Hlraiser

Palais Royal

Let's call this a first draft of my new song. Recorded on a phone in my lounge. 


Am I Just High? (demo)

CUE Anon

made on the road whilst travelling the states

Atlanta

BELOW THE BASSLINE BOOTLEG

WeMe20ans
V/A "WeMe20ans" 3LP
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A1 Zandvoort & Uilenbal -  De Zuidwester Loert A2 Matzo - Pop-n-Loc A3 Chromedealer - labyrinth ∞  B1 +10 - Untitled B2 NOT_MDK - Is It Me Youre Looking For B3 Binary Digit - A2  C1 Superstructure - rain C2 ReQuest - Address Unknown C3 RTR - Mais Ouais  D1 Rawakari  - Stacy Study D2 Terrence woodard  - Dance track D3 Dmx Krew - Unknown Quantity dry  E1 EOD - Point A E2 D'Arcangelo - 5exp E3 CAPSULE - Ruska F1 Black Narcissus (Dark Churn) F2 Biochip - jammers office

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Live @ Glink02 - Whiskey Jar MCR 050615 {Excerpt}

Live @ Glink02 - Whiskey Jar MCR 050615

Mr.76ix - Sp3ctre/Катюша

Drone Time Podcast #016 | D'Arcangelo

Lovers of new wave and dark synth pop, the twins Fabrizio and Marco, worldiwide known as D'Arcangelo started their musical journey back in 1992 when they met the likeminded Max Durante and formed Automatic Sound Unlimited, project premiered with the Roman's Attak EP and lasted two years before it dissolved.

Two years later the twins would stake their claim with a self-titled EP on Rephlex, a label partially owned by a hero and heavy influence, Richard D. James aka Aphex Twin.
The duo generally set up an opposition between brattish squalls of random-generated, jackhammer techno and a more dark ambient tendency, looming like the shadows of gathering storm clouds. With their appreciation of noisy synths, neo-electro, minimal techno and other flavors of underground dance music, D'Arcangelo fit perfectly with the label's idea of a "braindance" movement and the dislocated dance music that defined it. Another EP for Rephlex and half of a split 7" on the Suction label appeared before the debut full-length, "Shipwreck", arrived in 1999. A bit less noisy were 2002's second full-length for Rephlex, "Broken Toys' Corner", and that year's remix EP for White Leather, "Corner". They appeared on Rephlex's limited-edition soundtrack to the video game Manhunt in 2004, then returned to their slow pace by waiting till 2006 for their next release, the "Pro 188 EP". With the duo back on a roll, the full-length "Eksel" landed in 2007 and continued releasing on infamous Rephlex till the end of its days.
After their release "Cradle And Go!” on 030303 Records in 2010 and closing of Rephlex, Fabrizio and Marco rises to the surface again in 2015 with “Periscope EP” on Analogical Force, but not necessarily meaning a back-to-roots approach. Instead, it seems to be a step forward in their creative process and a deep dive into their sound. ”Periscope EP” contains new material of complex electronic music: avant rhythms, emotive idm with distinctive acid flashes, plus a surprising array of misty landscapes leading to an extremely engaging myriad of expressive images and shapes. 

A newfound interest around Italian duo Fabrizio and Marco D'Arcangelo has resulted also in releases like the one on The Kelly Twins' Happy Skull and a new one for Solvent and Lowfish's Suction based out of Toronto, who at first reissued D’Arcangelo’s self-titled debut EP for Rephlex in 2017 and in 2018 released "II", considered as "an imaginary sequel to the duo's classic 1996 debut EP on Aphex Twin's legendary, now-defunct Rephlex Records", made of industrial edged electronica which calls to mind early Autechre, drum 'n' bass and aesthetics of an even earlier period, namely the '80s.

But now lose yourself in this amazing journey between caustic IDM and pristine synth pop, including tracks by Cylob, Photodementia, Ariadne's Labyrinth, Karsten Pflum, Datassette, Funkynightmare, Stretta, KiNK, Brainwaltzera, Wisp, Monowolfe, Matt Whitehead, Phono Ghosts, Venetian Snares, AFX, Datach'i, Octavcat, Sendai and more from label such as Rephlex, Touched Music, echoecho, Planet Mu, Sharivari, FILM, Perc Trax, Skam Records, Fonolith, Uncharted Audio, Editions Mego and Suction Records.

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