After more than 1 year of the full blown, live streamed genocide on the Palestinian people, perpetuated by Israel with the complete support and funding of America and the western world, I needed to create this song as my own form of resistance. 

International law means nothing anymore, human rights organisations are labeled liars because they report what even a blind person can see, and anyone can witness live streamed war crimes on their phones. We are living in an upside down world, where the western powers will stop at nothing to make sure that Israel achieves their goals of expansion through invasion, extermination and forced displacement. 

The samples at the beginning, chorus and end of the song were recorded from protests in Sydney. 

Produced and mixed by Otis James.
Mastered by Becker Mastering.
Single art by @bint.quds

Never Settle

Join the guys this week for another exciting round of amazing interviews from SHOT Show 2025 in Las Vegas.  The guys talk to Retired Navy SEAL Don Mann, Sheriff Mark Lamb, and MMA superstar Ken Shamrock about the reality show Surviving Mann.  The guys also talk with Paulo and Rick from Night Vision Inc, and Dr. Matt Miller from the VA's Department of Suicide prevention.
www.SurvivingMann.com
www.NVincorporated.com
https://www.mentalhealth.va.gov/suicide_prevention/

ArmsRoomRadio 04.12.25 SHOT Show 2025 Part 5, SEAL Don Mann, Sheriff Mark Lamb, and Ken Shamrock

Vintage Shirts is a breakup song with backbone. Honest, stylish, and full of little punches that land softly and stay with you. Annie Cole sings about letting go, not with heartbreak but with clarity—and just the right amount of swagger. A song for everyone who’s moved on and doesn’t need closure to keep dancing.

Vintage Shirts ist ein Trennungssong mit Rückgrat. Ehrlich, stilvoll und voller kleiner Sätze, die sitzen und nachwirken. Annie Cole singt vom Loslassen – nicht mit gebrochenem Herzen, sondern mit Klarheit und genau dem richtigen Hauch Lässigkeit. Ein Song für alle, die weitergezogen sind und keinen Schlussstrich brauchen, um weiterzutanzen.

Vintage Shirts

Nomads

I stood on splintered floorboards, tracing where Dad’s boots once landed
Empty chairs in the kitchen—silent witnesses to a man who never came
Coffee cooled on chipped porcelain, a pale twin of my hollow chest
Paperback spines bent under dust—stories I held but never lived

In the beat between heartbeats, I planned my escape

Rise. Rebel.
I refuse to stay lost
Rise. Rebel.
I’ll reignite what’s been crossed
Rise. Rebel.
No more hiding in rust
Rise. Rebel.
This is my life, I’m the boss

I slammed the gas past sunrise, outran the world in a stolen roar
A truck’s length of shadow chased my wheels, but I’d buried my fear in speed
Knuckles burned into the wheel’s steel—proof that I’m still here
No rearview mirror now, just the horizon shouting my name

My silence cracked open—room for my roar

Rise. Rebel.
I refuse to stay lost
Rise. Rebel.
I’ll reignite what’s been crossed
Rise. Rebel.
No more hiding in rust
Rise. Rebel.
This is my life, I’m the boss

Count four beats.
Then break free.

Rise. Rebel.
I refuse to stay lost
Rise. Rebel.
I’ll make my own cause
Rise. Rebel.
I won’t vanish again
Rise. Rebel.
I am here—let’s begin

Rise & Rebel

Reject

Der Preis fürs Gewinnen

Our vows you planned to break
Your prayers you know are fake
Somethin’ I can’t take, it’s over

You deceived me with your lies
You had such good alibis 
I was crucified, it’s over

  It’s over
  Yeahhhhhh, it’s over

Meant nothin’ much to you
But I tried to see us through
Girl it still takes two, it’s over

You’re a cross that I can’t bare
And a pain I just won’t share
Now I just don’t care, it’s over

  I hear freedom ring’n
  And the birds are singin’ 
  So I’m takin’ wing, it’s over
  Yeahhhhhh it’s over

But ya know I’ve learned a lot
And I love this life I’ve got
Took your best damn shot, it’s over

So go on and live your lie
When it leaves you high and dry
Baby I won’t cry, it’s over

  I hear freedom ring’n
  And the birds are singin’ 
  So I’m takin’ wing, it’s over
  Yeahhhhhh it’s over

  Ooohhhhh it’s over
  Yeahhhhh it’s over


c  7/99

It's Over  (s)

Join the guys this week as Mike, Earl, and Attorney Jason Herman are joined by Major Bill in-studio.  The guys give you their plans for Easter weekend and discuss the latest from the Hockey and Baseball standings.  The guys spend time discussing the shooting at FSU in a gun-free-zone, and give you tips on hoe to keep from being a victim.  Jason tells us the procedure for applying to go to West Point as his daughter is currently in the process.  Major Bill tells us about a California town that is no longer using crisis counselors to respond to mental health calls fro safety reasons and court rulings.  And the guys close the show talking about an extensive underground range discovered in Spain.

