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slack jams - fan of sounds

slowly dissolving

Growing up,I  studied music theory and learned classical piano until I lost interest in my teen years. Fast forward decades later having not touched a musical instrument, I found nanostudio which was the catalyst that rekindled my desire to play/create music. As much as I liked nanostudio, I really wanted to play actual hardware. Today I own a few hardware synthesizers including : Roland JX-3P , KIWI Mod Roland JX-3P, Roland Juno 60, Novation Ultranova, Kurzweil K-2000VP, Korg ElecTribe EA-1 , Korg ElecTribe ER-1 and an Alesis SR-18. Recently acquired a Casio WK-1630 and a Yamaha AN1-x from my dad who has been a professional musician most of his life. I am also just starting to indulge into plug ins and now have in a very small manner used Alchemy which is an amazing plug in, Many thanks to Marko Ettlich of the Retrosound Project for patiently helping me in the beginning ; guiding me in the right direction for hardware selection. The last 8 months has been full of experimenting , learning subtractive synthesis, learning proper mixing, etc. Also a very special thanks to Micheal W for also patiently teaching me and sharing his knowledge in music production. I've had the great pleasure of meeting some of the finest musicians here on the cloud  who have been inspiring and very helpful. The most rewarding part for me has been the fellowships and friendships I've discovered. I'm always eager to help where I can. However, with a following that continues to grow, it has become impossible to stay on top of everyone's music. But I try my best. If you have any questions about anything, message me and I'll do my best to help. I've seen a trend how some people will follow looking to expand their fan base and drop people in the grease. Not cool! Please, do everyone a favor and don't follow unless you truly have interest in someone's music. Thanks for stopping by. Hope you will find something you enjoy.

Partager, écouter, faire partager les émotions

Making music with Korg Volcas and an OP-1. Thanks for stopping by and I hope you find something that you like...

making music on various machines if you wish to follow me further head to my bandcamp page at the links below thankyou for supporting

Please check all my songs here: https://soundcloud.com/officinenuccio
 
My name is Salvatore Nuccio. The synthesizer is my instrument. Out of it the sounds come, and I simply change their shape, temperature, color, and substance. Even music comes out... sometimes.
Salvatore Nuccio è il mio nome. Suono suoni. Il sintetizzatore è il mio strumento.
Da lì escono suoni, io mi limito a cambiarne forma, temperatura, colore e sostanza. Talvolta esce fuori anche musica!

http://soundcloud.com/groups/we-play-sound

Review by Invisible Guy 

'If I could be a Roman for a day, something would change in every way. His name would be designated, I would be elevated and everything would certainly be electronica-related. This man is Peter The Roman and he’s a new man in this world of three-dimensional sounds, equipped with a repetitive and snarky responsiveness, musically. His latest release “Printer Silicone Machine“, could be everything in this world that you’d want to hear. Besides the fact that it’s pretty repetitive, it’s also monolithic to an extent and what I would envision myself doing musically, actually. Not in this shape, maybe, but where the sounds aren’t that predictable – and weigh a heavy amount of tonnes. At times you’ll hear some nostalgic vibes, but it’s original in the manner that the warmth exhilarated from the body of the electronica is sincere at the top, but wondrous “down below“. It might not seek anything below the underground, but he certainly has ambitions at times. However, it’s noticeable that it stems from an experimental waypath that he has embarked upon. Among all the jibberish samples, there’s a little hint of everything that makes electronica what it is. Or, at least – how it should be. I find it odd, but I enjoy it when it doesn’t set me offbeat.

The good folks at Vaatican Records have published another release of mine, "Persimmon Trees and Comic Books". Check it out here: http://gestrococlub.org/SCOXROX2.htm

"Stump Speech" is still available as well: http://gestrococlub.org/SCOXROX1.htm

I was recently featured on the Studio d'essai program on Brisbane's Global Digital radio broadcast: https://studio-dessai.github.io/2017/11/02/sdecv/

I was thrilled to be invited by S♨ciété Cantine to participate in an international collaboration with some of the finest experimental musicians on Soundcloud: 
https://soundcloud.com/societecantine/theyve-found-a-flying-saucer-in-my-stomach-an-international-exquisite-corpse

Be sure to check out "Star Stuff",  an hour long mix of my more quiet and contemplative tidbits culled from years of messing about with bits.

