Proud Māori making waiatas. Nurture the indescribable light in a person ✊🏾
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Bruno Mars - That’s What I Like
Lyrics:
I got a condo in Manhattan
Baby girl, what's happening?
You and your ass invited
So gon' and get to clappin'
Girl, pop it for a pimp
Pop, pop it for me
Turn around and drop it for a pimp
Drop, drop it for me
I'll rent a beach house in Miami
Wake up with no jammies
Lobster tail for dinner
Julio serve that scampi
You got it if you want it
Got, got it if you want it
Said you got it if you want it
Take my wallet if you want it now

Jump in the Cadillac
Girl, let's put some miles on it
Anything you want
Just to put a smile on it
You deserve it, baby, you deserve it all
And I'm gonna give it to you

Gold jewelry shining so bright
Strawberry champagne on ice
Lucky for you, that's what I like, that's what I like
Lucky for you, that's what I like, that's what I like
Sex by the fire at night
Silk sheets and diamonds all white
Lucky for you, that's what I like, that's what I like
Lucky for you, that's what I like, that's what I like

I'm talkin' trips to Puerto Rico
Say the word and we go
You can be my freaka
Girl, I'll be a fleeko, mamacita
I will never make a promise that I can't keep
I promise that your smile ain't gon' never leave
Shopping sprees in Paris
Everything 24 karats
Take a look in that mirror
Now tell me who's the fairest
Is it you? Is it you? Is it me? Is it me?
Say it's us, say it's us, and I'll agree, baby

Jump in the Cadillac
Girl, let's put some miles on it
Anything you want
Just to put a smile on you
You deserve it, baby, you deserve it all
And I'm gonna give it to you

Gold jewelry shining so bright
Strawberry champagne on ice
Lucky for you, that's what I like, that's what I like
Lucky for you, that's what I like, that's what I like
Sex by the fire at night
Silk sheets and diamonds all white
Lucky for you, that's what I like, that's what I like
Lucky for you, that's what I like, that's what I like

If you say you want a good time
Well here I am, baby, here I am, baby
Talk to me, talk to me, talk to me
Tell me what's on your mind
If you want it, girl come and get it
All this is here for you
Tell me, baby, tell me, tell me, baby
What you tryna do

Gold jewelry shining so bright
Strawberry champagne on ice
Lucky for you, that's what I like, that's what I like
Lucky for you, that's what I like, that's what I like
Sex by the fire at night
Silk sheets and diamonds all white
Lucky for you, that's what I like, that's what I like
Lucky for you, that's what I like, that's what I like 

#brunomars
#thatswhatilike
#brunomarsthatswhatilike

Sons of Zion have well and truly earned their place in the upper echelons of New Zealand music.   For members Rio, Sam, Joel, Matt, Ross, and Caleb, it’s a track record that has established them as one the southern hemisphere’s most-loved and well-respected bands, consistently playing to sold out shows and at the biggest festivals across Australia, New Zealand and the United States.

2022 proved to be an incredibly successful year for the band, with their 2021 releases such as "Love on the run" rocketing to over 8 million streams on Spotify and releasing their first independent release "One Night". As of late 2022, their combined stream count across all platforms sits at over 250 million.

Proving their versatility, they featured on 2021's platinum record "Help Me Out" by Kings, which consistently dominated the charts across New Zealand and Australia.

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Originally from WEST AUCKLAND
now residing in BRISBANE

Mixtapes are available for purchase through my instagram account.

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Once transmitted through speakers and into the airwaves, music belongs to the people. The audience ascribes meaning and significance to songs and ultimately absorbs them for life.

By the same token, SIX60 belong to listeners. The history-making award-winning New Zealand quintet—Matiu Walters [vocals, guitar], Marlon Gerbes [keyboard], Ji Fraser [lead guitar], Chris Mac [bass], and Eli Paewai [drums]—stir rock, reggae, funk, and pop together with a twist of kiwi roots music and Maori instrumentation. Invoking this spirit and Kiwi roots, their latest music and next evolution showcases traditional Maori instruments such as Pūtātara and Pūkāe (stone and long trumpets), Bone Kōauao (Bone Flute), and Karanga Weka (Stone Flute). “We want to take our Maori culture and put it into a mainstream radio world,” exclaims Matiu. “There are only a handful of people in the world who can play these instruments, and we felt getting them into a mainstream album could give them a chance to stay alive.”
Over a decade before breaking records and selling out stadiums back home or signing to Epic Records stateside, the boys then welcomed the world into their musical ecosystem and set a career precedent in 2008 while still students.

“At University of Otago, we shared a flat at 660 Castle Street in Dunedin, New Zealand,” recalls Matiu. “We originally didn’t name the band. Instead, our first college fans gave the band the name by calling us the ‘SIX60 Boys,’ which evolved into SIX60. We adopted this philosophy into our albums. The fans add the final touches and have naming rights over things we do. The songs aren’t done until the audience has them. So, the album doesn’t really have a spirit or a name until the crowd consumes it.”

As such, SIX60 engender a rare level of devotion from fans, bordering on downright phenomenal. The group’s 2011 full-length, SIX60 (I. The Gold Album), bowed at #1 on the charts in New Zealand and eventually went septuple-platinum. SIX60 (II. The Colours Album). saw them reclaim the top spot on the charts in 2015 and go quintuple-platinum. To date, New Zealand single sales exceed 1 million as global streams surpass 200 million and counting. At the 2018 NZ Music Awards, they garnered “Best Group” in addition to five other honors.

A year later, they made history. Performing their biggest show to date, they sold out Western Springs Stadium in New Zealand and became “the first New Zealand Act to Sell 50,000 Tickets to a Show at the Stadium” (They repeated the same feat for 2020!). The gig proved to be a major milestone both professionally and musically.

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