Ziúr - Antifate
Format: LP / DL
Cat.No. PAN 120
Release Date: 7 May 2021
Purchase: pan.lnk.to/Antifate

Ziúr’s music has always been difficult to classify. A longtime fixture in Berlin’s nightlife, the musician, producer and DJ has cut through decades of threads to arrive on a sound that accurately represents her journey. She’s sung, played guitar and drums and reduced club music to a burning cinder; with “Antifate”, her third album under the Ziúr moniker, she approaches electronic music without any preciousness or reverence to genre.
2019’s acclaimed “ATØ” re-introduced songs to her canon, contorting her vocals over an undulating electronic backdrop. On “Antifate”, she takes this idea further, pushing abstracted pop forms into mists of digital euphoria and extracting unexpected instrumental flourishes from collapsing clouds of distorted rhythm. Electronic instrumentation is melted into acoustic sounds and vice-versa, creating a breathing organic universe that’s entirely Ziúr’s.

“Antifate” is an abstract reference to the mythical land of Cockaigne, a utopia where wine flows freely and houses are made of cake, that provided escapist fantasy for medieval peasants. As the space between our private worlds widens, this fantasy becomes alluring once more - a place where we feel free, with the people who allow us that freedom. With this in mind, Ziúr crafts a soundtrack that’s fantastical and magical, hinged on the idea of closeness and connection at a time when distance is mandatory.

Ghostly voices echo wordlessly over clattering beats and dubwise bass on opener ‘Alive, Unless?’, while the album’s title track sings a more epic fanfare, with a chorus of voices echoing into glittering synthesizer pearls and volcanic kicks. “Antifate” is almost even theatrical at times, something never more evident than on the Talk Talk-esque ‘Fringe Casual’ with its dreamy piano and plucked bass and on closing track ‘The Carry’, where flute is introduced into Ziúr’s rapidly expanding narrative.

It’s tempting to say that this is the album Ziúr has been destined to make, but “Antifate” rejects this concept. Rather, this is the album that Ziúr needed to make now, surrounded by the people that have been able to offer her the place to do it. In mapping out her mythical paradise, Ziúr has produced an album that is deeply tender and inescapably human. It’s an album about freedom, and she has never sounded so free.
The album is mixed by James Ginzburg & mastered by Rashad Becker, featuring artwork by Stefan Fähler.

@ziurinhell

Antifate

Ziúr - The Dip (PAN 120)

https://www.nts.live/shows/corin/episodes/corin-12th-october-2021

Corin w/ PTWIGGS 121021

Nudge, Wink

1900

We welcome, Athens based artists, @Ice_Eyes to ANBA with their stellar release 'Intolerant Skin'.

Ice_Eyes - "Intolerant Skin is a primordial transformation of body and soul to a new existence. This is a metaphor of sounds changing color, shape, texture, mimicking the adaptation of micro-organisms in extreme environments of temperatures, density, concentrations, and dirt. Rejecting its core characteristics, gender or genre, this creature craves for an unmapped transformation by tearing apart its own skin from inside.

Our love to Carina, Stefan, 1127, and to all Cairo Fam"

Produced by Ice_Eyes
Artwork by Liam Noonan
Mastered by Stefan Konstantinidis at Fabrika Music

Intolerant Skin

Ice_Eyes - Dirt

Racine - Quelque Chose Tombe 
Cat. Nr: DN016
Format: LP / DL 
Release Date: 21 February 2020

Hidden in plain sight, grinning through worry, living in insecurity – modern society has returned to a day-by-day race for survival. To be vulnerable is the new normal; afraid, a bare minimum. Something was bound to emerge from the quiet throngs of the new precariat, and Racine is such a voice, setting to music those modern lives defined by uncertainty.

Quelque Chose Tombe (‘Something Falls’) is a set of compositions that confronts demons both inner and outer head-on. Created during a period of necessary unemployment somewhere in Montreal – caring for one’s health can take precedence over work – the music is both a grotesque dance of the goblins and the gentle opiatic breath of the protectors. It’s a harrowing reflection of the prevalent vampiric hypochondria forcing a generation into fatigue. 

The sounds crawling out of Racine speak with their own internal logic. Snippets of fractured tunes creak through perturbed post-digital soundscapes, blurred and fragmented along the way into haunting amorphous instrumentals. The two-part title track is multi-part sonic maze where raven-like pitch bent notes gather, a broken rave theme punctures its way through bass fog, and silence clefts the music in two, ushering in a coda of heartbroken ambience. As the album’s suite progresses, Racine shepherds mutant melodic themes in and out of earshot, like clear thoughts bringing temporary order to a state of emotional panic and withdrawal. A host of other sounds too – voices and birdsong, cybernetically deformed – populate Racine’s scarred productions. 

