Noisia comprise Dutch producers Thijs, Nik and Martijn. Largely regarded as one of the most distinctive, powerful acts to emerge in bass music, their production techniques are referenced and praised across the entire electronic music scene. Their extensive body of work also includes the game Devil May Cry and the Foreign Beggars collaboration I Am Legion.

MY THIRD ALBUM “SMILE! :D” is out now !!

http://www.porterrobinson.com

AFTERLIFE OUT NOW 

bitly.ws/CMZ9

Since launching the Datsik brand, Troy Beetles continues to evolve as a solo artist all the while pushing his beloved bass music world to new lengths, both on a personal artistry level and as a genre as a whole. From bedroom producer to chart-topping artist, internationally touring act, and owner and founder of the enterprising Firepower Records, Datsik is poised to make bass music the sound of the future with his recent Down 4 My Ninjas EP (Nov. 2014 / Firepower Records) and upcoming release Smoke Bomb ft. Snoop Dogg (Nov. 2015 / Ultra Records). 

Datsik took his initial steps into global dominance in 2009 with his first official release, the Nuke ‘Em EP, which set the new precedence of the future of dubstep and bass music. Immediately following that was the Boom EP featuring Excision and the legendary Flux Pavilion as collaborators. In that same year, Datsik claimed 10 Beatport #1 releases. Additionally, he has also released massive remixes for dance music icons Skrillex, Diplo, Kaskade, and Zedd, as well as two collaborations with Bassnectar and two more with Diplo on his Express Yourself EP. He has also remixed artists from the mainstream pop world and hip-hop spheres such as Coldplay, Lil Wayne, MGMT, Linkin Park, Wu-Tang Clan, one of the biggest influences on his sound, and, most recently, Lana Del Rey.

Nonetheless, Vitamin D, his debut artist album released on Dim Mak Records in 2012, remains his gleaming trophy of work. Rightfully so, as Vitamin D was the first project to illustrate the full spectrum of Datsik’s production cannon and to give glimpses of the artist’s potential as a producer and songwriter. Vitamin D was the first major milestone of many to come in the Datsik storyline. The next chapter came in 2013 in the form of a two-part release, the Cold Blooded EP and the corresponding Let It Burn full-length album, both released on Firepower. While shorter in length, Cold Blooded packs as much a punch as big brother Let It Burn. Hand in hand, Cold Blooded and Let It Burn comprise the knockout one-two punch in Datsik’s artillery.

Datsik stands at a point of transition with his recent EP Down 4 My Ninjas. It exemplifies a more mature Datsik, both in sound and in vision, as it sees the producer taking vast steps outside of dubstep and deeper into his ever-burning fondness for hip-hop. In essence, it is his love letter to the hip-hop and bass music genres and sees a full circle for Datsik as it combines the best of both worlds. Featuring collaborations with DJ Paul of renowned Southern rap group Three 6 Mafia and the legendary KRS-One, Down 4 My Ninjas sees Datsik keeping one foot in bass and one foot in hip-hop and, for the first time ever, sees the artist pairing his original productions with bona fide, universally celebrated members of the rap world. 

With Down 4 My Ninjas in tow and a hefty supporting tour scheduled for 2015, expectations are higher than they’ve ever been for Datsik. Beetles welcomes the challenge, though. It’s what’s kept him developing since those bedroom producer days, and it’s what verifies Datsik as one of the leading figures in the bass music scene of today and tomorrow.

Born out of an era where Ridley Scott imagined dystopian futures on the silver screen, and artists like NIN and Aphex Twin rocked MTV.

Getting creative in the studio with the likes of Seven Lions, Skrillex, Deadmau5, and Tom Morello, and contributing to film scores and OSTs, including “Teenage Mutant Ninja Turtles” and “XXX -Return of Xander Cage” in collaboration with top composer Brian Tyler, Stanczak's long standing career in electronic music never stands still.

Klassik und Jazz erfreuen sich immer größerer Beliebtheit. UNIVERSAL MUSIC Stars wie etwa Anna Netrebko oder Till Brönner unterstreichen diesen Trend und sind beste Beispiele für den Erfolg des umfassenden Engagements auf diesem Gebiet. 

