Ausschuss - Room1

Ausschuss - Room 1 [HR019]

5 aprile 19

SoundCloud Weekly

Craven

beinggigantic x JAYYEAH // all the things she said

Disruptive Muzak Clip (out now on Death of Rave)

mario gentili - violin 
massimo amato - electronics and piano

The Mother's Tree

City https://soundcloud.com/citymusic33
End Zone https://citymusic33.bandcamp.com/track/end-zone
https://soundcloud.com/beatgatherers
This remix was featured in Aphex Twin's Field Day 2017 set.　
Watch here →　https://www.youtube.com/watch?v=J32MgFAybJg

w/City - End Zone remix by Yoshitaka Hikawa

Introduction To Boukan Records 
8 tracks 
Release Party at la Java 
https://www.facebook.com/events/244762895859109/

47sounds - Koruption

kind of different.
download: bit.ly/2ggz9iU
thanks: i.imgur.com/y5uvSGz.jpg
twitter.com/falls_boii

download

tape_Cuts - [full tape]

Everywhere I Go

Pre Order Digital and 12" Vinyl Now

www.smarturl.it/LM048

Lagniappe (Spring Hate) is the first song from Hate Songs- the new EP from Suicideyear.

 
‘Hate Songs’ 
Out July 28th 2017 on Digital and Vinyl
© LuckyMe Records 2017

Hate Songs

Suicideyear - Lagniappe (Spring Hate)

A preview of brand new work by the legendary electronic mystic, mixed by Carlos Niño and forthcoming on the All Saints Records label, presented as two complimentary parts of a whole - the epic double album, Bring On The Sun, and meditative drone work, Sun Gong. 

Pre-order Bring On The Sun: http://www.smarturl.it/bringonthesun
Pre-order Sun Gong: http://www.smarturl.it/sungong

Introspection EXCERPTS

Laraaji - Introspection (Edit)

German  newcomer  Ausschus  debuts  on  Haunter  Records  with  a  6-track  offering,  throwing  in  elements  from  the  whole  spectrum  of  contemporary  experimental  music.  The  subtle  yet  intense  melodic  work,  put  in  a  place  of  dangerous  acoustic  creatures  (bit-crushed  drones,  metallic  clangs,  slow  hard  beats),  allows  him  to  explore  both  negative  and  positive  affections.  The  main  goal  is  dominance—or  rather,  positive  acceptance—of  melancholia,  using  harsh  frequencies  as  a  crucible  for  one’s  psyche,  teaching  how  to  stand  amidst  the  noise,  breathing  it,  accepting  it  as  nutrition.  It’s  not  a  matter  of  riffing  against  listeners,  but  of  accompanying  them  through  different  rooms,  different  states,  and  molding  them  according  to  their  will  and  sensibility.  Ausschuss’  use  of  space,  reverb  and  harmony  gives  solidity  to  the  sound,  creating  a  proper  environment  in  which  insight  and  growth  can  happen  freely.


All tracks written and produced by L. Nicholson
Additional Vocals by Stella Chung
Mixed by James Kelly and L. Nicholson
Mastered by Tapewave Mastering
Cover by Richard Frater
Design by Jack Kimberley
Original painting by Richard Bryant

For Mattis

Haunter Records 2018

Ausschuss - Drown Later

German  newcomer  Ausschuss  debuts  on  Haunter  Records  with  a  6-track  offering,  throwing  in  elements  from  the  whole  spectrum  of  contemporary  experimental  music.  The  subtle  yet  intense  melodic  work,  put  in  a  place  of  dangerous  acoustic  creatures  (bit-crushed  drones,  metallic  clangs,  slow  hard  beats),  allows  him  to  explore  both  negative  and  positive  affections.  The  main  goal  is  dominance—or  rather,  positive  acceptance—of  melancholia,  using  harsh  frequencies  as  a  crucible  for  one’s  psyche,  teaching  how  to  stand  amidst  the  noise,  breathing  it,  accepting  it  as  nutrition.  It’s  not  a  matter  of  riffing  against  listeners,  but  of  accompanying  them  through  different  rooms,  different  states,  and  molding  them  according  to  their  will  and  sensibility.  Ausschuss’  use  of  space,  reverb  and  harmony  gives  solidity  to  the  sound,  creating  a  proper  environment  in  which  insight  and  growth  can  happen  freely.


All tracks written and produced by L. Nicholson
Additional Vocals by Stella Chung
Mixed by James Kelly and L. Nicholson
Mastered by Tapewave Mastering
Cover by Richard Frater
Design by Jack Kimberley
Original painting by Richard Bryant

For Mattis

Haunter Records 2018

Ausschuss - Yellow Sick Glow

featuring Weightausend. Taken from [SPCTR011] Laguna 10" out on Haunter Records on October 5th.



"Haunter’s chief spirit Daniele Guerrini a.k.a Heith turns Indonesian gamelan into spectral, plasmic ambient designs on ’Laguna’, his 2nd vinyl following ‘Silence Will Expire’ [2014]
Coming from the same skool of unsettling ambient thought as Coil and their myriad side projects, ‘Laguna’ is a richly and purposefully meditative session patently in thrall to the complex, chaotic, yet subtly iridescent harmonic qualities of tempered metal alloys and South East Asian scales.
The A-side’s title cut finds him accreting and parsing layers of field recordings into a steeply opiated and viscous slosh resonating somewhere between Kink Gong and Sleazy’s The Threshold HouseBoys Choir, whereas the B-side’s ‘Tree Stand’ appears to invert that radiant effect with unsettling, endothermic dynamics and ‘Maria’ folds in Matthias Girardi a.k.a. Weightausend for a more mystic, tonal variant recalling the atmospheres of John T. Gast and M.C. Boli’s Gossiwor duo. "

-Boomkat

Maria (feat. Weightausend)

Written by Berlin-based producer Linus Nicholson, aka Ausschuss, 'Room1' is a decidedly sci-fi take on electroacoustic experimentation — a grainy exodus into wistful neoclassical compositions and data-moshed found-sounds. At times the EP calls to mind Mica Levi’s Under The Skin soundtrack with its icy and foreboding soundscapes. Opener ‘Drown Later’ begins with caustic splashes of ambience, skittish percussion swaying to and fro lazily. Then there are tracks like ‘Blinding Partner’, a looming and sinister presence full of windswept drones and howling incantations.

