Name: 3hrs live at Solace, 23 May '25 by Harvey Sutherland in Cool 3 Hrs Plus Dj Mixes 2025
Duration: 3 h 5 min 15 s
Description: First three hours of my set at Solace in Melbourne. I have not included the slightly-more-unhinged final hour, I think you had to be there.

Ooooh, who is this super funky remix of "Want you in my soul" by? Cannot find it anywhere!

Cool 3 Hrs Plus Dj Mixes 2025

MCLAREN 3HRS MIXXX | MARCH 18TH, 2023

AMORAL 3HRS | TILT X HEISSS | RSO.BERLIN | 28.04.2023

Batu b2b Leon Vynehall live from Barbarella's at Love International Festival 2024

TASCAM DR-100

Live from the Adriatic 2024: Batu b2b Leon Vynehall

You can watch the full set on YouTube as well. Enjoy! 

https://www.youtube.com/watch?v=7hk5xWVLAhQ&t=9331s

Bart Skils - NYE 2025 3HRS Sunrise set Mendoza, Argentina

Six hours recorded at one of my favourite clubs in the world, between the hours of 6am and 12pm. 
I absolutely loved doing this - taking the party deeper and deeper into after hours, and bringing everyone back to consciousness again in the second half. 
I LOVE NYC!

Ben UFO - Six Hours At Nowadays Nonstop 2024

Avalon Emerson - 9000Streams (Triple J Mix)

In an era of everything at once, Gabrielle Kwarteng is a DJ who weaves stories that often look to the past, while always focusing on possible futures. Dip in to hear a range of dance music from downtempo to deep house to techno rollers - and everything in between.  
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/gabrielle-kwarteng/episodes/gabrielle-kwarteng-18th-april-2025

Gabrielle Kwarteng 180425

First three hours of my set at Solace in Melbourne. I have not included the slightly-more-unhinged final hour, I think you had to be there.

3hrs live at Solace, 23 May '25

Floating Points @ The Lot Radio 07-11-2025

A queer icon steps up for RA.998's B-side.

The RA Podcast began with RA.001 in 2006. Since then, it's spotlighted the best and brightest in dance music every week, without fail. As we approach our 1,000th episode next month, we're switching things up, pairing artists whose sounds complement one another and, in doing so, zeroing in on the forces shaping the past, present and future of electronic culture.

This week, we shift lanes to Roza Terenzi and Kim Ann Foxman, two artists who strike a rare balance between reverence and reinvention. Both are key figures in queer clubbing circles, deeply informed by the halcyon days of '90s and early '00s club music yet fully committed to pushing it forward.

Each artist has carved out a distinct path. Roza Terenzi started out in Perth, Australia, before making a home in Berlin in 2020, while the Hawaii-born Foxman made her name in New York by way of San Francisco in the early '00s. For RA.998, they've contributed separate mixes, to be enjoyed together as two parts of the same whole.

Foxman takes the B-side and makes her RA Podcast debut. As a vocalist for Hercules & Love Affair and a sought-after producer in her own right, the New York-based artist blends club heft and melodic flourish with a distinct pop sensibility shaped by '90s dance music. (She got her first job making smoothies at an all-ages club in Hawaii while Deee-Lite performed live behind her.)

Like Roza Terenzi, Foxman draws from across eras. Her contribution to RA.998 is warm, expressive and emotionally tuned, unfurling a palette of house, breaks and trance laden with bright pads, bold hooks and an ear for atmosphere. Listen out for the Whitney Houston sample and you'll know what we mean. 

While Foxman and Roza Terenzi embrace a fun, vibrant musical style, their work is grounded in intentionality. They're invested in honouring the cultural and political roots of dance music: Foxman has long advocated for a more inclusive, community-driven club scene, while Roza Terenzi was among the first artists to begin pulling shows this summer as a matter of political principle.

Both sides of RA.998 show how the sounds of past eras can be reimagined to move seamlessly with the present. Hopefully you'll even feel a jolt of inspiration to get yourself to the nearest dance floor, ASAP.

@kimannfoxman
Find the tracklist and interview at ra.co/podcast/1003

RA.998 Kim Ann Foxman

Los Colores

N(ever)

GANJJOS - THE PARTY (PUMP THE JAM EDIT)

For Eris’s mixtape “Raving Disco Breaks Vol. 1”, she uses old records to create a new style out of fragments. Many of the selections have been featured heavily in her live DJ sets, including her b2b sets with Octo Octa. Eris accumulated these records slowly, over decades, but it wasn’t until touring last year that she realized a “sound” coalesced in her bag. What does a rave at the disco sound like? Kinda like everyone took ecstasy at the roller rink. On her ecstatic mix, Eris colleges together a genre by scratching-in breaks with horn samples, mixing Disco House with broken beats, dropping Miami Bass jams with Boogie keys and blending Rave tunes with disco vocals. On the mix Eris utilizes turntable techniques such as “doubles” tricks and “hot mixing”—a fast-paced mixing style inspired by her beloved B96 Mixmasters, Chicago’s most popular 1990’s radio DJs. Like all of Eris’s mixes, she weaves strong narratives of embodiment, defiance, cultural transcendence and personal triumph (a classic disco emotion) into a flow of body rockin’ beats, scratches, drops, and sweet melodies. The result is a bass heavy summertime house mix for the psychedelic bad girls, boys and enbys. 

A limited run of Raving Disco Breaks Vol. 1 cassettes are available now exclusively from the label’s Bandcamp - http://t4tluvnrg.bandcamp.com

 The recording can be streamed on the T4T LUV NRG SoundCloud for free and hi-resolution versions are available for download on the label’s Bandcamp (donation requested). All profits  from Eris’s mix will be donated to the Sylvia Rivera Law Project (SRLP), which works to guarantee that all people are free to self-determine their gender identity and expression, regardless of income or race, and without facing harassment, discrimination, or violence.

Eris Drew Raving Disco Breaks Vol 1.

Matador Poznan Poland 22:02:2020 (3hrs)

Harvey Sutherland, the Melbourne-born record producer, keyboard player, club DJ and bandleader, made a name amongst his hometown’s electronic underground with a string of cult dance singles. Early 12-inches like ‘Bermuda’ and ‘Priestess’ were records in love with classic soul and disco, but his debut album ‘Boy’ was guided by his obsessional traits and habits, ending up in a place he describes as “Neurotic Funk”. 

Boy has seen widespread acclaim since its release, with Resident Advisor noting “[his] sense of musicality has always been head and shoulders above his peers...his songs are full-blooded and fleshed-out…” His latest material is an exercise in techno minimalism — laser-focused club jams like ‘Hummingbird’ and ‘Nobody Like U’ set the stage for Harvey’s next chapter. 

His machine grooves are fired through a prism of crate-digging influences, from Todd Rundgren to Basic Channel and back again. His distinctive synthesiser tones have graced remixes and production for Disclosure, Khruangbin, Genesis Owusu and BadBadNotGood. A seasoned performer, he’s taken his live band to Glastonbury, dragged his Juno-60 into Berghain and turned the Melbourne Recital Centre into a full-fledged nightclub. Eclectic and groovy, Harvey Sutherland is Neurotic Funk.

3hrs live at Solace, 23 May '25

Harvey Sutherland

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