Known as globally touring DJ and the man behind OFF Recordings for many years, the recent past saw massive changes for Andre Crom.

His label OFF Recordings is nowadays one of the most loved and played techno labels. The global techno elite like Amelie Lens, Charlotte De Witte, Adam Beyer, Chris Liebing, Richie Hawtin, and many, many more play OFF Recordings' and Andre's productions on heavy rotation.

Crom personally has stepped up as a producer strongly in the past years, with releases on OFF, Sleaze, 100% Pure, Tronic, and other leading imprints.

But for all the love of producing and running a label, Andre Crom's enduring passion for underground dance music becomes most visible during his dj-sets, where he seamlessly combinies melodic and monotone shades of techno, function and emotion, to create an effortless flow and deep connection with the dancefloor.

Co-founder of @amaeo-label
Innervisions 

Management: management@vii-bra.com
Bookings ROW: skala@ntrlagency.com
Bookings North America: soann@strangetalent.agency

Please don't send demos on SoundCloud.

Bookings Worldwide: alex@fckng-serious.de
Reinier Zonneveld's label: @filthonacid

Reinier Zonneveld Bio
When it comes to stadium-sized techno, Dutch tastemaker Reinier Zonneveld reigns supreme. Over the past 13 years, he’s emerged as one of the Netherlands’ most prolific producers, DJs, event organisers, and label founders. He’s become a beacon for a new generation of ravers, drawn to his fast-paced, bruising beats that fuse the sensibility of techno’s past with the cutting-edge sound design of its future.
But there’s more to Reinier Zonneveld than just a leading producer of acid techno. He’s the founder of the acclaimed Filth On Acid record label, who’s ranked #22 in DJ Mag’s Top 100 DJs and previously the highest new entry of the year, a Guinness World Record holder, an Edison Pop Award winner, and one of the most in-demand live acts in electronic music. Regularly performing in venues with over 25,000 visitors, his live shows have become a benchmark for the modern techno experience, powered by classic machines like the Roland 909, 101, and other synthesizers, which he manipulates in real time to create his signature soundscapes.
Reinier’s reputation as a visionary and pioneer extends far beyond his production. He’s the creative force behind the technologically forward-thinking R² Festival, where he became the first artist in the world to perform back-to-back with his own AI, just trained on his own music, enabling him to experiment with wild new technics on stage while he performs on his synths and drum machines. In 2025, he’ll take this groundbreaking concept even further with a 10-hour AI B2B live performance, featuring a holographic version of himself with real-time audio-visual manipulation — redefining what it means to perform live in the age of AI.
Classically trained on piano from the age of three, Reinier studied econometrics and earned two master’s degrees at Erasmus University in Rotterdam, where his devotion to electronic music first took shape. He began releasing minimal, experimental club cuts in the early 2010s — including ‘Vuur’, ‘Flashers’, ‘Find Muck’, and ‘Remember’ before unveiling his debut album, Reverse Psychology (2013).
By 2015, his sound evolved toward the darker, faster side of techno, showcased on Make Me A Promise and Final Judgement, and cemented with his 2016 album Megacity Servant on Stil vor Talent, featuring the hit ‘Things We Might Have Said’ with Cari Golden. His monumental fourth album Heaven Is Mad (For You) pushed him to new heights, featuring some of his biggest tracks to date — including ‘Dance With The Devil (The 6th Gate)’ (16M+ streams) and ‘Move Your Body To The Beat’ (29M+ streams).
Since founding Filth On Acid in 2017, Reinier has continued to shape the global techno scene, consistently holding the #1 position on Beatport’s techno charts and collaborating with artists ranging from Carl Cox, Speedy J, and Angerfist to Armin van Buuren and Oliver Heldens. Now approaching its 200th release, the label remains synonymous with innovation and quality, balancing underground credibility with global reach.
Recognised as one of the most productive producers in the scene, Reinier has amassed over 83 days’ worth of his own released music, a staggering testament to his creative drive and output. He has also played a pivotal role in shaping the sound and tempo of modern techno, being one of the first artists in the scene since to push BPMs beyond 140 to 145 in the second decade of the year 2000, setting a trend that has defined the genre’s energy since 2018.
In a live setting, Zonneveld is renowned for his marathon performances from a 12-hour set at ADE 2019 to the record-breaking 11-hour, 11-minute show at his own Karren Maar Festival in 2023. His technical mastery, fearless experimentation, and relentless energy continue to redefine the limits of what’s possible in live electronic music.
Reinier Zonneveld stands as one of the most forward-thinking and influential figures in contemporary techno — an artist who continually pushes boundaries, challenges convention, and leads the evolution of the global electronic scene.

Feiern...eine willkommene Abwechslung zur tristes des Alltags und die Möglichkeit sich selbst mit Hilfe der Musik und anderen anwesenden Personen in ein Glücksgefühl zu steigern, die einzigartige, von Liebe durchtränkte Atmosphere in sich aufzusaugen, Bekannt- und Freundschaften zu pflegen und das Momentum der absoluten Zufriedenheit mit ihnen zu teilen...verbindet!
Feiern...verbindet! (Zitat Collins)

So geschehen bei Collins und Kono. Nach einer ersten gemeinsamen Afterhour wurde schon auf dem Weg zur darauf folgenden Party schnell klar, dass die Chemie stimmt.
Man kam, wie an einem solchen Wochenende nicht verwunderlich, schnell aufs Thema Musik und es fiel beiderseits auf, dass die beiden nicht nur den gleichen Musikgeschmack haben, sondern elektronische Tanzmusik als ein Lebensgefühl wahrnehmen und diese mit der gleichen Hingabe und viel Enthusiasmus verfolgen.
Logische Schlussfolgerung, man traf sich um gemeinsam etwas zu produzieren und die Vermutung der Beiden wurde bestätigt, man harmonierte nicht nur hinsichtlich der Ideen und angestrebten Ziele, viel wichtiger war, dass man sich scheinbar perfekt ergänzte. 
Von dort an stand für die beiden fest ihren musikalischen Weg gemeinsam zu bestreiten.

DJ, Producer, live 

since 2012 

bounce, techno, Bass

CVL - something slow

Harribert is following