colundi drum n bass flavours

support the original track here: https://aleksiperala.bandcamp.com/track/fi3ac2028010

Aleksi Perälä - FI3AC2028010 (Deejaygee's Edit)

We’re back and to kick off our 2023 release schedule we’ve got a sweet treat for you - Product Toss’ Gumdrop EP.

We’ve been following PT’s own brand of dubby UK techno since his “Duel/Skinned” release back in 2021, and are beyond excited to have him on board.

4 sub heavy cuts & a tripped out Wheelman remix.

https://hangtough.bandcamp.com/album/gumdrop

Product Toss
Soundcloud: https://soundcloud.com/ptoss
Instagram: https://www.instagram.com/product_toss_/

Wheelman
Soundcloud: https://soundcloud.com/wheelman-gla
Facebook: https://www.facebook.com/wheelmangla
Instagram: https://www.instagram.com/wheelman_gla/

Hang Tough
Soundcloud: https://soundcloud.com/hang-tough
Instagram: https://www.instagram.com/hangtoughgla/

PREMIERE: Product Toss - Gumdrop (Wheelman remix) (Hang Tough)

Scuba teams up with Nikki Nair for a debut collab

Get it here https://ingrv.es/expression

Expression

Get it here

Scuba + Nikki Nair - Expression

Please, Let Me Rest [Free Download]

headliner set at how did it get so late notts at rough trade. expect a multi-genre 1.5hr high nrg ride. "sounds like a set you'd hear at dimensions festival" 🤠

live mix @ how did it get so late, rough trade notts

Artist : Sqimer
Name : Watertight
Format : Digital
Release date : 25/04/2023

Tracklist :

- Sqimer - Silent Tide
- Sqimer - Blue Fog
- Sqimer - Peaceful Shore (feat. Dylopho)
- Sqimer - Ice Carve

Download

HDN028 | Sqimer - Watertight

Release date: April 28th
Pre-order: https://nehzarecords.bandcamp.com/album/transaqu

Splashes of bass, breakbeat, bass, techno and experimental soundscapes; Nehza Records delivers second V/A - Transaquæ 

01 - Jossy Mistu - Diatoms
02 - Roaming Data - 106 Regulate
03 - Flore - Sensors
04 - nog4yra - Peixe Vivo
05 - RONI - Praise The Sea
06 - TOBS - Floating Valley
07 - Angel D'lite - Dream 2 Reality
08 - CRRDR - Ojalai
09 - Sun People - Reconnect (Step by Step)
10 - SAYANG - Enough

Distributed by Triple Vision

Transaquæ - Snippets (NZAC002)

Expect a very spicy bass music salad, made with love in Occitania

Rinse France Podcast

130E0A invite DJ cross the fingerzzz - 28 Avril 2023

Cluster Traxx presents : Go Fast (Mai 2023)

Founded fifteen years ago, SeekSickSound is a prominent collective and media outlet in electronic music. Known for adventurous aesthetics, it offers podcasts, events in Parisian and Swiss clubs, and a Rinse France residency.

Tune in for Seek Sick Sound every 4th Sunday of the month from 00h to 02h [CET] on rinse.fr

Seek Sick Sound invite Honeydrip b2b pasci - 08 Septembre 2023

Enner Madness
1: Introducing
2: Shall I?
3: After-Glow
4: Relief
5: Meditation
6: Return

Dates:
28-Sep-2025 (inception), 01-Oct-2025 (finalised), 02-Oct-2025 (released)

Artists:
Music composed, performed, produced by Norman Freund
Artwork by Norman Freund

BandCamp Purchase:
watch this space -- upload in progress

Description:
No, I am not going mad! More like an energetic use and interpretation of the Soma Enner instrument.

An orchestration of multiple granular synthesis banks through my custom programmed granular synthesiser, Granie (Release 04, 28-Sep-2025).

For full write-up, see my BandCamp or FaceBook Page.

Enner Madness records audio from external synthesisers or electronic instruments, feeds this into the Soma COSMOS memory station to loop over parts of the performance, giving me a small window to record this into small snippets of audio 30 seconds each, the grains into the Granie. The grains are modulated in time and space, left right audio channel modulations, position modulations, position offsets between grains and small changes in playback frequency amongst the cloud of grains. All of this can be varied by adjusting the rotary encoders of the Push2, not through low frequency oscillators, but through human controls of the rotary encoder knobs and then record those movements as automations to replay. All this is done live. I wanted to keep the performance organic.

The Granie also comes with a dual delay+gain+feedback section, one for the left audio channel and another for the right audio channel. Just as with the granular control, delay times and feedback were controlled dynamically on the Push2 live during the performance.

The Soma COSMOS was put into the Rhythmic Firmware mode, using the #09 Fractal mode and the #6 1/5 dominant mode. So the looping in the COSMOS was not your ordinary looper, rather it embraced improvisation and an ever changing play back.

The album consists of six tracks:

Track 1, Introducing: opens with the Soma Enner as the front end instrument. An energetic use of both the Enner and the granular synthesis of it.

Track 2, Shall I?: develops the ideas presented on track 1, but a bit like, shall I press this button and hear what happens? Again the Enner as the front end, blending this in with granular synthesis grains recorded from the Enner performance.

Track 3, After-Glow: takes the grain banks from track 2 and plays them alone, further exploring what can be done with them.

Track 4, Relief: Puts my electric violin at the front end, an NS Design Wav4. This was feed into the LR Baggs Para Acoustic DI (pre-amp), then feed into the Soma Pipe, then into the Soma COSMS and finally into the Granie. A slow moving, calm violin section was performed and simultaneously some short grains recorded. The grains were then mixed in, providing texture and mystery.

Track 5, Meditation: My (human) voice was sung into the Soma Pipe, through to the Soma Cosmos in fractal mode having fun adjusting live the Blur and Drift settings, with the Granie at the end of the signal chain. As with the other tracks, 30 second grains were recorded, played back whilst adjusting grain parameters, some of which were recorded as automations, leaving my hands free to adjust other grains and so forth. Soma Pipe modes here were alternating between the Harcho (best described as a thick stew soup) and the Filterra (band-pass filter with resonance control).

Track 6, Return: Track 6 returns to a similar style of track 1, playing the Soma Enner to the Soma COSMOS and back to the Granie. The Enner parts used a combination of a drum brush played through the face-plate piezo pickup, finger drum tapping and the touch plate oscillators. Then recording 30 second grains into Granie and experimenting live, with the granular synthesis parameters and feed back controls.


EnnerMadness 06: Return

Hassan Abou Alam is one of Egypt’s musical exports, steadily publishing his work since 2008 on diverse labels such as Naive, Banoffee Pies, Rhythm Section, Casa Voyager and more.

Since 2008, Hassan has been playing around with his gear, forging multiple live performances. A hard to pin down sound that utilizes analog and digital instruments, a form of organized chaos that he portrays with extreme finesse—his Boiler Room set last year is testament to his genre bending capabilities. Through Red Bull’s RBMA Abou Alam was given a chance to mingle musically with the ancient people of Luxor. The result? A phenomenal live performance in Cairo two years ago fusing traditional folklore with electronica, successfully pinning him as one of Egypt’s most versatile musicians.

His sound as a DJ is constantly evolving, springing to life through the crevices of house, breaks, noise, bass, grime, techno and more.

Please, Let Me Rest [Free Download]

Hassan Abou Alam

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