to have such a kind talented collaborator who is willing and able to risk playing so emotionally soulful. Bravo sir!

Entrophy Of Contagion w/ Agnostura Elwar
Agnostura Elwar : Electric guitar, distorted and light distorted, recorded in Grimstad, Norway.
Re-Evolution Cafe' Orchestra: Acoustic Piano, Electric Piano, Drums, Percussion, Electric Bass. Recorded Broken Glass Ranch, Colorado

Entrophy Of Contagion w/ Agnostura Elwar is a Re-Evolution Cafe' Orchestra  & Agnostura Elwar Co-Production.
Composed and Produced,  PostProduction.
Recorded, Mixed  and Mastered @ Broken Glass Ranch, Colorado. © 2021

Entrophy Of Contagion w/ Agnostura ElWar

Entrophy Of Contagion w/ Agnostura Elwar

"It was a day like any other and it was raining. I was in my car with two old friends. The radio played "Should I Stay or Should I Go?" by The Clash. An overtaking, that blind curve: the car crash. In those moments you don't think, you just don't think. The time expands, seconds become centuries, glasses become projectiles, trees become cement. Then you open your eyes and you understand that you are still alive. The car had literally flown, but the fate didn't want our lifes: we landed on a marquee, over a vineyard, in front of a cemetery. We were unharmed: alive. I came back home and I stopped there, in front of a mirror, to ask why. In a few months' time I recorded a demo of 11 songs, I signed a contract with the Seahorse Recordings / Red Birds Records and then I recorded "Coffee & Cigarette Club", my first album. I did all this only because I knew well that I could have died right there, at 15:30 or so, in a fucking car. I wanted to play music and then I decided to do it". 

Happy Skeleton is the pseudonym of Davide Delmonte. This alt-rock / grunge musical project starts in winter of 2009, after the breakup of the Delmonte's garage band My Chronic Dope, in which he was singer, rhythmic guitarist and composer. After the band breakup and after a car crash, Delmonte decides to keep playing and to go out on his own. Happy Skeleton is born.

DISCOGRAPHY:
"Coffee & Cigarette Club" [2010] (Seahorse Recordings / Fridge)
"The Whole Damn System" [2015] (selfproduced)
"Exit Strategy" [2019] (selfproduced)
"Slow Play" [2022] (selfproduced)