https://hardelectronic.bandcamp.com/album/fire
https://www.beatport.com/release/fire-%21/3120162
https://www.junodownload.com/products/michael-wells-gto-fire/4750965-02/
https://music.apple.com/us/album/fire/1530629776
spotify:album:62nvr5V1iDsPWxFnbJ9Hrd
VIDEO (by artist)
https://youtu.be/-JA0OfvgAMo
The legendary techno experimentalist delving into the harder outer limits of Techno. Leading with Fire ! a nod to EBM where distorted vocals meet Industrial beats. 5 tracks here of brain melting kicks, sonic sweeps and phunky no compromise rhythms. Guaranteed to melt the paint off your headphones. Think Hard. Think Techno. Think again !
Michael Wells is known for producing many styles and guises. He's been in the U.K. top 40 under 3 different aliases incl his million selling 'I wanna be a hippy' (as Technohead) His music is featured in films and T.V, he's been covered by the Smurfs. sampled by The Prodigy & awarded a Palme d'Or de Cannes.

Fire !

Michael Wells a.k.a. G.T.O.- Fire !

amateur producer dj. & lover of the folowing styles: HARDCORE,,FRENCHCORE,INDUSTRIALL,TERROR, SPEEDCORE,CLUB,DANCE,METAL,POP,HARDSTYLE, HARDTECHNO,DARKCORE,TRIBECORE,CLASSICS, BREAKCORe,ROCK,HAPPY HARDCORE,TRAP etc.....
and member of the group: SCHIJNDEL TERREUR 

Lenny Dee introduces ‘Hard Electronic’ to push the boundaries of Techno. Savage, experimental & grooving:tracks across multiple styles with no compromises.

HARDCORE / HARDTECHNO
about me, i'm produccer Techno music style Hardcore, FORTHCOMING 2026 

fan & follow music hardcore 
Carl Cox
Groovecreator
Bolster
Danny Fontana & Annie Hill
Trevor Rockcliffe
Zakari&Blange
The Reactivitz
Spektre
Redraft Memories
Nicole Moudaber
May Larke
Lautaro Brizuela
Melissa D'lima
Hidden Identity
Dunkler Klang
ENERTY
Makoto Katagiri
Rhita(ES)
CELIA(CL)
Miss Louie
and more artists.....
Best Records listen and follow
23 Century Records
Mentor Records
Intec Digital Records
Awesome Soundwave
INFX Recordings (Forthcoming emblema)
Respekt Recordings
Reload Records
Jeton Records
Tronic Music
WAE Music (Forthcoming emblema)
and others of Genere about HARDCORE

A NEW KIND OF WEATHER

"The deconstructed, gorgeous cover of 'I Drove All Night' manages to sound simultaneously comforting and incredibly sad, carried by multilayered vocals as voluminous and warm as the thick textures that hold them." - The Wire

FOR OSTLAND

"Alternately uneasy, bloodthirsty and painfully beautiful, For Ostland is a conflicted record that adds an unexpected new voice to the modern technoid post-punk dialogue." - Resident Advisor

"The group unfurl smoldering cinematic soundscapes, strange slivers of shadowy sound, moaning fragmented melodies, all over a haunting heartbeat like pulse, a sort of slo-mo electronica, laced with strange hummed/sung vocals" - Aquarius Records Record of the Week

"'Ghosts And Lovers' takes a distant four-to-the-floor to cold hymnal territory. When the searing guitars finally hit, it turns into a shoegaze explosion that clouds everything – a burial and an act of pushing away." - RCRD LBL

"Filled with dirges of guitar reminiscent of Sunn O))), Godspeed-esque post-rock crescendos, and dense layers of droning synths, Ostland's charred landscape is ever-changing yet consistently desolate." - Ad Hoc

"So not only is [Ghosts and Lovers] overbearing, noisy, and emotionally crushing, but it's a Marissa Nadler cover, too." - The Needle Drop

GHOSTS AND VERSIONS

"[Mark Verbos' Sordid Future Mix] layers the vocals of the Nihiti version with the futurism of a late-night cyberpunk rave." - FACT Magazine

FACED WITH SPLENDOR
pink morning music video: http://vimeo.com/29935617

"Folky, but still a bit gloomy, the vocals are fantastic, lush intricate harmonies, slipping from croon to falsetto and back again, dark and dramatic, moody and moving, a little seventies British acid folk, a little bit modern psych folk, the strings soar and sing, adding tension and drama, the vocals and guitar often playing off each other..." - Aquarius Records

"A fairly surprising departure from their past psychedelic sound, the new EP presents an introduction of more acoustic elements, revealing nihiti's hidden expertise in simple songwriting." - Dazed & Confused

"Everything seems brightly lit and in focus here. From the song's natural evolution with varied acoustic instrumentation to the careful melody, nothing is out of place." - Tiny Mix Tapes

"Pinko Morning removes electronic elements from nihiti's music while retaining the dark undertones the band is known for. - Altered Zones


<b>OTHER PEOPLE'S MEMORIES</b>

"There’s not a lot on [nihiti’s] Other People’s Memories that sounds much like anything else currently happening, unless there’s some cadre of well-presented electroacoustic savants out there churning out music of this gloss and caliber." – Dusted Magazine

"nihiti… relies on the coexistence of electronic music with acoustic instruments to create a sound that is alternately tense, foreboding, and intricate in the most intriguing ways… A cerebral effort in line with This Heat, late-period Talk Talk, Gastr del Sol, and other heavy hitters of recent decades, and a group that is worth the considerable effort to investigate." – Other Music Featured Pick, 1/4/2011

"Song structures weave from straight up danceable near-goth anthems, to completely disassembled and almost entirely heartbreaking ambient pieces… completely disassembling the structural elements of [these] seemingly paint-by-numbers pseudo-genres and very, very genuinely and very, very creatively forcing something new to exist." – Insound.com Record of the Week

"nihiti’s album, other people’s memories is a luxurious excursion across dazzling dreamscapes, an amalgam of progressive rock, non poh faced IDM, and playful experimentalism which make you feel like you were somewhere else without being in between places." – 20jazzfunkgreats.co.uk

THOMAS AQUINAS TAKES REFUGE IN THE EDGE OF THE VOID

Michael Wells a.k.a. G.T.O.- Fire !

HardElectronic