I don't know what you saying
Cause I've been in my own world
No time to speak right now
Cause I don't wanna break this
Creativity comes to those who seek it
Revelations speak out to the ones who speak it
And I've been seeking it for all my lifetime
Now I've found it so I've got to write rhyme

And In this world we need to show our love
Keep your mind lifted to the skies above
When darkness comes down
Don't fall to fear
When your heart is open, hoping
Jah is near
When your heart is open, hoping
Jah is near

So why you
Stepping up to me like that
Most people know I try to
Keep a humble mindset
When you walk up with
Heavy fist on my door step
I know what you want
Is to see me locked up
But I bend around that route
and I ain't going that way
What sense does it make to you
To keep a good man locked away

And in this world
We need to show our love
Keep your mind lifted to the skies above
When's darkness comes down
Don't fall to fear
When your heart is open, hoping
Jah is near
When your heart is open, hoping
Nah nah nah nah nah nah
Jah is near
Ohh
Jah is near

They say knowledge is power
But there is no power
Like generosity
So give to another
As if he was your brother
Let's feed all the hungry
Spread courage to the ranks
And give a little thanks
To the people fighting over seas
It's time to make a change
Not the promise of a change
F political policies
And we've got the science
If we put our minds behind
There could be no more disease
With this generation come a new generation
And it's up to us to teach
How to be leaders
In this world of creatures
Cause we all deserve to breathe
And if we taught them forgiveness
There would be less prisons
Cause we all deserve to be free
Oh ohh to be free

In this world we need to show our love
Keep your mind lifted to the
Skies above
When darkness comes down
Don't fall to fear
When your heart is open, hoping
Jah is near
When your heart is open, hoping
Nah nah nah nah nah nah Jah is near
Oh oh Jah is near

So why you stepping up to me like that

Jah Is Near

Let You Go

Welcome to the first half of our second in the Autumn 2023 series. 
The Colours Of Autumn 2A 

Outrageous Intro 
Kaputnik / Pet Shop Boys (plays in background of intro dialogue) 
New Day / Scott Candlish 
Colour In Life / Amistat 
Dead Man On The Lawn / Under The Rug 
Hallucinating / Romanie 
Ghosts, Bird Be Brave, Precious Burden / Isabel Rumble 
Don't You Forget / Jedekaih Wilson 
Mama, Magic Carpet / Avi Misra 
Dusk / Elzmyth 
Prelude To Her Madness / Zlader 
The Saucy Bit / Tycho Brahe 
World (Stripped), Crack (Stripped), Fallen (Stripped) / Blaklight 
Forever, Memories / The Safety Word + Outshift
Lost In The Sunshine / Sophie Ellis Bextor 
Ghosts Again (Your Silent Face mix), Black Celebration (Reflection mix), But Not Tonight (Your Funny Uncle mix) (Depeche Mode covers) / Parralox 
The Lost Room, Living In The Past, Skeletons In The Closet / Pet Shop Boys 
Outrageous Outro

The Colours Of Autumn 2A

♣  ᵛ𝑒Ｒ𝐬є １

𝒻σя чᗝ𝓊
Ⓘ 𝐊เⓛĻ 𝔪ｙ รᵗ𝐀м𝓘ᑎ𝔸
ภᗝţ𝐡𝐄я s𝐓Ⓡ𝓞к𝕖
ᗪẸά𝒹 ＥＧσ 

т𝐞ĹŁᎥ𝕟 ʷнά𝕋 Ў𝕠𝕦 Ｗ𝒶ᑎ𝐭?

