Eric Schultheiss stands at the vanguard of contemporary composition, forging a unique path that bridges the rhythmic drive of global percussion with the infinite possibilities of digital sound. As a composer, percussionist, and educator, Schultheiss is acclaimed for his hybrid electro-acoustic works—pieces that fuse the organic pulse of drums with orchestral richness and the sonic innovation of modern electronics.

Rooted in a Southern California upbringing steeped in progressive rock, classical discipline, and the improvisational freedom of jazz, Schultheiss draws on a vast tapestry of influences. His music channels the off-kilter accents of Stewart Copeland, the lyrical intensity of Neil Peart, the storytelling depth of Peter Gabriel and Sting, and the progressive artistry of Genesis, Dream Theater, and Spock’s Beard. This synthesis results in compositions that are as intellectually rigorous as they are emotionally evocative.

Currently, as Head of Percussion Studies and Electro-Acoustic Composition at the Middle Tennessee Conservatory of Music, Schultheiss is an outspoken advocate for the DAW as a true instrument. In his hands, digital workstations become canvases for sonic experimentation, allowing for real-time orchestration, microscopic precision, and the layering of polyrhythms and timbres that would be impossible with traditional notation alone. He champions technology not as a shortcut, but as an authentic extension of the composer’s voice.

Signature works such as Lights Twinkle—a Christmas percussion-ensemble piece blending Japanese Taiko, harp, and haiku-inspired vocal textures—showcase his ability to unite tradition with innovation. Airidea’s Journal explores the dialogue between structure and freedom through dance-driven percussion and atmospheric synths, while As You Sleep and Terminal Memory reveal Schultheiss’ penchant for ambient soundscapes, introspective melodies, and cross-media collaborations. His compositions have been commissioned for film, dance, and multimedia productions, performed by leading ensembles, and praised for their intricate interplay of rhythm and resonance.

As an educator, Schultheiss is dedicated to shaping musicians who are not only technically skilled but also creatively fluent in both acoustic and digital modalities. At the Middle Tennessee Conservatory, he mentors young composers in hybrid techniques, polyrhythmic structures, and DAW-based workflows, encouraging them to embrace technology as a creative partner. His influence extends beyond the classroom, as he helps students gain visibility in the digital era and equips them to thrive in an evolving musical landscape.

Through his relentless curiosity, innovative spirit, and commitment to artistic growth, Eric Schultheiss is redefining what it means to be a composer in the 21st century. His work is a testament to the power of bridging tradition and technology, and to the limitless frontiers that await those willing to explore them.

Proud Father, Hip-Hop Artist & I Work my Ass off about describes it!  LOL. #OneLove #Peace 'N' #Blessings

A  strong background in commercial music,
three (3) years performing in the Holland America Line Cruise ship Industry, over ten (10) years Contemporary Church music, two years (2) performing musical theatre at Sinclair College
and 
one year  with America Entertainment Productions (AEP), these musical experiences are part of my performance background.

My education started at Wright State, then transferred to Belmont University to finish Bachelor’s degree (Commercial Music w/Percussion performance degree).  

Before doing the Cruise ship gig, I went to University of Dayton and Eastman School of music for Graduate study, earning credits transferring to Eastern Kentucky University, where I finished a Master’s degree (M. M.) in General Music.

I finished a Masters degree in Jazz this year (2019) - main concentration right now.  Performance & Pedagogy are part of the program.  UAM has a great jazz program ! 

I'm working on  a Jazz project, recording & writing music (Film), and performing live music.  

Hope to hear from you; best place to text is either LinkedIn or FB.  Email is listed under Contact page of main website.

4-octave singing, smooth R&B vocals with a little songwriting on top

Love to write and record but looking to collaborate with others.

A triple threat to the music industry, Holly Winn writes, produces, and sings her own music. She has worked in distribution for companies such as Revelator and Octiive, in publishing with APM Music, and for music media platforms like Traklife. She is the founder of Vortex Entertainment Group (E.G.), a resource provider for brands and companies supporting independent artists and content creators within the entertainment industry. 

Personal Motto: Make Complexity Sellable 
Company Tagline: The One Place Where Symbiosis Forms in Artistic Chaos

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