Midon Yidima

Himalaya EP

Himalaya

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Indira Paganotto - Himalaya (Original Mix)

Tabital Pulaagu

ØTTA - 8DAYSWAIT

https://www.nts.live/shows/spfdj/episodes/spfdj-28th-july-2022

SPFDJ  280722

Mario Savio's Speech with "Ratatat - Breaking Away"


We have an autocracy which — which runs this university. It's managed. We were told the following: If President Kerr actually tried to get something more liberal out of the Regents in his telephone conversation, why didn't he make some public statement to that effect? And the answer we received — from a well-meaning liberal — was the following: He said, "Would you ever imagine the manager of a firm making a statement publicly in opposition to his Board of Directors?" That's the answer.
Well I ask you to consider — if this is a firm, and if the Board of Regents are the Board of Directors, and if President Kerr in fact is the manager, then I tell you something — the faculty are a bunch of employees and we're the raw material! But we're a bunch of raw materials that don't mean to be — have any process upon us. Don't mean to be made into any product! Don't mean — Don't mean to end up being bought by some clients of the University, be they the government, be they industry, be they organized labor, be they anyone! We're human beings!

There is a time when the operation of the machine becomes so odious, makes you so sick at heart, that you can't take part. You can't even passively take part! And you've got to put your bodies upon the gears and upon the wheels, upon the levers, upon all the apparatus, and you've got to make it stop! And you've got to indicate to the people who run it, to the people who own it — that unless you're free, the machine will be prevented from working at all!

Speech, Sproul Hall, University of California, Berkeley (1964-12-02)


Mario Savio's Speech with Ratatat

1. Moussa Thiobely Ba is part of a big griot family and is a young man of 25 years old. His 1 year old baby hangs on his back and a cigarette hangs from his mouth as he improvises on his electric guitar in front of a small modest room that he have built in the complex of all the griot houses. 
2. "Generation Mbamba", a family of griots band.
3. Tidiane Thiam plays Dannibe (released originally on Sahel Sounds records).
4. We are shielding from the midday sun in a room that is used as a Taylor’s workshop in the village while waiting for the lunch to be ready. Moussa starts to sing.
5. Baye Fall called Lamp sings a praise for Mame Diarra, Sufi Saint Amadou Bamba’s mother. 
6. In between the rainy days, we take out some rugs and some instruments to the green outside the village. Fouta is normally a burn out desert, but rain has brought in all this vegetation. All cousins take turns to play their songs while I record in front of them. This one is by Moussa Thiobely Ba.
7. Samba is a young griot, a cousin of Mousssa. He makes a living playing his electric guitar and singing praisals when people hire him to come over. He always records his performance on his phone and after sends it to me via Whatsapp, so that when I am back in London, a little piece of Fouta Toro is always with me.
8. We are shielding from the midday sun in a room that is used as a Taylors workshop in the village while waiting for the lunch to be ready. Moussa starts to sing a cover of a song I am still yet to find. He begins softly, just as something to do during a calm moment but it turns out to be powerful as everyone joins it a bit. I came to the village to meet Samba & Alessane, Moussa was their cousin, but after this performance I realised that Moussa was an incredible singer too.
9. Baye Fall called Lamp sings a praise for Mame Diarra, Sufi Saint Amadou Bamba’s mother. Lamp is a kind and generous man with an impressive set of dreadlocks who let us put up our tents in his family house yard in a small town of Casamance.
10. Samba sings while his father, a famous griot in the area plays Houddu, the traditional instrument made of carved wood & animal skin and three strings. We just had breakfast and I was getting ready to leave the village slightly nostalgic and saddened to leave. The song brightens the mood.
11. A first call to prayer at dawn in Maata-Moulaana, a semi-autonomous village following Sufi Islamic order. 
12. Laye sings a devotional Baye Fall song by the fire in the evening inside my friend Amdy’s workshop and a place where Baye Falls of the village gather.
13. Bamba Tokara Bamba from ‘Generation Mbamba’ - a griot family band sings his song about a Sufi Saint Amadou Bamba.
14. Hamet Thiobely Ba.
15. Devotional chant is blasting through the distorted speaker.
16. Samba Thiobely Ba.
17. The beginning verse of Dahim's favourite traditional track.
18. Me and Dahim listen to an old Mauritanian track, Dahim is talking me through it.
19. Samba Ba plays the traditional Fulani instrument Hoddu and Alessane reads a praisal from a poetry book by Mamadou Samba Diop. 
20. Moussa and Lamp sing a devotional song while sharing a spliff. 
21. A Fulani griot of Ado village, named Abdurahman Diallo, plays me a traditional riff while he shares some insights on life while playing the Hoddu. He says “life is like a film, everyone has got their role to play”…
22. A snippet from the rain season celebration performance in Hamarabe village. Ladies of the griot family sing an improvised traditional Fulani song. 


ON THE ROAD - Fulani songs  & Baye Fall devotional music  (field recording mixtape)

Kayhan Kalhor Û Erdal Erzincanlı - Gulnîşan

SPFDJ at Reaktor 2019

This mix was broadcast live on radio in Australia 16th February 2020 ahead of my upcoming tour.

Friday 6th March - Pitch Festival
Saturday 7th March - Neon, Adelaide
Friday 13th March - The Bottom End, Melbourne
Saturday 14th March - The Lansdowne, Sydney
Sunday 15th March - The Rechabite, Perth

Mario Savio's Speech with Ratatat

hasantayyar

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