Sounds familiar but I don't recall the title.

Wonderful arrangement Harvey and love the trademark Cha cha cha at the end:)

Nice Job !!!! El Mambo-cha cha cha "Patricia" fué creado por Dámaso Pérez Prado en el año 1958. :o)

Love how you keyed this one, Harvey!! Oh my, Patricia!  There'll be lots of patty-cake after playing this cha, cha, cha beauty!  Roger Rabbit wished he could grab it! ;) 👏🏻👏🏻👏🏻👏🏻😻👣💃🏻🕺🏻🙌🏻💘

This is hot music‼️ Good vibes❗️ but I don't know the name....

Iyashi

The title is from the novel The Man Who Fell to Earth by Walter Tevis (https://en.wikipedia.org/wiki/The_Man_Who_Fell_to_Earth_(novel))

Walter Tevis is a great writer (https://en.wikipedia.org/wiki/Walter_Tevis)

Pic - based on Icarus by Henri Matisse (https://www.matissepaintings.org/icarus/)

Published on SC 11 February 2023

ESO7 WIP

1975: Rumplestiltskin

The Shirelles released this tune in 1960. Can you "Name That Tune"? Performed on my Yamaha PSR-SX900 arranger keyboard.

I have a website that contains my complete collection of tunes with their titles revealed at:

https://www.harveytwyman.com

Name That Tune #382

RISE

cruising pacific coast highway, top down & guided by big sur moonlight.

produced by kid otari
all guitars by ronaldo farelli
keyboards by guillaume pearson
Recorded on tape at the Laundry Room, Oakland California
8-channel 1/2" Otari MX5050
remastered by richard at blitz recording

soundcloud.com/naldeau/tracks
soundcloud.com/guillaumelecompositeur/tracks
soundcloud.com/richard-livoni/tracks

Molly's Moonlight Drive

Goodbye Blue Monday

Here is my isolated guitar solo track with full orchestra for my title track "The Wheel."
The Wheel is a concept song spanning over 20 minutes long, which I wrote in 2017/2018 and recorded in 2019. I uploaded it to my SoundCloud back in early 2020. Here are the last 4 minutes of the song. The song itself is a finale to an album idea that I had, and this guitar solo acts as the grand finale movement. The Wheel was written, recorded and arranged by Louis Taverna
All instruments, including orchestrations were recorded and arranged by Louis Taverna
All rights reserved ©

The Wheel - Guitar Suite Finale

A cover from one of the most gifted songwriters I’ve ever known: the late great BIG Jim Rogers.

She Stands Above You [Jim Rogers cover]

This Cha-Cha was first released by Tony Evans & His Orchestra in 2006. Performed on my Yamaha PSR-SX900 arranger keyboard.

Can you "Name That Tune"? I have a website that contains my complete collection of tunes with their titles revealed at: https://www.harveytwyman.com

Name That Tune #433 by Tony Evans & His Orchestra

all this love.mp3

ReBorn

This tune was released by Anthony Newley in 1962. Performed on my Yamaha PSR-SX900 arranger keyboard.

Can you "Name That Tune"? I have a website that contains my complete collection of tunes with their titles revealed at: https://www.harveytwyman.com

Name That Tune #438 by Anthony Newley

222 Plays, a "Schnaps number"...now I can make a wish 😁

Once two must part;
once one does not want to understand the other anymore - -
once each path forks - and each goes alone -
who is to blame for this?

There is no blame. There is only the course of time.
Such roads intersect in infinity.
Each carries the other with it -
something always remains behind.

Once it washed you together,
you heated up, you melted together, and then you cooled down -
You were your child. Each half now sinks down -:
a new man.

Each one goes to his little destiny.
Life is transformation. Each I seeks a you.
Everybody is looking for his future. And now walks with faltering foot,
torn forward by the will, without explanation and without greeting
into a distant land.

Einmal müssen zwei auseinandergehn;
einmal will einer den andern nicht mehr verstehn – –
einmal gabelt sich jeder Weg – und jeder geht allein –
wer ist daran schuld?

Es gibt keine Schuld. Es gibt nur den Ablauf der Zeit.
Solche Straßen schneiden sich in der Unendlichkeit.
Jedes trägt den andern mit sich herum –
etwas bleibt immer zurück.

Einmal hat es euch zusammengespült,
ihr habt euch erhitzt, seid zusammengeschmolzen, und dann erkühlt –
Ihr wart euer Kind. Jede Hälfte sinkt nun herab –:
ein neuer Mensch.

Jeder geht seinem kleinen Schicksal zu.
Leben ist Wandlung. Jedes Ich sucht ein Du.
Jeder sucht seine Zukunft. Und geht nun mit stockendem Fuß,
vorwärtsgerissen vom Willen, ohne Erklärung und ohne Gruß
in ein fernes Land.

Faded Ways

Song by Tony Harrell & Leland Scott. This version recorded at Buck's Place studio.