几𝓔𝔴 şυｐ𝐞ⓇƤ𝕆ＷẸℝ𝓼
ℂỖΜίηģ ţØ 𝓂Ẹ tⓄ
ภƗ-𝓘-𝕚-ⓘ-Ｉ-เg𝓱ᵗ 

Ⓢ丨Łｖ𝐞𝐑𝓶ⓞｏή

ℓ𝐢-𝓁ι-ℓ𝓘-l𝐢-lⒾ-ㄥⓘĞђt

丅ⓞᵘĆ𝒽𝕚𝔫𝐠 тђＩѕ ㄥⒾℕｅ
Įᑎ ţĦＥ Ꮆｌ丨ｔĆ𝓱ץ ŜҜⓎ

ⓛⒺⓐ𝓥𝒆 𝔪ｅ 𝓽𝐎
Ⓝ𝕀-Ｉ-𝐈-𝕀-Ꭵ-𝕀g𝒽т 

ⓦẸ 𝐃όή’𝕥 ภｅＥｄ 𝐓ό
𝔽丨-𝔦-ⓘ-เ-𝕚-ιقн𝓣

𝓈ｙรт𝔼๓ Ħ𝔞𝕤 𝓓𝕖¢𝔩ｉᑎ乇Ď 
乃尺𝑒ⓐкᶤŇǤ 𝒸ⓞ𝒹𝔼ѕ 𝓣Ĥ𝕀ร Ťเ๓ε

¢ⒽⓄ𝐫Ⓤ𝕊

𝕎ｈєᶰ Ꭵ ᒪ𝔢𝓽 𝔂ｏ𝓊 𝐠𝑜
Ť𝕙𝕚ร 𝕡ÃĮ𝓷 Ⓢｔ𝓐яＴs 𝐭𝓸 ģｒｏ𝔴

𝕀 cｏᑌη丅 ⓣỖ т𝓗Ｒ𝔼Ẹ
у𝔬𝐮 ˢ𝓉ᶤᶜЌ 𝕨𝔦тĤ 𝐌Ẹ

𝓉𝓱𝐀𝕥𝔰 ᗩⓁ𝔩 𝐢 𝔫ẸᵉĐ
чㄖỮ’гｅ 𝕖v€𝓇ｙｔн𝔦𝓃𝓰 Ｉ ｓ𝐄𝒆

𝕧𝒆ᖇᔕє ➁

ⓓ𝓔𝓈𝕋г𝓤ς𝓉ᶤ𝓿ε 𝓹𝔬ţ𝒾𝓸𝓝 ᵒℱ 𝓕ⓐΜⓔ 
ⓎᗝⓊ 𝓽𝕙ᶤη𝐤 Ť𝕙𝓪ᵗ ᎥＴ𝐒 𝓞ℕ𝓵ч 𝐩Δ𝕀𝓃

ω𝓔 𝕕αภ𝓒ᶤη𝔤 Ɨⓝ ⓈtⓄя𝓜ㄚ 千ŘＡу
𝐭ђ𝕀ˢ ғυ匚𝕜𝕚𝓝Ğ Řά𝐢ⓝ ｇ𝕠€Ş α𝐖ａ𝓎.