ArmsRoomRadio 04.19.25 Major Bill in studio, FSU Shooting, Underground Range in Spain

Diazz - Солнце (feat. Rami)

Ich schreibe gerne was ich denke, fühle und erlebe. Das Schreiben hilft mir, Erlebnisse einzuordnen und zu verarbeiten. 
Gefühlen eine Melodie zu geben ist etwas wunderbares. So kann ich Erinnerungen verewigen. 
Schreiben bringt Klarheit. Die Melodie dazu transportiert die Botschaft ins Herz.
Es ist ein bisschen Selbsttherapie
In erster Linie tue ich es um einen Ausgleich zu haben, also für mich selbst.
Die Texte sind direkt und frisch aus dem Herzen. Wenn ich aber jemand erreiche, der genauso fühlt wie ich, und damit jemanden berühre, freut es mich umso mehr.

Da ich nicht gut singen kann und sonst auch nicht der musikalischste bin, nutze ich eine KI für die Melodie und die Stimme.

Viel Spaß beim hören 🥰

Gruß Marco Memory

🎵 Want early access to new music & exclusive tracks?
Join us on Patreon for behind-the-scenes content, unreleased songs, and more:
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marten_olofsson@hotmail.com

🚫 No spam, fake labels, or unsolicited promos – I work independently and only connect with verified professionals.

✨ Wouaakee ✨
♪ AI Music Producer ♫
👉🏾  #EDM #WorkoutMotivation #FitnessMotivation #Dance #ProgressiveHouse #AIMusic

Hello I am a song writer, I write all my songs with pride. I use AI for the voices and background music like and subscribe. Ty XOXOXO

My name is John Michael Tracy I write songs, jmtsongs.com , love photography, hunting, fishing and all of the outdoors. I was born on Jan. 11, 1957 in Elmira, NY.  I’m the oldest of six children, and my family lived, for most of my youth, in Athens, PA., which is right across the border from Upstate New York.   
	My parents had me take piano lessons when I was a kid, and when I was a teenager, I taught myself to play guitar.  Some friends and I had a country band, and we played local spots for a while.
	In my early twenties, I bought a 4-track recorder and enjoyed playing and recording songs that I liked from the Eagles, Jim Croce, Lobo, David Gates and Bread, Dan Fogelberg, etc.  I sent the recordings to my Grandfather, who had a band when he was young and performed all over upstate Pennsylvania and New York.  One day he asked me why I didn’t write my own songs.  The thought had never occurred to me, but once I’d considered it, it sounded like a great idea, and I told him that I bet I could do it.  
	After the first hundred songs or so, I called a few record companies to let them know that there was a new talent ready to take over the songwriting world, and they suggested I join NSAI first to help me hone my craft.  So I did.  In the mean time, I was sending quite a few of my songs to Washington to be copyrighted.
	A Publisher/Writer named Donn Hecht (most famous for co-writing Patsy Cline’s “Walkin’ After Midnight”) had someone working for him in Washington that noticed the number of songs I was copywriting.  Donn contacted me and asked me to send him some material. I did. He became my publisher, mentor and friend until his death in October 2002. He taught me more about songwriting and the business than anyone I’ve ever met.
	In the Spring of 2000, I wrote a song called “The South’ll Rise Again” and sent it to the nationally syndicated “The John Boy and Billy Big Show” as a gift, never imagining they’d ever do anything with it.  They were impressed enough to play it on the air, and it has been on their “Best Of” shows ever since.
	After the terrorist attacks of 9/11, I wrote a song called “Give’m Hell U.S.A.”  and  sent it to President George Bush and some of his staff.  Both President Bush and his Chief of Staff, Andrew Card, responded with really nice thank you notes. 
	I’m also a member of the local and National GTO clubs, own a 1970 Judge, and have written several “hot rod” songs that get regular play at many car shows and cruise-ins.
           My wife Kathy and I lived and worked in Nashville for a year and met many wonderful artists and songwriters who inspired and encouraged me.
	As the successful songwriter, friend and mentor, Jerry Vandiver says, “We write, because we have to”. The music needs to come out so we do what we love, and let it flow.

Этот мир будет холодным, если ты не дашь ему тепла🕊️

Тут мое откровение. Без фальши, только музыка, только чувства!

Arms Room Radio, a weekly, two hour live Radio show filled with entertaining conservative commentary on Second Amendment issues from guys who have been there, done that.
Arms Room Radio is more than just a gun show. Tackling issues like when should you defend your self? When do you give a statement after a self defense incident? What rights do you have? And what rights does the government have when it comes to you and your firearms? Find out from the guys that know.
Arms Room Radio does on air product reviews of the newest products before you can buy them. Learn what the voices of experience and the manufacturers have to say about the newest products before you invest your hard earned money.

Stoyan is a Sydney based Songwriter/Rapper/Producer who has a gift for creating thought provoking, lyrical music. His main influences are Nas, Kendrick Lamar, Chance The Rapper and Anderson Paak., so you will find plenty of jazz and soul elements included in his music. Stoyan will be releasing a plethora of singles and an EP in 2022. The music will range from completely live band recorded jazz/soul songs, to songs that fuse electronic production and live instrumentation, reminiscent of Mick Jenkins and Mac Miller. 

Stoyan “sails through clever lyricism, carefully considered production, and jazzy instrumentation to deliver a brand of Hip Hop that belongs entirely to himself.” “He has successfully developed a rich, eclectic style and has a genuine talent for giving his listeners a unique Hip Hop experience.” (Happy Mag).

New tracks tagged #freedom