Bitch i'm the Wolf. writer, producer from Perth, WA. 
not a DJ, wolf
https://youtu.be/hxT1a7d2fTc
https://www.facebook.com/samisthewolf

OUR Spotify: https://rebrand.ly/dmnspotify
DEMOS - info@deepmixnation.com

🍉 OUR SPOTIFY PLAYLISTS 🍉
Beach Party 🍉 Pool Party 🌴 Fresh Dance Hits - https://rebrand.ly/dmnchill
Lounge Music 2019 🌴 Summer Chill Music - https://rebrand.ly/loungemusic2019
Dance Music Now - https://rebrand.ly/deephousedelight


▶ @dmnreleases
▶ @XYPOofficial
▶ @StillFinest

DeepMixNation is a channel that focuses on the promotion of deep house artists and their music, thus helping them to better recognition. You can definitely expect a lot of high quality mixes!

Singer/Songwriter, starting to produce my own stuff now.

Too Early For Goodbye is out!! :D

✉️: paradiseultd.fun/contact

disco collective / label / party agency

Independent Pop singer-songwriter from Melbourne, Australia.

Originally from Ireland,Scratch has been involved in the House scene since '94.Learning his trade on vinyl,he has embraced the digital movement and is as comfortable with a CDJ as he is with a Technics 1210...
Now based in Perth for the last 4 Years he has become heavily involved in the ever growing House scene here.
In a short period of time he has gathered a large fan base and has been  extremely busy playing and promoting house music here.
In the past few year he had the privilage to share stages with some major players and also some house legends like Robert Owens and more recently Erick Morillo,Roger Sanchez, Frankie Rizardo,Sam Divine ,Low Steppa,Dosem, Gene Farris,David Keno,Nic Fanciulli, Monkey Safari, Stacey Pullen, Sebastien Leger,  Bjarki, George Fitzgerald, Nina Kraviz,Weiss and Dennis Cruz.Scratch has also played at the last Stereosonic festival in Perth.And more recently has played for Clockwork Orange at Redhill Auditorium where he shared the main stage with the legendary Tall Paul,Seb Fontaine and Jeremy Healy.
Now being one of Deepsoundz  resident djs and co-presenting Radio show Looney Choons on RTR FM, this has been an extremely busy year and 2017 promises to be even bigger.
Along with his partner in crime Dj DMC these guys always put on a great show and are an essential booking if you are serious about House.
For bookings:
https://www.facebook.com/pages/Deepsoundz/1391607067765562

Once transmitted through speakers and into the airwaves, music belongs to the people. The audience ascribes meaning and significance to songs and ultimately absorbs them for life.

By the same token, SIX60 belong to listeners. The history-making award-winning New Zealand quintet—Matiu Walters [vocals, guitar], Marlon Gerbes [keyboard], Ji Fraser [lead guitar], Chris Mac [bass], and Eli Paewai [drums]—stir rock, reggae, funk, and pop together with a twist of kiwi roots music and Maori instrumentation. Invoking this spirit and Kiwi roots, their latest music and next evolution showcases traditional Maori instruments such as Pūtātara and Pūkāe (stone and long trumpets), Bone Kōauao (Bone Flute), and Karanga Weka (Stone Flute). “We want to take our Maori culture and put it into a mainstream radio world,” exclaims Matiu. “There are only a handful of people in the world who can play these instruments, and we felt getting them into a mainstream album could give them a chance to stay alive.”
Over a decade before breaking records and selling out stadiums back home or signing to Epic Records stateside, the boys then welcomed the world into their musical ecosystem and set a career precedent in 2008 while still students.

“At University of Otago, we shared a flat at 660 Castle Street in Dunedin, New Zealand,” recalls Matiu. “We originally didn’t name the band. Instead, our first college fans gave the band the name by calling us the ‘SIX60 Boys,’ which evolved into SIX60. We adopted this philosophy into our albums. The fans add the final touches and have naming rights over things we do. The songs aren’t done until the audience has them. So, the album doesn’t really have a spirit or a name until the crowd consumes it.”

As such, SIX60 engender a rare level of devotion from fans, bordering on downright phenomenal. The group’s 2011 full-length, SIX60 (I. The Gold Album), bowed at #1 on the charts in New Zealand and eventually went septuple-platinum. SIX60 (II. The Colours Album). saw them reclaim the top spot on the charts in 2015 and go quintuple-platinum. To date, New Zealand single sales exceed 1 million as global streams surpass 200 million and counting. At the 2018 NZ Music Awards, they garnered “Best Group” in addition to five other honors.

A year later, they made history. Performing their biggest show to date, they sold out Western Springs Stadium in New Zealand and became “the first New Zealand Act to Sell 50,000 Tickets to a Show at the Stadium” (They repeated the same feat for 2020!). The gig proved to be a major milestone both professionally and musically.

HAROLD MAXWELL is following