𝐈Μ 𝓉ＥŁĹᶤη𝔤 м๏Ｒᗴ 𝓣卄𝔸η ץⓞ𝔲 𝕟έⓔ𝕕
¥๏ย ㄥ𝓞丂เⓃق 𝕞𝓞𝓻Ｅ 𝔴𝒽𝐈lέ чｏᵘ 𝐁𝕝ᗴｅ𝔻

Ŧ𝐇𝕚𝐧к𝕀𝓷g ｗ𝕖 𝓒𝔸几 ℱ𝓲𝓝𝒹 Δ Ｗ𝔸𝕐
Ｔᗝ 爪𝐚ķᵉ 𝐨Ｕ𝐑 ℱｅ𝒆ℓι𝐧Ⓖ𝕊 ѕţ𝓪𝔂

𝓲 𝒶ϻ ħẸ𝐫𝕖 𝓣ⓞ 𝕄Δк𝐄 𝕪𝕠𝕦 Şᗩ𝐅ᗴ
𝔩𝕖Ⓣᔕ Ŧｏ𝐫𝓰𝓔丅 ᵃⓁｌ 𝓽ᕼ𝔼 ๓𝔦𝕊т𝓪Ⓚ𝔢s
𝓽𝓞υ𝓒𝐇丨η𝕘 𝕪𝕆υ 𝐈tѕ ᵃˡＬ Ⓘ𝓉 ⓉＡ𝓚€ⓢ
𝔽𝐄ｅℓίᑎ𝐆 ᵘร 
𝓘ᵗＳ ⓐᑎ 𝕌ρ𝓰ŕ𝔸ᵈⒺ
Ⓒу𝕓€ᖇ-𝐥ỖⓋ𝒆
𝒾 ⓒ𝐚ᶰＴ ＣỖмρⓁ𝔞ι𝐍
𝕥Ｉc𝓚Ⓘᶰ𝓰 𝐂l𝓸𝔠ｋ
Ćόᗰ𝔢 Ｈ𝐞ŕ𝓔 Ťσ ρⓛ𝒶у
Ⓓσ 𝔂ⓞย 𝕋н𝕚ⓃⓀ ι𝔱ⓢ Ａ ғÃ𝒾Ⓡ 𝓽尺คｄ𝒆?
ｈᵉ𝐚𝐫ţ 𝓕𝐨ⓡ 𝕋нｅ Ｈᵉ𝔞ŕ丅
𝐏𝕒ᶤ𝔫 𝐅𝓞ᖇ 𝓽Ħ𝐞 ρα𝓲Ň

קｒε-𝓬𝒽σ𝐑ᵘ𝐬

𝓖Ｏ 
𝕚ғ 𝐲ό𝓊 ⓓ๏𝐮в𝓣 𝓜𝔢 ʲยรт ᵍᵒ
ฬ𝐎ℕ𝐓 вᗴ 𝓤ᶰ𝔡乇ᖇ c𝐎Ｎｔᖇ𝓞𝐥
ςａ𝓊𝕊𝔼 𝔱卄𝐞 ร𝕪𝐬Ŧ€𝓜 𝕨ι𝔩ℓ β𝐫ᵒк𝔼

Ꭵ𝓶 𝓗Ẹ𝕣Ｅ Ｔσ 𝔤𝐫𝕆𝔀
𝐝ĮⓢᑕόⓋ𝐄ｒ𝐞𝐝 𝔞 ғ𝔩𝕆ⓦ
Ɨⓝ𝔱ยＩţⓘｏŇ 𝐬тÃуŜ 𝓛ᗝᗯ
𝕄¥ ｂŘ卂ᶤηѕ Ⓖ𝓸เᶰ𝓰 ᵗ𝕆 𝕓ⓛⓞω

Č𝕙๏𝓻ⓤş

𝓌𝒽乇Ｎ 丨 Łε𝐓 𝐲ό𝓊 ģ𝓞
ţ𝓗𝓲ⓢ 卩Ａ𝔦ℕ ⓈŦᵃℝ𝓣Ｓ ⓉØ ᵍ𝓻𝔬Ŵ

𝕀 𝔠𝐎𝓊ｎᵗ Ⓣσ Ⓣ𝓱𝐫ε𝒆
чＯυ ᔕＴ𝕀ς𝔨 ώ𝕚Ｔ𝓗 Ｍᗴ

𝐓𝓗ⓐŤｓ 𝒶𝔩ᒪ 𝔦 ｎ𝕖𝐄Ⓓ
Ў๏ⓤ’ⓡ𝒆 ｅᐯＥＲү𝓽ℍĮ𝔫ᵍ Ⓘ ｓέ𝐄  ♗

I Got You On My Mind

(This is dedicated to my Step-Dad and to his battle with dementia.  It’s a song about time, how things are constantly changing, and yet, when you look in the mirror, there you are, and yet the decay, the age, mistakes and wisdom, one can hope, at the end of the day, no matter what has been had, what has been lost, you will have at least one thing, even if just a hand full, of beautiful memories…of people, pain, loss, love, hope, and everything in between.  Yet, for some, the curse is to look in the mirror and have nothing, to have lost it all, that sense of fear, grief, and frustration..  my step dad lost everyone in the end.  There were only two people he recognized.  My Mom and I - a blessing I will always be grateful to have had).  He was a beautiful man and this song, in all the irony of the lyrics, is for him.  

