Taken from ROY OF THE RAVERS / JERRY LAFLIM - Acid Avengers 027

Out on december 22nd, 2023
12' vinyl + Digital
Order : https://tripalium.bandcamp.com/album/aar027-roy-of-the-ravers-jerry-laflim-acid-avengers-027

That 27th split of the series is dedicated to the homeland of acid music - the United Kingdom. On my right, cult acid producer Roy of the Ravers, with some melancholic braindance and raw techno coming from his tormented acid jams. On my left, 707-addict Jerry LaFlim, with two disturbed tunes mixing funky electronica, dark breakbeat and groovy electro. From Melchester to Brighton, four heavy tracks for the 303 trainspotters !

TRACKLIST :
A1. Roy Of The Ravers - 303 AM
A2. Roy Of The Ravers - Dream Of Laithka
B1. Jerry LaFlim - Whistle Man
B2. Jerry LaFlim - Where Are You Now

Mastering by 4bstr4ck3r. 
Artwork by Mat Malinard.
@2023 TRIPALIUM CORP [AAR027]

Roy Of The Ravers - Dream Of Laithka [Acid Avengers 027]

'Torch / Pearl of Hail', out now on Ninja Tune: https://forestswords.lnk.to/torchSo

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Torch / Pearl of Hail

Torch

Phil Mitchell kicking off in Marks and Spencers Techno

gogyeng

Mix Oct24'

EDGES

Plain Sailing

S2L8

Ata Kak's first new song in over 30 years!

Ata Kak created a peculiar slice of Ghanaian music history with his debut album “Obaa Sima”. While it barely made a ripple at the time of its release in 1994, the cassette found a new life online in 2006. A not-so-underground cult obsession grew after it appeared on  the blog Awesome Tapes From Africa as its very first post, a sort of manifesto for the project. His addictive amalgam of left-field electronic music and Twi-language hiplife reached surprising levels of awareness among music fans of many stripes. The mystery behind the musician’s identity grew. Eventually Yaw Atta-Owusu came out of the shadows, from his quiet home in Kumasi, to tour the world playing high-energy, sweat-soaked performances at major festivals like Glastonbury, Sónar and Pop Montreal. 

Now, for the first time since 1994, Ata Kak releases new music. Honed in studios around Kumasi over the last several years, the songs feature the rapper-singer’s acrobatic rap, signature scatting, dramatic drums and even traditional Akan harp. The compositions are more ambitious than his earlier work, with more complex arrangements and layered harmonies. Ata Kak’s new songs are also the natural expression of a restless artist—he is a prolific poet and author of a half-dozen books, as well as an active gardener and busy painter. 

Born in Ghana in 1960, Ata Kak wasn’t always involved in music. But his travels and openness to the world lead him into the music industry. While living in Germany, he was invited to play drums in a reggae band and subsequently played in highlife bands in Ontario after moving to the Toronto area. He recorded “Obaa Sima” there at his home studio and released it in Ghana in 1994. He didn’t participate in music much in the intervening years until “Obaa Sima” was reissued in 2015. He started performing his song live with the help of a brilliant cast of London-based musicians and has toured three continents and played to thousands of fans in venues of all kinds.

Preorder

Yasi Town

boen bum chuck (space version)

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ANDRE RiiZiNG