Neben der intensiven Arbeit sowohl mit jungen Talenten als auch mit etablierten Künstlern entwickelt UNIVERSAL MUSIC CLASSICS & JAZZ als Marktführer in den jeweiligen Genres kontinuierlich neue, innovative Marketing- und Promotion-Strategien, um alternative und zeitgemäße Zugänge zur facettenreichen und spannenden Welt von Klassik und Jazz anzubieten. Die Unit baut hierfür nicht nur junge Künstlerinnen und Künstler auf und begleitet sorgfältig und verantwortungsvoll ihre musikalische Entwicklung, sondern sorgt vor allem auch kontinuierlich für die Erschließung und Pflege neuer Zielgruppen. Mit grenzüberschreitenden Projekten wie der „Yellow Lounge“, die Klassik an ungewöhnlichen Orten präsentiert, oder auch dem „Verve Club“, der die ganze Vielfalt des Jazz präsentiert, leistet UNIVERSAL MUSIC CLASSICS & JAZZ hier und auf manch anderem Gebiet seit langem wertvolle Pionierarbeit. Diese und weitere Aktivitäten bringen die unendliche Vielfalt der Genres einem stetig wachsenden Publikum näher, das musikalische Entdeckungen als Bereicherung seines Lebens zu schätzen weiß.

Successfully ruining silence since 1989. 
⚡️ https://www.c-r.link/IWontStop ⚡️

Management: 
Paulette Varelas - paulette@mlennial.com
Mike Lisanti - ml@mlennial.com

Bookings:
Matthew Rodriguez - mrodriguez@teamwass.com

No one could have imagined at that time what to expect - like Xavier de Maistre himself, when he decided to change the face of the harp 16 years ago. Today he plays pieces like "Moldau" by Smetana in breathtaking precision and presents masterful pieces of music that are usually played by an entire orchestra.

Meanwhile, a worldwide audience listens to his virtuosity and enjoys the unprecedented sounds. Pieces, that no harpist played before, or even thought about - like the Haydn piano concertos. Not only that makes him one of the most extraordinary musicians, even masters of this time.

Xavier de Maistre began to study harp with 9 years. Like many other famous musicians, all started with love - but in this case not as expected the love to his harp. It was rather the love for his former teacher, who offered extra harp lessons. Early, it turned out that Xavier has a great talent and no wonder he started with 25 years to play for the Vienna Philharmonic. Before that he played 3 years for the Bavarian Radio Symphony Orchestra and in 1998 Xavier won the first prize of the "USA International Harp Competition“, the major harp competitions in the world. But since Xavier´s family is not from a traditional harp-playing dynasty they put great importance to a solid education. So Xavier started his study of politics at the „Institut des Sciences Politiques“ in Paris and spent 1 year in London at the „London School of Economics ", when he finally decided to prefer music to the political studies. For a musician, he achieved very early what all harpists dream of – a position in one of the best orchestras in the world, the Vienna Philharmonic.

However Xavier de Maistre was about to go on. To see this point as the highlight of the career, which would definitely be a great honor for most of the harpists, and aslo for Xavier, but it was also a kind of sad moment. He achieved the ultimate goal of a harpist at age 25. Through his countless appearances and his keen ambition he has always wants to refute the long-existing bias of the harp - played in the background by angel-like women. Thanks to his his quick anticipation, intelligence and tremendous skill, he has played many pieces as a soloist with the harp and delighted thousands of listeners. Finally, he succeeds to establish the harp as an independent instrument. During his career, many great conductors such as Riccardo Muti, Sir Simon Rattle, Sir Andre Previn, and Daniele Gatti became curious on him and his passion and asked him to play with them. A long series of concerts follows, convincing the audience that Xavier de Maistre is undoubtedly the master of his instrument. Not for nothing, beside famous conductors, also the most successful singers like Barbara Bonney, Kathleen Battle and Diana Damrau played with him. Likewise, of course, the long list of world-renowned opera houses which he had already visited: Theatre des Champs Elysees Paris, Concertgebouw Amsterdam, Musikverein Vienna, Tokyo Opera City, Lincoln Center New York, Salzburg Festival, La Scala Milan and many others.

No wonder, Xavier´s enthusiasm and his gift to play will not put an end to this success story. Awarded with the Echo Klassik Award 2009 for his album "Nuit d'Etoiles" as "Instrumentalist of the Year" (Sony Music) he reaps the fruits of his labor.

For more than 9 years Xavier de Maistre is working as a professor at the Musikhochschule Hamburg and now also teaches at the Julliard School in New York, at the Toho University in Tokyo and in London at Trinity College. After 11 years with the Vienna Philharmonic Xavier leaves his position in order to devote himself to his international solo career - a step that no harpist has done before.

Ibrahim Al-Haduri is following