It's About Time

Introduction in English:

Germany in the 1960s was still very much influenced by the Nazi stink. Violence and black pedagogy still prevailed in families. Beatings and spankings were part of the natural educational repertoire of parents. 
Unfortunately, my father and mother also joined this then socially accepted community of thugs.   
In this often ominous and latently threatening time, Doris Day was for me the ideal projection screen for a world full of harmony, clarity and lightness. 
Since my parents basically loved me (they themselves had been traumatized by terrible experiences of violence in Nazi Germany and, due to a lack of suitable trauma therapies at the time, unconsciously went from being victims to perpetrators when beating us children), they took my childhood crushes on Doris Day seriously and at some point gave in to my urging to write her a (fictitious) letter from Germany.... 
As an adult, I distanced myself from my childhood crush on Doris Day for a long time, since critical film analyses tended to portray her as a representative of superficial, shallow and pseudo-harmonic acting and song art. 
Then I saw her again a good ten years ago at the „Berlinale“ in a documentary with Rock Hudson and his HIV infection at the beginning of 1985. Nobody wanted to get Hudson, whose HIV infection was diagnosed in Moscow, out of there and bring him back to the U.S. by plane. Most were afraid of becoming infected themselves. 
Not so Doris Day. She, along with several other actors, organized the flight back. And when Rock Hudson, who was already seriously ill with AIDS, stepped out of the plane after landing in the U.S., she demonstratively stood next to him and put her arm around him. Even today, tears come to my eyes when I think of this unique gesture of solidarity and loyalty. 
Since that magical moment in a Berlin movie theater, Doris Day has become immortal to me. 
And I can only say: I was not at all mistaken in my early love for her....

Lyrics in English

My Blond Angel

When I was a little boy 
Just a meter high 
I fell in love with your blond hair 
That always smelled like cinnamon stars to me

I'd watch TV in the afternoon and then I'd see you 
As you came on the screen
You were pure harmony, clinically pure, high polish
You exuded carefree elegance

No one believed I could fall in love like that
Little boys are supposedly not ready for that yet

But I suffered, I pined, I was sick with love
My blond angel from the faraway land

My parents told me she lives far away from here
In the great wide U.S.A.
Her name is Doris Day and she'd already have
A husband to take care of her

But I wouldn't give up
I cried and cried until my parents realized
They found out her residence and address
And after my continued insistence,

I dictated a love letter to them both
My father translated it for her

He threw it in for me, I was still too little for that
My blond angel from the faraway land

When I sat in front of the screen the following weeks
She looked at me differently
She looked quite in love, my letter seduced her
Since then I was her little husband

For a long time I was ashamed of this love
But recently I saw her
More magical than ever
For me she remains a shining light
I love her

Mein Blonder Engel (My Blond Angel)

This tune was made famous by Fats Domino in 1956. Performed on my Yamaha PSR-SX900 arranger keyboard. 

Can you "Name That Tune"? I have a website that contains my complete collection of tunes with their titles revealed at: https://www.harveytwyman.com

Name That Tune #442 by Fats Domino

Welcome to my page!

I've been playing guitar for many years, even though I'm not very good at it, with the support of my wonderful band members.

When I first heard the sound of a Hammond B3 when I was young, I felt something modern in the linear, expressionless sound emitted by the electronics, and then with the advent of the synthesizer, I felt infinite possibilities that could not be expressed with existing instruments.

In 1988, I discovered the joy of using MIDI files as a way to express my music on my ATARI 1040ST computer, and I became obsessed with it. Fortunately or unfortunately, that obsession continues to this day.

All music posted on this Soundcloud is created using only a mouse on a computer's piano roll screen.

The only exception is that I actually play the guitar part on No. 16 (OnMyouJi).

Assembling music on a computer allows you to listen to the melody objectively, so there is the joy of unexpected discoveries.

That's the most interesting thing, and I learn a lot. It can be tiring sometimes, but...

Music has a mysterious power that reminds you of your past self when you listen to music you listened to repeatedly in the past for the first time in a long time.

I think everyone has experienced that.

I hope that the music I post here will help you remember who you are in the future.

Comments on the songs will encourage me in the future. Please feel free to write anything you want.

I may not be able to reply to comments right away, but I will definitely reply, but I may not be able to reply to messages. Please understand.

Thank you.

Can you put titles to my tunes? If not, my website reveals all at:

https://www.harveytwyman.com

My Latest Tunes are at: www.soundcloud.com/harvey-twyman

I have now minimised all my musical equipment down to a single arranger keyboard, the Yamaha PSR-SX900.

Originally I had created all the features of this keyboard using multiple pieces of MIDI equipment all controlled through a Windows tablet. I created a YouTube video describing it all:

https://www.youtube.com/watch?v=TekeXG_oe1g&list=PLzVsLVsxIwiZLfDwmRDZ1B8TnIrgwX7aC&index=2&t=1s

Name That Tune #433 by Tony Evans & His Orchestra

Harvey Twyman

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