Verse
Was a time, a time to play, time to pray
All that time, what a waste, what a pity, oh fool, shake my walls, blow me down.

Just a face, unaware, just another day.
Just a phase, all we had, it’s a crime
oh pity, oh fool, mind your head when you fall 

Chorus 
But oh, one thing keeps coming back
I got you on my mind

Verse
In the dark, in the back, what a way to live, you a dance I could never forget, oh pity oh fool, tell me who I see now so

Like a dream, but nightmares are dreams too, in my head, but my mind I stilI find you, oh pity, oh fool, take my hand lead me out 

Chorus
But oh, one thing keeps coming back
I got you on my mind

Not a game, never same, we all fade away, but these tricks, it’s so hard to find you, oh pity oh fool, seems all is lost now

In the end, through the tears and the madness, find a smile as you echo among us, oh pity of fool, are you here with me now.  

Chorus 
But oh, one thing keeps coming back
I got you on my mind

Personal Earthquakes

I've Got You On My Mind

I've Got You On My Mind (Ballad for Joe)

Unsterblich

Quantom Flight

All Music By Me (Performed and Written) with the following exceptions:   “Everything Is Bigger In Texas” written by Benjamin Nix and Dani Ford  “So Wrong (So Many Times)” written by Benjamin Nix and John Moreland  “Emotional Constipation” written by Benjamin Nix and Kahlan Davis

Special thanks to Dani Ford, Kahlan Davis, John Moreland and the Toxic Bros.

Cover Art by OlcayErtem (PixaBay)

Everything Is Bigger In Texas

little sailor - This Tide

The Ocean 'waves' and the universe 'peoples'. 
You live in the Illusion, that you only exist within your skin.
13 billion years ago you were a big bang.
Now you are a very complex structure of particles, but not only that.
Depends how you define yourself.
You could be anything though.

You Are The Universe

You Are The Universe (feat. Allan Watts)

Living the Dream

In der folgenden Arbeit möchte der Urheber all die reflektierten Erkenntnisse seines Lebens in einen kreativen und einheitlichen Zusammenhang bringen. Hierbei bekennt er sich zum Werk, ist jedoch nicht die Inhaltliche Instanz. Das bedeutet, dass die Werke als Spiegel der Hörer fungieren, ohne dabei eine Autorität zu bilden. Der Hörer entscheidet in wie weit er sich selbst darin wiedererkennen kann. Dieser Zusammenhang soll eine weitreichende und tiefgreifende Perspektive auf die innerpsychologische Zeit bieten und wie sie in Beziehung zum Tod unsere Realität und Wirklichkeit bestimmt. Hierbei sollen akkumulierende und rückläufige Lebensphasen genauer betrachtet werden. Die Wechselwirkung zu materiellen Prozessen wird darüber hinaus tiefer untersucht. Hier wirst du in eine surreal, illusionäre Welt eingeführt, die deinen inneren Kern entblößt. Die äußere Form verschwimmt und fließt ineinander über. Du erkennst, dass das Leben vielleicht keine Grenzen bereithält...

In the following work, the author wants to bring all the reflected knowledge of his life into a creative and unified context. Here he is committed to the work, but is not the content authority. This means that the works act as a mirror for the listener without forming any authority. The listener decides to what extent he can recognize himself in it. This connection should offer a far-reaching and profound perspective on the inner psychological time and how it determines our reality and reality in relation to death. Here, accumulating and declining phases of life should be examined more closely. The interaction with material processes is also examined in more depth. Here you are introduced to a surreal, illusionary world that exposes your inner core. The outer shape blurs and overlaps. You realize that life may have no limits ...

You Are The Universe (feat. Allan Watts)

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