// NEW ALBUM 'TRANSIENT' OUT NOW //
BUY PHYSICAL - - https://bit.ly/transientalbum

FREESTYLE:
hey, why'd you lie to me you bitch?
i'm an acid fucking witch
you don't want to play with me bitch
because i've got money
i've got stitches on that face when I cut you up
don't you know that i'm not enough?
come on, gutting out the cut
come on, bitch, i got that strut
when i'm walking down the street
voodoo crystals, hear my feet?
adam h is on this beat 
and i got it from the street
when i fuckin' was homeless you know
i got to pay the bliss back
bitch you got the lies that i lack
when i got that crack for you 
i don't smoke it now i smack
when you move right up into my face
i've got that fucking action
you lie to me, you cry to me,
but now you couldn't cry to me
don't try to separate me bitch
i don't have time for your shit

why'd you lie to me bitch? 
why'd you lie to me bitch?
i'm that acid fucking witch
you can't hide from me bitch
i'm gonna make you come and twitch
i'm gonna make all the men switch
i'm that acid fucking witch
i can handle you bitch

why'd you lie to me bitch?
i'm that acid fucking witch
you can't hide from me you bitch
and i'm coming for that snitch
and when you're done i'll put you in a ditch 
and i'll go jump into the blue 
drop the communicating bitch 
you can't have this sexy witch

why'd you lie to me bitch?
why'd you lie to me bitch?
i'm that acid fucking witch
can't lie to me bitch
can't lie to me bitch

lie to me
why'd you lie to me?
i'll fuck your ass up, soulfully
why'd you lie to fucking me you bitch?
why'd you lie to me?
bitch why'd you lie to me?
bitch, lie to me because I lie to myself
don't need it from you or no one else
 i dip it low and i drop it low
and i got that glow, that magic flow
i'm an acid witch so now you know
i'm not a witch that can move slow
and i'll rap that shit and i'll spit it yo
what you want? you coming at me yo?
this is seems frightful though
i got fucking shit you know now

why'd you lie to me bitch?
why'd you lie to me bitch?
i'm that acid fucking witch
why'd you lie to me bitch?
why'd you lie to me bitch?
why'd you lie to me bitch?
look at all this fucking shit
i've got money, i've got hits
no shit, i've got no shit
i've got no shit, i'm a bitch
but i know that i'm the shit
i'm that acid fucking witch
you can't lie to me bitch
you can't run from me bitch
cut your face up in a ditch
i said don't make handle you bitch

why'd you lie to me bitch?
why'd you lie to me bitch?
i'm that acid fucking witch
you ain't got time for me you bitch
you can't lie to me bitch
don't lie to me bitch
i'm that acid fucking witch
you ain't got time for me you bitch

better not lie to me bitch
i'll fuck your ass up
better not lie to me bitch
i don't think you'll ever get enought from me you bitch

CANT SLEEP

𝚝𝚊𝚔𝚎 𝚖𝚎 𝚝𝚘 𝚢𝚘𝚞𝚛 𝚙𝚊𝚕𝚊𝚌𝚎

INHALE

ADHD

A preview from  remaster/remix collection I'm working on... TBA and TBD

My Own Pariah RE:cognized (preview)

safe place

Original by Gigi d'agostino

https://nightterrorsmusiclabel.bandcamp.com/track/lyn-lamour-toujours

L'Amour Toujours (Gigi D'Agostino Cover)

Electronic ambient soundscapes for your pleasure, relax, chillout and enjoy.

NECRONOMICON DREAMS - PERCHANCE TO DREAM

Moment of Relief from the Darkest Night

'En la ribera de la noche plutónica', nombre tomado del poema 'El Cuervo' de Edgar Allan Poe, es el segundo LP de Lu Glass. Junto al productor Antü Filardi Sabín, construyeron una serie de composiciones en clave pop, a veces incluso bailable, pero manteniendo siempre el tono misterioso y onírico característico de Glass.
La evocación del desamor se mezcla con imágenes crípticas y lúgubres, reflejando los contrastes presentes entre los timbres y ritmos del disco.
-
'En la ribera de la noche plutónica' a name taken from the poem 'The Raven' by Edgar Allan Poe, is the second LP by Lu Glass. Together with producer Antü Filardi Sabín, they constructed a series of pop, sometimes even danceable, compositions while always keeping the mysterious and dreamy tone so characteristic of Glass.
The evocation of heartbreak gets mixed with cryptic and lugubrious imagery, reflecting the contrasts present between the timbres and rhythms of the album.
-
Recorded at Suspiria in late 2019 & Estudio Estomba between 2021 and 2023.
Artistic production by Antü Filardi Sabin & Lu Glass.
Mixed by Juan Stewart at Estudio El Árbol.
Mastering by Ariel Schlichter en Keine Zukunft, Berlín.
Graphic Design: Marcos Díaz.
Cover art photograph: Bianca Siffredi
Back cover photograph: Lu glass
-
Lu Glass: voice and synthesizers Roland JX8P, Yamaha Cs1X, Ensoniq SD-1, Roland Alpha Juno 1, Korg DW8000, Casio CZ1, Roland SH201, & beats with Electribe Korg ESX-1.

Antü Filardi Sabin: sequencers & voices in Cosmografía, La última clase & Mina Loy. Bass on all tracks except 'La última clase'.

Agostina Tagliapietra: Bass on 'La última clase'.

107 faunos ft.:
- Mora Sanchez Viamonte: Voice in Decepción, recorded at Suspiria.
- Javier Sisti Ripoll: Guitar in Decepción & Primavera Fúnebre, recorded by Felipe Quintans at Resto del Mundo.

Magdalena Seeber: MPC samples & voices on Némesis & La última clase.

Silvina Costa: Batería 'Silchons' octapad sampler on all tracks.
-
All songs written by Lu Glass

Lyrics of 'Decepción' based on Florencia Rumi's short story “La isla”

Lyrics of 'Cosmografìa' based on the poem “Preparación” by Fabiàn Casas

Ipse Venena Bibas (IVB) means “bebe tú mismo tu veneno” (drink your own poison) and it's part of the y it's part of the prayer for exorcism of the St. Benedict medal.

Primavera fúnebre (Funereal Spring) is the name given to the generation of poets from La Plata of '17 because of their tragic ending.

Lyrics of Mina Loy based on the poem “Lunar baedeker” from Mina Loy and her letters with Arthur Cravan; 'Breve Baedeker Lunar' is the title of her anthology of poems.

ADHD

HARDGORE2000

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TECHNOLOVER 1998

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