I have some older sets on Mixcloud: https://www.mixcloud.com/scoxrox/ The first one, "Bumper of Life" is particularly special to me.

Steve Cox is a Hudson, Ohio based information technology professional who has been obsessed with music for his entire life. Though he quit formal music education in the 6th grade, he began banging on pianos and recording crude tracks using 2 Panasonic portable cassette recorders and overdubbing in the early 80s. In the 90's, he recorded a bunch of original MIDI compositions consisting of sequenced loops and live improvisations. The album, called "Steve Cox Vol. 1", is so legendary and underground that it cannot be found anywhere. Steve himself probably doesn't even know where it is. Starting in 2009, it became apparent to Steve that people were charging pennies for iOS Apps that provided more power and functionality than thousands of dollars in electronic gear did only a few years ago. A new creative burst ensued, and Steve reinvented himself as an iOS musician.

Steve calls himself a "recovering jazz snob". Indeed, until the mid 2000s, you probably couldn't talk to him about music unless you knew who Don Pullen or Phineas Newborn, Jr. were. A few years ago he discovered the music of Steven Ellison (aka Flying Lotus), and came to an epiphany that good music had in fact been made after 1972, lots of it even.

Steve cites the following influences:


Louis Armstrong, Duke Ellington, Harry Belafonte, Charles Mingus, Wendy Carlos, Joni Mitchell, Joe Zawinul, The Eagles, Henry Threadgill, Peter Brötzmann, John Coltrane, Albert Ayler, Ken Vandermark, Prince, Miles Davis, Don Pullen, John Zorn, Paulo Moura, Pixinguinha, Pachora, Marc Ribot, The Boredoms, Yes, Otomo Yoshihide, Merzbow, The Beach Boys, Liberation Music Orchestra, Orchestra Baobab, Aether (aka Diego Chavez), Art Ensemble of Chicago, John Cage, Rahsaan Roland Kirk, Flying Lotus, Flying Luttenbachers, Public Enemy, Ametsub, Pat Metheny Group, Daedelus, Olivier Messiaen, Steve Reich, Sigur Rós, Hermeto Pascoal, DJ Shadow, Yamantaka Eye, Autechre, Sergio Mendes, Burial, Evan Parker Electro-Acoustic Ensemble, Galt MacDermot, J Dilla, Lester Bowie, Beirut, Art Blakey, Clifford Brown, Arvo Pärt, Mahavishnu Orchestra, Krzysztof Penderecki, Herbie Hancock, Bill Frisell, Himuro Yoshiteru, Art Tatum, Hudson Mohawke, Last Exit, Marco Benevento, Pere Ubu, Nosaj Thing, Prefuse 73, Rovo, Sonic Youth, Zs, Jim O'Rourke, Gang Gang Dance, Tim Berne, Madlib, Four Tet, Dimlite, Count Basie, OOIOO, Muhal Richard Abrams, Weather Report, Derek Bailey, Merle Haggard, Edgard Varèse, Sidney Bechet, Steve Lacy, Sun Ra, Jim Brickman, Buckethead, and Parliament

Hello, my name is Pierre. You are welcome on my Souncloud page. Listen and enjoy! Don’t hesitate to post comments. 

In my opinion, before being a technique of writing and return of sounds, music has to carry the emotion and free the imagination. My musical preferences cover a rather wide spectre. Indeed considering that the musical currents are only marks in the landscape, I do not hesitate to redraw their borders to dare improbable marriages or unexpected meetings. Rick Wakeman, Rick Emerson, Ray Manzarek, Klaus Shulze, Kraftwerk, Devo, Frank Zappa and many others else contributed to awaken my musical sensibility. Today still, they remain for me of the major references.
I like quite particularly the electronic music (EM) because, offering an infinite sound pallet, EM allows to break some proprieties, to widen horizons and to support the imagination.

My musical creations are realized and interpreted by means of  synthesizers Arturia Orgin, King Korg, Rolland Gaîa, Yamaha and various virtual synthesizers operated with Arturia Laboratory 61 and Factory 32.

Thank you for your visit. 


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