Live electronic musician. Prefer improvisation over playing same tracks again and again. Tired of laptop. Join me!

Low Down Dirty Electro Filth&#13;
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"LOVE Atomic Drop!!" - Lazy Rich&#13;
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"Daft Punk meets Wolfgang Gartner.....Bang on the money" - Tim Healey&#13;
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“Wow nice different sound! Growling amped-up brilliance!” This Is Breaks&#13;
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"The future stars of Electro House" - NSB Radio&#13;
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“A shimmering energy of breakbeat, electro and house within a bit of a&#13;
dubstep - check these guys out for sure, They’re gonna be massive.” –&#13;
Rivmixx (The Official Festival Reviewers)&#13;
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Atomic drop (AD) is the combined creative force of James Anthony and Ken Barrett . Together they sonically sculpt deep, rolling and filthy Electro House that fuses all the best elements of dance. Coming from the sound and scene of the UKs capitol and South East their sound is next level electronic dance music for 21st century party people…. accessible to dance floors the world over.&#13;
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The fresh sounds of Atomic Drop have seen the band share the stage with artists as diverse as Underworld, Faithless, Tinnie Tempah, Booka Shade, Sub Focus and Myles Dyson and play, at arguably some of the best events, festivals and productions the world over. AD proudly headlined the Main Stage and Arcadia Stage at the UK’s number 1 dance event – The Glade Festival and the world famous Glastonbury Festival.... Not to mention rocking it at this years ADE (Amsterdam Dance Event).&#13;
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AD are currently signed to BigFish recordings and Bazooka records and are permanently busy working on their new club cuts for releases on labels like Burn the Fire, Sufer Rosa and LOT49 throughout 2012.

My name is HATESY. I've been DJing for a while now. Here's a few bits about me;
      -I was born in Houston, Texas, but am based in London
      -I love DJ-ing, BBQ, Surfing, Skating, Travelling and lots of Music...
      -I am Founder of 'Kiss My Deck', an online community for DJs
      -I work as a Production Manager for all kinds of events inc. festivals, clubs, theater, live music
      -I organise LeeFest, an Award Winning Music Festival in SE London (www.leefest.org.uk)
      -I also launched the Counter Culture project back in September, a 99 day music project, which closed on 1st January
      -I manage the bookings of Crucifix Lane (Warehouse space/Club), in London Bridge

The official Soundcloud for Peace.

Management:
Ed Morford - ed@attractionmgmt.com
Dave Wallace - dave@attractionmgmt.com

A new festival night, taking you on a journey into a twisted fairground...

Step through the turnstile and leave the world you know behind. Our Ringmasters will keep you bouncing to the early hours with an astonishing blend of high quality music from all spectrums of the musical fountain whilst Sideshows providing a unique blend of circus, cabaret, theatre, games and art spread across the entire venue...even in those places you would never think to look!

Entertainment and surprises hide around every corner...

Deep and dubby - the words that Brav0 uses to describe his sound. Since exploding into the Underground world, Jon Little, the man behind the Brav0 moniker has grown from strength to strength – and it is clear to see why. Influenced by the works of Solomun, Ten Walls and Mark Oliver, the New York City born and breed DJ and producer has been responsible for some of North America’s deepest cuts. 2014 seen the multitalented studio wizard unleash a Beatport chart hitting production called, ‘Trust In Love’, a collaboration with AIA, peaking at number 24, while multiple Progressive House, House, Deep Tech, Top 100 records soon followed – accomplishments many aspiring artists can only dream of achieving.  

His success in studio has lead to him securing a weekly slot on Düsseldorf’s (Germany) most premier Underground radio station on 93.5 FM and online Studio Sounds Radio and features on tastemaker blogs such as Data Transmission, Deep House Sweden, not to mention gigs at some of the world’s biggest venues including Avalon (Los Angeles), and underground giants like Pattern Bar and Technometrik supporting star-studded names like DallasK,Kryder,Cazzette,Guy J,Tiesto, Richard Vission, Keenth Thomas,Dj Irene... along the way – it’s hard to imagine how the Soniquarium label boss finds time to keep on top of his projects.

IG:Brav0Music
Twitter: Bravomatic

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.

All tracks written, mixed & recorded at .... 'The Zoo'.
DM for tuition/mixing/recording enquiries.

Bookings - Jmac@paramountartists.com

https://nonplusrecords.bandcamp.com

Cable Nightclub, London 

During a period when London clubland was due a much-needed kick up the backside, we were there with our big size 12s. Since opening our doors in 2009 we’ve played an integral part in re-establishing South London as a stomping ground for London’s discerning beat disciples. Our audacious musical direction and ‘forward-looking’ events, coupled with the raw feel of the original viaducts, gnarly Nova sound system and industrial design aesthetics have proved popular, earning us many loyal fans. Throughout our 3 year reign several of London's premier drum & bass, house, techno, dubstep & future bass brands were launched here and now call Cable their home.

www.cable-london.com
www.wefearsilence.com
www.duballornothing.co.uk
www.idiosynphonic.com

A spectacular kingdom of music, party and wonder.

hatesy is following