With the release due on November 2nd, the Milan-based label generously offered up an exclusive preview of title track, a head-spinning mesh of granulated chimes, undulating low-end and gravelly atmospherics. 

Read more: http://straylandings.co.uk/news/premiere-ausschuss-haunter-records

Room1

Premiere: Ausschuss - Room1 [Haunter Records]

Ausschuss - Headfirst

Taken from  the album 'ATAXIA' due out on 15th March
Planet Mu - ZIQ405  - Preorder http://smarturl.it/RianTreanorATAXIA
https://planetmu.bleepstores.com/release/122321-rian-treanor-ataxia

Rian Treanor will release his anticipated debut album ‘ATAXIA’ on Planet Mu this March. The striking full-length follows singles for The Death Of Rave and Warp’s Arcola imprint as well as live sets at Boilerroom x Genelec, Nyege Nyege festival, tours in India and various high profile EU shows.

The title ‘ATAXIA’ means 'the loss of full control of bodily movements' and relates to Rian's music which is “intended to make people’s bodies move in unpredictable ways.” He adds “the angles in the letters, the phonetics seem to mirror the geometry and idiosyncratic patterns in the music.” Rian explains that components of the tracks were made by generating a series of irregular events and re-structuring them, or by destabilising a pattern that is constant.

  When asked how the album compares with his previous releases, he says “My earlier EPs share a similar interest in angular and asymmetrical rhythms that are designed for club sound systems,” adding “they were more improvised, focusing on sequencing and pattern modulation, using standard drum sounds and synthesiser patches. ATAXIA is more focused and stricter, it’s more co-ordinated in terms of the track selection and the rhythmic structures. I spent more time refining the synthesis and sound design, pushing it further than the previous releases.” He expresses an interest in exploring opposites in his music: “fluidity and syncopation,” “systematic and unpredictability,” “reduction and extremity,” “irregular symmetry,” “easy listening and brutal”. There’s clear a conceptual backdrop, but the music itself is not overthought. There’s an immediate joy to much of the album – check out ATAXIA_D3 with its wonderful cut-ups and modulations of the phrase “people don’t understand people.”

  The roots of Rian's playful sound are directly linked to his love of the music he grew up with. Coming from Sheffield, you can hear elements of industrial, synth-pop, bleep, extreme computer music and speed garage at play. From Cabaret Voltaire to Warp and beyond; the sound of his city has been, and is, an integral part of his musical development and is still a direct influence.

  Last year, he noted in an interview that "I'm not a computer programmer, I'm not an articulate person in that kind of way. I'm a visual artist." Now he elaborates “I meant more that I’m a visual thinker.” Drawing and visual art have been a fundamental part of his life “since I was a child. I got really into graffiti as a teenager and around the same time I got into mixing and these both developed together.” You can sense the mind of a visual artist at work in his music which is also reflected in the artwork he created for this project. 

  As well as his visual art, installations and multichannel sound works he is involved in numerous collaborations such as with composer Nakul Krishnamurthy exploring the common ground between Indian classical music and electronic music and his work with improv saxophonist Karl D'Silva, plus his time studying with Lupo at Dubplates and Mastering in Berlin (who taught him the “importance of reduction”) have all helped shape and push his sound into other unique and adventurous zones. Treanor is developing on different levels and in different forms all at the same time, re-imagining the intersection of club culture, experimental art and computer music, presenting an insightful and compelling musical world of fractured and interlocking components.

ATAXIA

Rian Treanor - ATAXIA_D1, Taken from ATAXIA out 15th March

Ausschuss - Blinding Partner

291out ensemble return on "Fly By Night" with another well orchestrated project by Riccio. The latest release on FBNM, 291out - Habbanera is thematically inspired by the 1982 Italian film score, "No Grazie il Caffè Mi Rende Nervoso" ie “No Thanks, Coffee Makes Me Nervous”.  It was originally composed by James Senese and directed by Lodovico Gasparini, “Habbanera” has only previously been released on Senese’s self titled LP in 1983.
This four tracker includes two new versions of the main title theme “Habbanera” and two remixes by the two Italian pioneers of house music and the balearic sound; Leo Mas and Fabrice.
291out “Original Version” is a cover of the main score theme, which also features on Senese’s 1983 LP ; the “Alternate Version” is also taken from the movie, but from a different scene, which has the same melody of the opening theme but with a different rhythm, never having been released before and completely reassembled by 291out. Leo Mas & Fabrice provide two different cuts, one pitched-down boogie slow jam and one 4/4 dance-floor banger.
Preorder : https://fbnmldn.bandcamp.com/album/fbnm018

LISTEN ON YOUTUBE

PREMIERE : 291out - Habbanera (Leo Mas & Fabrice Remix)

From the soundtrack I have written for the movie La Nave Dolce by Daniele Vicari, presented at La Mostra del Cinema di Venezia 2012.
www.tehoteardo.com