Completely inspired and just mesmerising. You’ve blessed the world with this one ❤️

@garcon b2b @agonis-amenthia dj set recorded at @parallelfestival, sep 1 2023, port del comte (spain)
playtime: friday night closing

big love to the whole parallel team <3

tracklist:

chris watson - crucera la joya
felix k - untitled
paleman - exalted
magnétisme animal - l’enthousiasme des statues
sleeper - simulation theory
laksa - soulz
yogg - vanier
semtek - denny island
unknown artist - untitled track (pupa A)
felix k - untitled
mønic - blood hound
konduku - unreleased
monolake - alu minimum
monolake - atlas (t++ remix)
shackleton - i want to eat you
conrad pack - spectrum
sleeper - khenti amentiu
franz jäger - on bone
z.i.p.p.o - xukro
yogg - the try out
torc - aquarius tendencies
stakhanov - untitled
microthol x second stor - dissonanz
20kpa - procedure
forest drive west - creeper
splt - g6x6
desroi - teressaen
aa sudd - qpp
aa sudd - unreleased
warzou - dystopyr
lurka - zone (packet)
conrad pack - hold
dj stingray - binarycoven
zara - fragments
bill laswell & pete namlook - dtsc
mike parker - make it up
seiichiro itoyama - entropy - unravelling
varuna - unreleased
human space machine - unreleased
soreab - dust eater
slacker - damage to e undone
lemna - n21
black merlin - pk 9
sam kdc & flaminia - monsoon
paradox & nucleus - chiron
holsten - doom spell
gerra & stone - plates (blocks & escher remix)
artilect - rhythm seeker
type - hummer
asc - orbiting neptune

garçon & agonis at parallel festival 2023

In late 2023 I was chatting with a musician friend about labels, and whether they're really all that necessary these days. As someone mainly focused on self-releasing my music through Bandcamp, I think for the most part the answer is no. One should focus on passionately creating things and being involved in their local music community. Over time, label or not, things will hopefully start to take care of themselves on their own. I did however mention that there was one label I thought was really cool, and would definitely be interested in working with: it was Nous'klaer Audio. Incredibly, the next day I received an email from Sjoerd Oberman, who runs Nous'klaer, inviting me to join for a release and performance at Draaimolen. Of course, I was delighted to be involved. This would be my first show in the EU. I spent about 3 months preparing a new set. Having grown rather bored of CDJs and DJ mixers, I opted to prepare a live set, in which I control 8 channels of audio tracks along with drum machines and FX. This setup gives me a lot of freedom to explore new arrangements of my catalog, and better command the dynamic energy on the dance floor, pushing and pulling things forwards to capture the mood of the crowd. To prepare for Draaimolen, I organized several shows across Japan (where I live), further refining the setup after each performance, and deciding what tracks would be the best fit for the 60 minute peak time set I was scheduled to perform. I was very nervous about how my set would be received, but it ended up working very well, and was the highlight of my year. From the very start, the positive reaction from the crowd put me at ease, and Draaimolen's focus on sound and stage design gave me peace of mind, knowing that every frequency was being perfectly reproduced on the floor. I'm so grateful for the opportunity Nous'klaer and Draaimolen provided me. Long live Nous'klaer and long live Draaimolen. Thank you Sjoerd and Milo and Kani and Hannah! 
- Erik Luebs

Erik Luebs live at Draaimolen Festival 2024

my live set from sustain release year 10 at the grove friday night. this was one of the wyldest vibes ive experienced while playing live and i hope you can feel the feral energy within and enjoy <3

xx

Sepehr (live) @ Sustain Release Year 10

Dj Maria. b2b Oceanic at Draaimolen Festival 2024

Our own @raleigh-harmony hadn’t done a solo closing on Harmony since 2017, we were keen on putting him to the test again after such a break.
By the time he started, @ankali has already been fully engaged after the energetic, self-confident performances from Dash, Zeynep, D. Tiffany, and Ayu’s cutting-edge live set that we posted a couple weeks ago.
Throughout the night—which maintained a steady progressive, adequately trancey vibe—Raleigh added a slight mental twist to it before everyone headed off to join their loved ones around the Christmas tree.

Enjoy the first two hours of the recording and await his forthcoming EP on Harmony Rec in the spring.

Harmony Rec.ordings | Raleigh @ Ankali label night "closing set" [extract]

Kaleidoscopic psychedelia from one of Australia's finest.

While it might feel early to call bets on DJs of the decade, Kia Sydney, best known as Kia, is undoubtedly one of them. The Animalia founder began in Naarm's (Melbourne) underground scene in the mid-2010s, crediting a trip to the influential deep techno Japanese festival, Labyrinth, as the inspiration behind her sound.

Deep techno might not cut it as a descriptor for Sydney's sound, though. Hypnotic ribbons of steely techno mix with atmospherics and nimble grooves, drawing from IDM, dub and tech house, sharing as much with DJ Nobu and Donato Dozzy (try to find the track that overlaps with Dozzy's own RA Podcast) as well as modern practitioners like Priori and Beatrice M.

This distinctly Australian scuttling psychedelia has made Kia one of the most sought-after underground DJs globally. Her brainchild, Animalia, showcases a plurality of sounds and scenes, serving as living proof of the fruitful shift of the 2020s: less serious, perhaps, but with a sense of open-minded worldliness that offers a far more promising vision of what dance music can be and achieve.

Sydney's rare talent lies in forging connections, bringing people, sounds and ideas together with a distinct playfulness. Her RA Podcast showcases this alchemy in abundance, weaving classics like Monolake and Enya with peers such as OK EG, Cousin and Command D.

As she told us in her 2023 Breaking Through profile, "people tell me I have quite a distinctive sound but I can't tell so much because I hear so many different versions of it." RA.973 serves as confirmation that Kia's style is, to say the least, the mark of a generational talent.
 
@kia-sydney @animalia-label  @cirruslabel

Read more at ra.co/podcast/973

RA.973 Kia

Navigating emotions through sound, Dutch-Antillean Faustin hugs our souls with his freshly curated mix for our podcast series.

@jermaine-faustin

Harmony Rec. podcast | faustin

@ekkeltype live at Everybody trance x XTF 05-04-2025

ED0042: Ekkel

At 4:30am, Eora-based powerhouse @tangeladj, matriarch of dstreet, Club Less, Minutiae Festival and Oomycota label, took to the stage and masterfully carried us through to sunrise on the 1st of January.


Tangela Live @NYE 2025

Free Download: https://hypeddit.com/priska/molluskkkva03

Title: Mollusk
Artist: Priska 
Label: Kongres
Catalogue: KKVA03
Format: Digital
Genre: Electronic Techno
Release Date: 20/09/25
Mastering: KOSCAK Audio
Artwork: Patrik Bartoš

Compilation Buy link: kongres.bandcamp.com/album/various-artists-03

Social Links Priska:
https://soundcloud.com/alen_merdan
IG: https://www.instagram.com/secco.wav/

Priska - Mollusk [KKVA03] (Free Download)

I made everything in this song my self with my sounds with license, use free :)

Meny Mans - What if? - 140Bpm Skic

Record label + event series 

Since 2014, we organise site-specific, audiovisual events that are morphed by our hand into zones of sparkling joy and sonic enchantment.

We are passionately distributing vibration both on the dance floor and while pressing music on records, however, what we appreciate the most is the community that gathered around us over time. Without our friends and cooperating artists, it would be rather difficult to identify any spirit of the organisation.

Distributed by @oneyewitness

For collabs and showcases: tomas@harmonyrec.com

Harmony Rec. podcast | faustin

Harmony Rec.

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