Original music produced by Hashmoder (Omar Hash).
The music can also be purchased from Bandcamp.
https://hashmoder.bandcamp.com/music

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Hashmoder: Tracks

Buy this track from Bandcamp
https://hashmoder.bandcamp.com/track/getting-there 

For best results, please wear headphones for the binaural effect in the stereo-field.

Hashmoder (Omar Hash): Music composition, sound design, synthesizers, instruments, vocals, vocoder, arrangements, programming, editing, engineering, mixing and mastering.

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LYRICS:

NEUROTRANSMISSION
THROUGH TIME AND SPACE
BEYOND LIMITS OF INDIVIDUAL EXISTENCE
OPEN YOUR EYES TO THE FUTURE

NEUROTRANSMISSION
TO THE FUTURE

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'Getting There' is an hypnotic and transcendental music track with three separations which merge together as one towards the long outro. Synthesizer chords and evolving textural layers, along with organic, acoustic percussion.

In three-four time signature driven by sequenced synthesizer baselines, 'Getting There' will take you through a long, driving, montage-like, scenic and groovy journey with the intention, vision and final destination leading you the way to an imaginary utopian world of tomorrow.

Retro-future sound of an updated 1980s with musical and production/technical influences, borrowing heavily from Trevor Horn, Frankie Goes To Hollywood, Yello, Pink Floyd, Phil Collins, Peter Grabriel, and Jan Hammer. Also a nod to The Orb.

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Getting There

Electronic dance. 4/4 time signature. 128 BPM.  Hypnotic, syncopated bassline is comprised of six-layer stack of analog and digital synthesizers, driving the groove throughout the entire track.  Hard edge with homage to retro electronic dance music from the early 1980s.  Tight beat with very angular, symetirical arrangements in line with brutalism architecture.

Hashmoder (Omar Hash): Music composition, sound design, synthesizers, instruments, vocals, vocoder, arrangements, programming, editing, engineering, mixing and mastering.

Brutalist (Raw Concrete Mix)

Buy this track from Bandcamp
https://hashmoder.bandcamp.com/track/nightvision-six 

Hashmoder (Omar Hash): All music composition, arrangements, programming, keyboards, synthesizers, drum machines, sequencing, recording, editing, audio engineering, mixing, and mastering.
Alan Wong Moon: Guitars

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'NightVision Six' is a retro-future with an updated take and homage to the 1980s sound/genre. An electronic driven by a very tight groove stemming from a synthesizer baseline which drives the entire track along a montage highway to the future-past of an utopian tomorrow. Stabbing chords of stacked synthesizer layers. Carefully programmed drum machine. Heavily processed guitars and synths. Full-on dynamic automation.

'NightVision Six' gives a nod to Paul Hardcastle, Jan Hammer, Trevor Horn, Frankie Goes To Hollywood, The Art of Noise, and Yello.

NightVision

NightVision Six

Buy this track from Bandcamp
https://hashmoder.bandcamp.com/track/mindfull 

Hashmoder (Omar Hash): Music composition, sound design, instruments, vocals, vocoder, arrangements, programming, mixing and mastering.

'mindFULL' is carefully constructed electronic music track with synthesizer baselines (syncopated), granular synthesis and pad layers, all evolving very tightly in and out of each other texturally and musically, along a mildly distorted groove of a drum machine. 

This track is about being a victim/survivor from a highly manipulative and malignant person who has borderline and narcissistic personality disorders on the full spectrum. Hence the dreamy ethereal sounds. Overall meaning is about the honeymoon state at the start of the relationship, but then it becomes chaotic; whenever there was chaos, the abused victim dreams of going back to the honeymoon state and staying there for validation ('trauma bonding') after being devalued and discarded by the borderline/narcissist; and no matter what, even after the relationship is over, a part of the victim still loves and misses the good idea/image which the abused only hopes the abuser to become (again: trauma bonding). Hence the middle part of the track sounding chaotic but quantized, then gradually going back to pleasant-sounding etherealness. In essence, this track is about a dream of 'what it might've been' if everything stayed constantly beautiful; and also it’s a mourning -- the death of someone whom the victim misses terribly but that person does not exist in real life, because such a person is a chameleon, a person wearing a mask at all times, lacking empathy.

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LYRICS:

BIG ROUND EYES
BEAUTIFUL FACE
POISE AND GRACE
A LOVE REVISED


THIS STORY BEGINS
HEART OF HEARTS
VISION, DESIRE
MIND AND SPIRIT

THICKENING SKIN
IMAGINED ART
TRANSITION, FIRE
REFINED AND VIVID


DREAMING OF TWO
REGARD AND TRUST
RELIANCE, SHELTER
HONOR AND PRIDE

KINDNESS, VIRTUE
MERCY AND JUST
FORGIVER, HELPER
UNION MAGNIFIED


	CHAOS
		I MUST WARN YOU
	CHAOS
		IT’S JUST A DREAM
	CHAOS
		GOT TO GET UP
	CHAOS
		I WARNED YOU

	FLY
		FADING AWAY
	FLY

	FLY
		FADING AWAY
	FLY
		FADING AWAY

CHAMELEON
EXPLOITATION
AMBIVALENCE
DEGRADATION

MindFull

mindFULL

Buy this track from Bandcamp
https://hashmoder.bandcamp.com/track/tutumaraia

Hashmoder (Omar Hash): Music composition, sound design, synthesizers, instruments, vocals, vocoder, arrangements, programming, editing, engineering, mixing and mastering.
Background Vocals: KouChaiChian

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'Tutumaraia' was Hashmoder's second breakthrough attempt at composing/producing a long, epic electronic track with two movements separated by a long breakdown. 

Over fifty tracks of synthesizer layers and leads, percussion, original background vocals, voice samples, and vocoders, all driven along by tightly syncopated synth bassline. 

The first movement sounds very Enimga-esque. Second movement after middle-breakdown goes off into very tight synth-syncopation craziness.

'Tutumaraia' gives nod/homage to Enigma, Herbie Hancock, Casey Young, Trevor Horn, Franke Goes To Hollywood, The Art of Noise, Jan Hammer, and Yello.

Tutumaraia

Professional electronic music producer & artist.  Synthesist & music programmer.  Pro-audio sound designer, engineer, mixer, master.  DJ.  Electronic music studio owner.  Music enthusiast, audiophile & collector.  Synthesizers, drum machines, 8000 records, and 10000 CDs.

Born Omar Hash.  Raised in London, England, and Toronto, Canada.  Lived in Chicago,Illinois, and Scottsdale, Arizona.  Currently living in West Vancouver, British Columbia.  One and only dominator!