My music is unique,with diversed ryhme schemes, raw tones, heavy emphasis on hooks/choruses as for the rest is for your better judgment.
(L)oyal2(T)hese (S)oils
#BLAKCITYWORLDWID3 
So welcome relax enjoy the music,visual the movement just understand as I go We grow Live,Learn,Love,Laugh and get to the Loppii!

Rapper, Producer, Graphic Designer and Cinematographer.  http://www.nobeinfgang.com

Limited edition CD version of my debut album ‘Oumuamua’ available now!
https://fractalarchitect1.bandcamp.com/album/oumuamua
https://linktr.ee/FrActAlArchitect

Follow me on Spotify https://open.spotify.com/artist/6cf6LQzGO5NS0GEPg72A9B?si=S73bLEYnTXqy8VZJBOQi2A

Driven by a passion for music with depth and feeling, and underpinned by an unswerving attention to detail, this UK based artist is still performing at the top of his game.

Growing up in the musical melting pot of the 80’s and 90’s, where technological advances in sound generation created a new sonic canvas, the desire to innovate has always been strong. Influences ranging from Kraftwerk to Zappa, from Bach to Beck contribute to a unique sound that frequently defies genres.

Promo and remix requests: fractalarchitect1@gmail.com

Depth Perception Sessions enquiries: depthperceptionsessions@gmail.com

Official SoundCloud account for Blue Note Records
www.bluenote.com

OKeh short history: 

OKeh was founded by Otto K. E. Heinemann when he set up his own recording studio and gramophone record pressing plant in New York City in September 1918. Heinemann formed the name of the record label "OKeh", from his initials.  OKeh began by issuing popular songs, dance numbers, and vaudeville skits similar to the fare of other labels, but Heineman also wished to experiment with music for audiences neglected by the larger record companies. OKeh produced lines of recordings in German, Czech, Polish, Swedish, and Yiddish for the USA's immigrant communities. In 1920, Ralph Peer's recordings by African-American blues singer Mamie Smith were a surprise smash hit for Okeh. The company perceived the significant, little-tapped market for blues and jazz by African American artists. Louis Armstrong, Duke Ellington and Bix Beiderbecke are only a few names of jazz greats that have recorded for the label. By 1926 Columbia Records bought the label and kept it running into the 60's with jazz and R&B recordings. 

In 1994, Sony Music reactivated the OKeh label as a new-age Blues label. Okeh's first new signings included Keb' Mo, Popa Chubby, and Little Axe. By 2000, the Okeh label was again retired, but in 2013 it will see its re-launch as a jazz label once again.

Home of the Multi-Platinum OOOUUU beat & many more!
Visit https://www.newyorkbangers.com/beatstore for more beats. Questions? E-Mail sales@nybangers.com.

It’s easy to relate to someone who has shared the same experiences and endeavored the same struggles of societies misfits and outcasts. Especially when you yourself have a story that burrows deep in emotions throughout darker chapters of your life. Burden, often refers to himself and his listeners as “The Underdogs”, meaning the less fortunate, the misunderstood, and the more corrupted. He demonstrates pride in these features with his filterless honesty in which has been known to get him into trouble every now and again. But that might be just the thing that makes him stand out even more as an artist. 

Born Kenneth Bartels in Akron, Ohio, Burden had seen his father only a few times he can recall before his mother needing to rehabilitate herself from hard drug use took him and his sister Jessica to Tampa, Florida when he was around the age of 5. Where they would then begin a new life.

“I feel like all of it was for a reason. You have to understand there is no good without bad. I believe firmly in blessings whether they are bold and obvious or covered in disguise It’s funny but this damn Joe Dirt line sticks with me. he says; “you just gotta keep on keepin on man”. And that’s something I try to demonstrate, drive,” says Burden.
 rest of bio on BurdenWorld.com

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