https://www.nts.live/shows/ikura-imprint/episodes/ikr-imprint-22nd-december-2021

Ikr. Imprint 221121

spring tease sneeze

info + tracklist: https://radio.syg.ma/episodes/fermata-w-wehrk
https://soundcloud.com/wehrk
https://soundcloud.com/nikitamillennialrain

fermata

fermata w/ wehrk

Tracklist

The Yanomami- Sound of the rainforest 
Kore- Foregiven
Pontiac Streator- Picture of the woods
Pi pi pi- Butterfly Jam 
In to the old- growth forest
Raytheon Technologies Corporation- love life all the time
Emily Glass- waterlogged reality core
Janet Jackson- love scene (Ooh Baby) 
Ton- this feeling doesn’t go away
Dj lostboi- esprit se

NIL_ 31.07.2022 for infantinfant

Nether Kickflip w/Alvin the chipmunku (Swag Master)

Hello all, it's been a while... Here's a teaser of "Clarity Through Isolation" a 4 track E.p from,
yours truly, and my other half, Wisdom. @wisdomisignorant

Clarity Through Isolation (Ft. Wisdom)  E.P

Broshuda’s infamous social vocabulary is filled with obscure terminology and coded cross references to the likes of “Ambient Punk”, “Glambient" and “Aquatic Romanticism”. These might come as bizarre attempts to define his peculiar and hard to pin down style of electronic music, while simultaneously mocking the need to market music through highfaluting press and academia- approved labels. This same skewed ambiguity informs much of the berlin-based producer’s creative attitude and the rest of his output, for his first release for Haunter Records generating pieces of apparent simplicity that gradually unravel to engage in complex emotional vignettes, drawing from a limited pool of sound sources while paying a great deal of attention to detail in the construction of sound and temporal structure. Subtly tweaking and rearranging the focus, he emphasizes the background’s definition while meditating on blurring and masquerading what should have been foreground into new forms and shapes, evoking a world of hallucinatory sonical flora steadily in flux, descending and ascending through thick layers of shifting motions and memories, touching upon multitude of non-places along the way. An array of tools and techniques on display akin to those of classic dub, contemporary sound design on obscure and random equipment and post-rave power ambient poems, coalescing with a pronounced melodic element, giving the release a profoundly introspective and earthy character.

Broshuda -  Goscha (w/ Vuptes) [FROM SPCTR009 - BROSHUDA - JEMI / OUT FEB 16, 2018]

Breeze

For The Past

YATA DSP / BROSHUDA - "Display" Split Release 2020.

Plaque Bristol.

1Light*

Plaque

YATA DSP - Lies & Fiction (Plaque Bristol 2020)

Ancient Indonesian tradition meets doom metal in profoundly Ur ways on Stephen O’Malley and Senyawa’s collaborative commission for choreographer Gisèle Vienne, highly recommended if you’re into Sunn O))), Keiji Haino, Nazoranai, Phurpa, KTL.

Following a decade of creative bonds forged between theatre director and choreographer Gisèle Vienne and doom sayer Stephen O’Malley that spans multiple soundtracks (solo and with Peter Rehberg in KTL) and visual artworks, the pair travelled to Indonesia on a commission to explore the country’s rich culture in 2018. They immersed in a magical world of performative rituals where they encountered Wukir Suryadi, an experimental musician and instrument builder whose acclaimed releases both solo and as half of Senyawa have invigorated the avant and experimental rock scene over the past decade. 

The six tracks of ’Bimi Sakti’ document groundbreaking ventures between Senyawa and O’Malley, yielding an incredibly powerful mix of electric guitar and bass guitar amp worship blended with the remarkable range of tonalities from Senyawa’s custom-built bambuwukir, plus traditional pipes and possessed vocals. Practically without precedent in the modern musical sphere, the 44’ release speaks to a resounding mutuality and common musical philosophy between two musicians who are usually geographically separated by a hemisphere. Slow to start, but culminating in a wholly dilated musical vision, the performance effectively collapses eons of musical practice and thought into a singular yet timeless expression of beauty and anguish that transcends the sum of its parts. 

Fleshing out the frequency spectrum between flighty, avian flutes and sprawling subharmonic bass riffs, they come to inhabit a thrilling mid-ground over the course of the album as O’Malley moves up the registers to thrashing mid-range riffs while Suryadi invokes a range of demonic voices and unearthly tones from his bamboo instrument. The results come to prod the pineal like little else beyond, say, O’Malley’s Nazoranai trio with Keiji Haino and Oren Ambarchi, or the first Phurpa album on his Ideologic Organ label, and we reckon should be hailed among the boldest and most astonishing records of 2020.