Relaxing Atmosphere of French Restaurant: Jazz Ballads, Relaxing Saxophone, Sensual Journey, Travel Abroad Again

Underground Jazz Club (feat. Soft Jazz Mood)

Lovely snowdrops in the garden... Imagine, how it would sound, if the little flowers could create some music... :)
I tried and this piece came up, when I was improvising on my piano. I added some strings and here it is... 
The german title means "Snowdrops whispering in evening snow"

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Picture: Maria Träg-Engerer


Schneeglöckchenwispern im Abendschnee - Snowdrops whisper in the evening snow

Debbie talks to Seth Godin about how to live in our difficult political moment. “What we have to figure out is how to disconnect ourselves from the circle of fear and from the circle of contempt and even panic and make something that matters instead.”

Design Matters with Debbie Millman: 2009-2017

Design Matters with Debbie Millman: Seth Godin

Growing up, Amanda Gorman is determined to eliminate her speech impediment.

Called the "next great figure of poetry in the US," 19-year-old Amanda Gorman is the first ever Youth Poet Laureate of the United States of America and a Moth GrandSLAM champion. Her first poetry book, "The One For Whom Food Is Not Enough," was published in 2015. A Harvard sophomore, she has worked as a U.N. Youth Delegate in New York City, a HERlead Fellow with girl leaders in D.C. and London, and an Ambassador for the feminist platform School of Doodle. She has been featured in the New York Times, The Boston Globe, and Teen Vogue. At 16, she founded the community project One Pen One Page, which promotes storytelling and youth activism.

This story originally aired on The Story Collider's podcast on May 18, 2018, in an episode titled "Different: Stories about standing out in a crowd." Find the transcript and other information here: https://www.storycollider.org/stories/2018/5/9/different-stories-about-standing-out-in-a-crowd

Amanda Gorman: My Voice, My Power

Un mix exclusivement marocain conçu pour Darna Bruxelles 
https://darnavzw.be/fr/darnahome-special-mix-set

Brahim el Alami - Doub A Galbi Doug
Haim Botbol - Ana Wiyak Alaamar
Mohamed Bouzoubaa - Baba Salah
Haja Hamdaouia - Ayoua A Cheri
Fatima Ahmed - Ana Mourak
Mohamed el Idrissi - Sidi Rassouloulah
Fatima Hiloui & Mohamed Gaouyer - Tnaji Marrakchia
S'Hab El Maya - Lahouaoui
Salem Djilali - Maran Moutagh
Ahmed Amentag - Arjak Allah 
Raissa Fatima Tihite - Tassa Sbar Bziz

Darna  Mix

In this time of distance, vibe this out to that special person you wanna see in the worst worst kinda way!

Worst Way prod. by Cy Fyre & Spaceship Shad

"Djamila / Aljazair Merdeka" - Mochtar Embut (1960s)

CHECK OUT THIS RNB MIX WITH SOME AFROBEATS AT THE END FROM JULIETTE'S BDAY PARTY WHILE ON INSTAGRAM LIVE

FOLLOW ME ON INSTAGRAM: @DJBNVKS

@DJBVNKS

RNB INTO AFROBEATS MIX UP

This episode is coming to you from December 2020, the closing chapter of an unusual, significant and soul-rattling year.

And of course, GOD hit me with a MOMENT that I swear is the equivalent of like 10 therapy sessions lolol. 

Here's that lesson dear listener, in the raw, stream of consciousness style, off the dome, from the heart. A lesson on exalting your present self. I hope you enjoy. 

Per usual, if you rocked with this episode please share it! Tag me on twitter.com/itstracyg + instagram/itstracyg

If you're down to support further please SUBSCRIBE + LEAVE A RATING + REVIEW! of the She's Beauty And The Beast podcast! Those are the best compliments you could ever share with me, because they help me build awareness of this podcast. 

Thank you for your ears and attention all throughout the year. Can't wait to further invest in our bond come 2021! xx TG

Your Best Life Is Not Ahead Of You [Season Finale]

Read by Cicely Tyson, Viola Davis, & Robin Miles

“In her long and extraordinary career, Cicely Tyson has not only exceeded as an actor, she has shaped the course of history.” –President Barack Obama, 2016 Presidential Medal of Honor ceremony

"Just As I Am is my truth. It is me, plain and unvarnished, with the glitter and garland set aside. In these pages, I am indeed Cicely, the actress who has been blessed to grace the stage and screen for six decades. Yet I am also the church girl who once rarely spoke a word. I am the teenager who sought solace in the verses of the old hymn for which this book is named. I am a daughter and mother, a sister, and a friend. I am an observer of human nature and the dreamer of audacious dreams. I am a woman who has hurt as immeasurably as I have loved, a child of God divinely guided by His hand. And here in my ninth decade, I am a woman who, at long last, has something meaningful to say.” –Cicely Tyson

JUST AS I AM by Cicely Tyson

Movement III: Vivace

A wave of phrases in varied textures banishes the spell, and an energetic dance breaks out, based on the popular Syrian folk tune “My Grandmother’s Dance.” As with a host of Classic and Romantic concertos, Jandali’s finale combines elements of sonata and rondo form in a way that provides plentiful opportunities for the soloist to show dazzling skills. But with such a pronounced folk element one immediately thinks of national schools represented by such composers as Sibelius, Khachaturian, and Bartók. By
taking up this tradition of a folk-themed virtuoso finale, Jandali creates a new Syrian national school.

The finale’s second theme, too—which begins like a capricious march in the vein of Prokofiev or Shostakovich—borrows a motive from an old Syrian folk tune of unknown origin, which people have often fit with words to cheer on their favorite sports team. The main theme returns in developmental permutations that culminate in a grand pause. This sets up the entrance of the entire orchestra soaring majestically in the manner of a Tchaikovsky or Rachmaninoff “big tune,” here employing another old Syrian melody, a samā'i in the Bayati maqām. Jandali concludes with a return to the second theme, which builds in sound and speed to another dramatic pause and final emphatic chord.

Piano Concerto

02/20/2021

Malek Jandali | Piano Concerto No. 1 Vivace III

Harper Audio proudly traces its roots back to 1952, when Dylan Thomas first recorded for our Caedmon label. For more than five decades, HarperAudio/Caedmon has been synonymous not only with distinguished poets reading their works, but also with equally distinguished authors and readers performing classic and contemporary texts.

JUST AS I AM by Cicely Tyson

HarperAudio US