“Paunsi” aka “Pauns von den Hell” is a German DJ and electronic music producer based in Portland, Oregon.

"Heartbreaks'' is the debut EP of DJ and producer Paunsi. Through ambient soundscapes, lush lo-fi house beats and energetic acid basslines, Paunsi processes an tumultuous emotional journey triggered by a breakup. Each track encapsulates a moment in the healing process, expressed through captivating musical narratives.

"Healing" is the triumphant finale of the EP – a celebration of progress. This energetic house track declares that darkness and pain associated with heartbreaks will eventually pass. Paunsi encourages listeners to "let it go" and make room for new love—both for themselves and others.

https://paunsi.bandcamp.com/album/heartbreaks

https://soundcloud.com/paunsi

PREMIERE: Panusi - Healing

As a next on Spring Tube Liquid we present you the remixes by Michael Orr aka MPO8 on two 2023 tracks from Paul Cudby aka C37. Lovely and creative Michael's fresh interpretations here.

Show Me Your Way (MPO8 Remixes)

BUY this track

C37 - Show Me Your Way (MPO8 Remix)

C37 - I'm Not Letting Go (MPO8 Remix)

Skylax welcome back Nicolas Aftalion with another powerful ep "Spirit of House II" after his sensational debut on the label, acclaimed by the queen of the genre Cinthie. Deeply inspired by the New Jersey house sound popularized by Tony Humphries, and the vibrant energy of the New York scene. This release embodies the essence of original house music, delivering an exhilarating and impactful experience. Following the success of "Spirit of House I", this sequel is a natural progression in Aftalion's musical journey. Prepare to be transported by the enchanting tracks within. "Cruise in Paradise" blends jazz and Spanish influences, reminiscent of the iconic moments on the album "Forever Changes" by the American band Love (as crazy as it sounds), fusing original house with free jazz in an improbable yet captivating manner. "A Message to Mad Mike" pays homage to the visionary DJ and producer of Underground Resistance, expressing profound admiration and love. This is a monumental record that encompasses everything contemporary electronic music has forgotten. "Paris Is Burning" serves as an ode to the voguing culture of the '90s, a celebration of queer expression and vitality. "Soulful in Paris" takes us back to the soulful and rhythmic sounds of Strictly Rhythm and the timeless energy of Ultra Naté. As a digital bonus, indulge in the excellence of "Baby Driver" and "Blaster." "Spirit of House II" is a masterpiece that captures the essence of house music's roots while embracing innovation and artistry. Prepare yourself for an extraordinary musical journey that showcases Nicolas Aftalion's profound understanding of the genre and his ability to create timeless and groundbreaking compositions. In addition, on the label's bandcamp, with the purchase of the vinyl, you can get 2 exclusive unreleased bonus track. Already praised by CINTHIE

"Skylax has never cared for trends of fads and has always dealt in classically inclined house music from artists old and new. The French imprint now looks to Nicolas Aftalion for the second volume of his Spirit of House EP. He captures just that expertly with the opener 'Cruise In Paradise' riding a nice mid-tempo groove with heartfelt vocal hooks. 'A Message To Mad Mike' ups the energy a little with more prominent pads and 'Paris Is Burning' taps into a sense and soulful groove with lush, lazy drums. 'Soulful In Paris' has a nice 90s feel the way the chords and drums sit with one another and is sure to bring the good times." Juno Records

Nicolas Aftalion "Spirit of House II"
A1.Cruise in Paradise 
A2. A Message to Mad Mike
B1.Paris is burning 
B2.Soulful in Paris Master 
Blaster (Digital Bonus)
Baby Driver(Digital Bonus)
SKYLAX 158 / LAX158

BUY VINYL

SKYLAX 158 - A1.Nicolas Aftalion "Cruise In Paradise"

SKYLAX 158 - A2.Nicolas Aftalion "A Message To Mad Mike"

SKYLAX 158 - B1.Nicolas Aftalion "Paris Is Burning"

SKYLAX 158 - Nicolas Aftalion "Baby Driver" (Digital Exclusive)

All musical movements require a spark to set them alight; in the case of Japanese house music, that spark was provided by the forward-thinking resident DJs of The Bank in Roppongi, Tokyo. In 1989, to celebrate the ground-breaking club’s first birthday, the venue released a 12” EP featuring first-time productions from three of its DJs, Junichi Soma, Shuji Wada and Strong Katsuya AKS Katsuya Sano.

Widely considered to be one of the first ever EP of house music produced in Japan, 1st Unit was never officially released. Instead, 500 of the 1000 copies pressed were given away at The Bank’s first birthday party, with the rest initially being sold not in local record stores, but rather the venue’s own in-house shop. Three decades on, the 12” is finally set to get its first worldwide release via Rush Hour’s Store JPN Series.

The record has its roots in The Bank’s willingness to give its ever-changing roster of DJs a free hand to play what they liked – at the time a rarity in Tokyo nightclubs, whose musical offerings usually revolved around strictly defined playlists. At The Bank in 1989, it was not only common to hear European body music and the kind of post-disco New York productions associated with Larry Levan’s sets at the Paradise Garage, but also acid house – something not offered at the time by other clubs in the city.

This cutting-edge blend of sounds, combined with the venue’s unique decor (it was modeled on the inside of a London bank, complete with a cashier’s window to take entrance fees), made The Bank a go-to spot for young party-goers, celebrities and forward-thinking Japanese musicians (Ryuichi Sakamoto was reportedly a weekly visitor).

When it came to celebrating the club’s birthday by cutting a unique record, it made sense for The Bank’s owners to turn to three of their most exciting resident DJs, who were assisted by Heigo Tani and Jun Ebi. The collective name, 1st Unit, was chosen to reflect the fact that all three resident DJs were debutants with no previous studio experience.

As this reissue proves, the music remains timeless, magical, and authentic to the sound of American house productions of the period – albeit with occasional twists,. Katsuya Sano’s EP opener, ‘I Need Love’, sounds like a twist on Larry Heard productions of the period – all jacking TR-909 drums, undulating analogue bass, dreamy JUNO synthesizer chords and evocative vocal samples.

The influence of Chicago acid house is also evident on Junichi Souma’s ‘Ubnormal Life’, whose unusual title contains what he says was an intentional misspelling. Driven forwards by restless drum machine handclaps, sweet chords and rising and falling melodic motifs, the track is an energetic and uplifting treat.

Perhaps the most influential of the three tracks at the time – within Japan at least – was Shuji Wada’s similarly misspelled ‘Endless Load’. Deeper and more melodic with a more expansive arrangement, the track’s combination of marimba-style lead lines, tribal drum patterns, dreamy chords and jazz-funk influenced bass offered a loose blueprint for the more successful and better-known Japanese deep house tracks that followed.

Vinyl: https://www.rushhour.nl/record/vinyl/1st-unit-underpass-records-ep
Digital: https://rushhourmusic.bandcamp.com/album/1st-unit-underpass-records-ep

Junichi Soma - Ubnormal Life

Born To Be Free

Every year for the past 4 years I have put out a free download around my birthday and this year is no different.
May I present Premiere 


My birthday isn’t until the 29th by the way ;)

If you'd like a high quality version of the song you can purchase it on Bandcamp using the link below