as if the virus keeps spreading and the people mourning. disturbing this piece but still fascinating and so "dope"

the longest one and  definately my favorite so far!

i like the flow in this one, a exciting space you created here. adding more "classic" instruments with bit of electronic and this eerie-like singing and those other tiny pieces now and then. a highly disturbing and comforting trip at the same time. id say "yin and yang" !

wonderful sound theater! so alive that I have the impression of being there! bravo!!

What a trip! Very cool and interesting work!

The RSH improvisation class.

I think this collective improvisation in response to unusual circumstances merits being heard in its entity, mind struggling and flying in the end. In the end we all are free to become whatever we want. We want to become human, after all. 

Sometimes, language creates borders. But music somehow, difficultly, crosses borders. These records here certainly cross many borders. It is, for example absolutely not clear who composed this work, it magically composed itself. It wanted to come out. Everybody is free to contribute. In any way he, she wants.

This was an extraordinary emotional and artistic experience. I want to say thanks to (and please, remember the names!!!)

Yun-fei Li, Yue Ma, Ekaterina Zhuravskaya, voice
Yi-yin Chien, flute 
Bo Kyung Kim, clarinet 
Zhaoqi Zhang, bassoon 
Yun-fei Li, Tue Ma, Ekaterina Zhuravskaya, voice
Mao Hong, violine and Guzheng
Loh May, viola
Matthias Balzat, Ella Kliski, violoncello
Dennis Pientak and Jean Hommel, double bass

Me, electronics, mixing, synthesiser.

In these times

01.Mia Madre Era Gelosa Nz3

Music & Lyrics: Jan Schonander
Guitar: Davy Vance https://soundcloud.com/skub1955

Resung, remixed & remastered. A different mic and less effects on the vocal make a big difference. Also went for a more intimate delivery.

ALWAYS ON MY MIND

My love
I hope you hear you this song
I can’t be without you for too long
And although, sometimes you’re on your own
You’re always, always on my mind

My love 
When you are far 
I can see your smile
I remind myself of your touch
You’re always on my mind

When I get lonely
I close my eyes
I think of you and then I smile

Always on my mind
Always on my mind
Always on my mind
Always on my mind

My love
Let me know you feel the same way
I wan’t to feel your love every single day
And although, sometimes its not so easy
Remember,  you’re always on my mind

My love, 
When you are near
I can’t lose, I lose all my fear
I know just how to begin
I reach out, I touch your skin

Into my arms, my arms my love
You’re my only love, you’re my only love

Yeah my darling, you’re my only love
You’re my only love

Always on my mind
Always on my mind
Always on my mind
Always on my mind

Always On My Mind

Always On My Mind | Davy Vance 🎸

Years before you know
One dream caught in release

Shinigami

Built around a recording of an alarm forming the audio background to a hospital visit. Musings on dementia.

Turbulent word streams, erratic coherence
Urgent meanings frustratingly mislaid
Inner sense to outer muddle [innocence]
Interface to inner struggle [in your face]
Fragmented paranoia, translucent target, floating beyond the grasp of balanced conscience
Unviolated nuance beyond interpretation
Disjointed intelligence, resentful agitation

Agitation

Unbearable Echo

"Flowers forgotten at dawn" was initiated by Paulo Chagas using his bass clarinet. I responded with my 14th version of my mosesa.
This is the 2nd and last album preview.
Listen and or get the album here:
https://darkpebble-bluewave.bandcamp.com/album/for-us-para-n-s

Thanks for your listening, likes and comments!
Wilhelm Matthies and Paulo Chagas

Flowers forgotten at dawn

Space Within #6 (from the field)

When I shall enter the last room

Online improvisation with members of my improvisation course at the Robert Schumann Hochschule Düsseldorf. Dennis Pientak (Double Bass) improvised based on my "Curtis revisited", Yunfei Li added her voice, followed by Jean Hommel (double bass), Ekaterina Zhuravskaya (voice), Bo Kyung Kim (clarinet), Yi-Chuang Yang (trumpet) and Yue Ma (voice). additional tracks (synthesizers) + mixing + producing, Hubertus Dreyer. The recordings took place between April 21 and 27 and in Germany, Russia, China, Taiwan and Korea, so I think it could be called a global response to a global situation…

improvisation course at the Robert Schumann Hochschule Düsseldorf, online improvisation, part II.

Please watch also the video!

https://www.youtube.com/watch?v=C8CtatKpBfA

More relaxed than part I, somewhere in dream country, with a few coins tossed at the beginning and the end asking for the next turn of events.

Voice – Yünfei Li. Flute – Yi-yin Chen. Bassoon – Zhaoqi Zhang. Guzheng – Mao Hong. Violoncello and coins – Matthias Balzat. Additional effects + mixing + producing, Hubertus Dreyer. – Hubertus Dreyer.

The image shows a graphic representation of our discussion before engaging in the recordings.

In these times II

Improvisation online at the Robert Schumann Hochschule Part 3. Bo Kyung Kim, clarinet, Yue Ma, voice, Ella Kiiski, violoncello; additional tracks (synthesizers) + mixing + producing, Hubertus Dreyer.

lyrics

I wonder why my inlaid harp has fifty strings,
Each with its flower-like fret an interval of youth.
...The sage Chuangzi is day-dreaming, bewitched by butterflies,
The spring-heart of Emperor Wang is crying in a cuckoo
Mermen weep their pearly tears down a moon-green sea,
Blue fields are breathing their jade to the sun....
And a moment that ought to have lasted for ever
Has come and gone before I knew.

锦瑟无端五十弦
一弦一柱百思华年度
庄生晓梦迷蝴蝶
望帝春心托杜鹃
沧海月明珠有泪 
蓝田日暖玉内生烟容
此情可待成追忆
只是当时已惘然

In these times III

Next instalment of the RSH improvisation course, featuring Ekaterina Zhurasvskaya, voice; Yi-Yin Chien, flute, Bo Kyung Kim, clarinet; Yi-Chuan Yang, trumpet; Jia-Hua Feng, trombone; Matthias Balzac, violoncello; Jean Hommel and Dennis Pientak, double bass; additional tracks (synthesizers) + mixing + producing, Hubertus Dreyer.

In these times 4

This track has been recorded and produced by Teth Sin (@teth-sin) for the Open Call to COVER A SONG BY A 70'S OR 60'S BAND organized by the electronic/experimental netlabel CIAN ORBE (https://humanfobia.jimdofree.com/cian-orbe-netlabel/), and it's been included in the compilation "V/A - 60's/70's Bands Tribute"  (https://archive.org/details/va-60s70s-bands-tribute) - November 28, 2020. This version released on SoundCloud features an alternate mix and mastering of the track included in the compilation.
Big thanks to Sábila Orbe (@sabila-orbe - @humanfobia - @filmy-ghost) for including this cover despite having been quite a rushed job.  I hope John Lennon won’t roll over in his grave… But I’m afraid his soul has endured much worse than this, during these last 40 years. May he rest in peace.

Teth Sin : vocals, bağlama, acoustic & electric guitars, bass guitar, samplers (percussions), synthesizer

Original composition by John Lennon & Paul McCartney
Arrangement, mix, mastering & cover artwork design by Teth Sin

V/A - 60's/70's Bands Tribute

Norwegian Wood (This Bird Has Flown)

Norwegian Wood (This Bird Has Flown) - Lennon/McCartney Cover by Teth Sin [Alternate Mix]

The RSH impro-course has a new account, please check it out if you happen to like the music presented here:

https://soundcloud.com/rsh-improkurs

In these times

hdathome

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