Emerging from Quelque Chose Tombe’s constant darkness however, is a latent sense of hope. Racine is turning modern vulnerability into a strength, creating a singular aesthetic to reflect and confront an uncomfortable present.

Mastered by Beau Thomas 
Design by Niels Wehrspann 

@julienracine

Quelque Chose Tombe

Racine - Quelque Chose Tombe II

Acolytes exists in the space between detailed sound craft and unruly sonic entropy. A place of unorthodoxy filled with the demolition of language, tropes, functions, machinery.
In ‘STRESS II’, his first Haunter release, London-based producer
Denesh Shan creates a meme-like re-imagination of free improvisation through the lens of sample manipulation, drifting from bewildered percussion hits to utter tonal deflagration.
This renders the tape a peculiar soup of electronic dirt in which vocal clippings of circlejerk online discourse and glitch ridden discord mirror a headspace filled with hundreds of conflicting thoughts. Inspiration and sound sources re-trace the producer’s personal history, while delving into low-grade internet folklore and transglobal dance music.
The chaos generated by such a radical approach is but a folk song for the contemporary
experience, a set of angular emotional vectors sublimated into borderline spiritual energy.

Recorded by Acolytes
Master by Jo at Tapewave

Cat. No. HR023 – All rights reserved.
℗ & © Haunter Records 2020
www.haunterrecords.com

Acolytes - ITCH LOOP

From the new LP, Excision After Love Collapses: frktl.bandcamp.com/album/excision-after-love-collapses

Excision After Love Collapses

FRKTL — Rhododendron Forest Rescue

@djsuzmo (@sampledeliveryrecords) announces his first self-produced EP: "Extinction I - Introduction", a cold and percussive journey.

Read more on CxC: https://couvrexchefs.com/en/dj-suzmo-en-souvenir-extinction-i

Article

PREMIERE: DJ Suzmo - En Souvenir

Taken from @ice_eyes new EP Vicious Circles, out February 19, 2021, via @hypermedium.

Read: http://bit.ly/39SMoli
Pre-order: http://bit.ly/2LoqFIv

Mighty Athenian duo Ice_Eyes have previously released their edgy club mutations on labels such as Seagrave, Genot Centre, ANBA, TAR and Ernest D. Tapes. They have now assembled an action- packed six-track EP for Hypermedium, making fine use of their futuristic mechanics and ultra-fine sonic weaponry.

Ice_Eyes’s approach on ‘Vicious Circles’ simulates a plethora of dark materials mixed together, sculpted with a laser light cutter, as reflected on the self-titled track. This nexus ushers the listeners to throw themselves to an eerie storm of outstanding grime-leaning kinetics like ‘HYDRO’ or to the claustrophobic space of ‘Folded’. The gabber-ish breakcore rhythmology of ‘BH Agony’ creates an urge to frantically gasp for air, while the elegiac euphoria of ‘Crystalbody’ is the centrepiece of its full rave energy. This eumorphic projection of pseudo cylindrical body phenomena is always present and changes the mood effectively. ‘Endless Clicks’ outro gives away that different twist of mood shifts by formulating hazy vocal phrases and circling stuttering crunchy layered beats arrangements. All in all, ‘Vicious Circles’ creates an idiosyncratic portrait of club cult ecstasy mood shifts.

Athens based artists Anastasios Tatsis and Spiros Alfa started their relationship as Ice_Eyes members some years ago. Together they produce leftfield electronic music. Both artists are constantly experimenting with modern club territories, techniques, and atmospheres. Their favorite palette of materials consists of advanced dynamic sound motifs, sub-zero pitched bass drops, and rhythmic alchemies.

Having released music on Seagrave [UK], Genot Centre [Czech], ANBA [Cairo], TAR [USA, Los Angeles], forthcoming on Ernest D. Tapes [France] and Hypermedium [Athens] their material is sculpted and emerging from a vast community of innovative artists. Also, their material is listed on many VA compilations on labels such as Gin & Platonic, Nous Disques, Comic Sans Records, Trial & Error, Radio Kapital etc.

Their music has been remixed/reformed from worldwide emblematic artists like ZULI, Renick Bell, Gallen Tipton, CXLO to mention a few, while their material is featured frequently in DJ sets/Radio shows of Lee Gamble, Grahan Dunning, Bapari, Lawson Benn (Public Order), Skyapnea, PBDY and others.

The prolific duo is currently hosting regular shows on Ma3azef Radio (Tunis), Threads Radio (UK) and Movement Radio (Movement Festival’s Radio slot, Athens), while they occasionally stop by NTS, Noods and other Radio stations/ hubs to spin new music.

Artwork by Inhalt
https://www.instagram.com/inhalt__/

Mixed by Ice_Eyes and Stefan Konstantinidis

Mastered by Thomas P. Heckmann and cut by Andreas Kauffelt at Schnittstelle

Released by Hypermedium