Windowcut

Anymore

B-Side from the "Big Bad Wolf" single. Out NOW!

Get it here: https://metropolisrecords.bandcamp.com/album/big-bad-wolf

Aesthetic Perfection - FVCK INDVSTRIAL ft. Combichrist and X-RX

This Machine That Is Me

The first song we recorded both with Rush in past 2000s. It is what the Unity One has begun with. You couldn't find it on Internet ever. I remember the recording process, it was pretty funny.
Rush was living in Moldova, me in Moscow. He has recorded vocals with first attempt and sent it to me. I mixed it in Fruity Loops. It was the last time we used FL for our production. Now it's only Cubase. So it can be called something like "goodbye to FL" track. )

Unity One - Blue Monday (New Order cover 2008) *oldie*

1. electric elephant
2. content killer - feat. thomas rainer
3. the fire - pre/verse recreation
4. move on - feat. noyce tm
5. lifelight - feat. aesthetic perfection

Rotersand - excerpts of :truth is fanatic again pt1

Just experimenting with sounds and textures. Inspired by a random idea about an employee in a large cooperate office that gets the feeling that he may be the last human surrounded by aliens wearing human skin. He might be right.

Sometimes They Wear Our Skin

Group Therapy 121 with Above & Beyond
iTunes Podcast: bit.ly/ABGTpodcast

www.aboveandbeyond.nu/pushthebutton

1. Fehrplay “Lotus” (Anjunabeats)
2. Rafael Frost “Cubic” (Frost)
3. Soundprank “Redeemer” (Enhanced Progressive)

Record Of The Week
4. Andrew Bayer “Do Androids Dream Part 1 & 2” (Anjunabeats)

5. Dis Play “Vogue” (White) 
6. Max Freegrant “Every Moment” (ZeroThree)
7. Halsey “Hurricane” [Arty Remix] (Astralwerks)
8. Sound Quelle & Max Meyer “Elision” (Freegrant)
9. B.Exp “All About Alice” (Arrival)
10. Same K “Pulsar” (Statement)
11. Audio Noir “Piranha” [Philthy Chit Remix] (Perfecto)
12. 16 Bit Lolitas “Not The Only One” (Anjunadeep)

Push The Button
13. Andrew Bayer feat. Asbjorn “Superhuman” (Anjunabeats)

14. Audalanche feat. Ebba Akerlund “Together” (Plasmapool)
15. Jonas Rathsman "Wolfsbane" (Method White)
16. Arthur Oskan “Lovebug” (City Fox)
17. Mark Knight “Ironing Man” (Toolroom)

Flashback
18. Above & Beyond feat. Zoë Johnston “Good For Me” [A&B Club Mix] (Anjunabeats)
19. London Grammar “If You Wait” (Metal & Dust)

Lancelot Guest Mix
1. Lancelot "Connection" (Anjunadeep)
2. Lancelot "ID" (White)
3. Mano Le Tough "Baby Let's Love" (Dirt Crew Recordings)
4. Oh Land "Head Up High" [Mercury Dub] (Nanna Øland Fabricius)
5. Legend of Zelda "Ocarina of Time 'Song Of Storms" [Lancelot Bootleg] (White)
6. Rachel Row "L Square" [KINK's Outer Space Mix] (Pets Recordings)
7. Tom Trago "Hidden Heart Of Gold" [Radio Edit] (Voyage Direct)

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Group Therapy 121 with Above & Beyond and Lancelot

Wolfgang Lohr - When the Saints (Tribute to Louis Armstrong)
Genre: Electro Swing / bpm: 124 / Key: G

"When the Saints Go Marching In", often referred to as "The Saints", is an American gospel hymn. Though it originated as a Christian hymn, it is often played by jazz bands. This song was famously recorded on May 13, 1938 by Louis Armstrong and his Orchestra. The song is sometimes confused with a similarly titled composition "When the Saints are Marching In" from 1896 by Katharine Purvis (lyrics) and James Milton Black (music)!

The origins of this song are unclear.[2] It apparently evolved in the early 1900s from a number of similarly titled gospel songs including "When the Saints Are Marching In" (1896) and "When the Saints March In for Crowning" (1908).[3] The first known recorded version was in 1923 by the Paramount Jubilee Singers on Paramount 12073. Although the title given on the label is "When All the Saints Come Marching In," the group sings the modern lyrics beginning with "When the saints go marching in..." No author is shown on the label. Several other gospel versions were recorded in the 1920s, with slightly varying titles but using the same lyrics, including versions by The Four Harmony Kings (1924), Elkins-Payne Jubilee Singers (1924), Wheat Street Female Quartet (1925), Bo Weavil Jackson (1926), Deaconess Alexander (1926), Rev. E. D. Campbell (1927), Robert Hicks (AKA Barbecue Bob, 1927), Blind Willie Davis (1928), and the Pace Jubilee Singers (1928).[4] The earliest versions were slow and stately, but as time passed the recordings became more rhythmic, including a distinctly up tempo version by the Sanctified Singers on British Parlophone in 1931. Even though the song had folk roots, a number of composers claimed copyright in it in later years, including Luther G. Presley[5] and Virgil Oliver Stamps,[6] R.E. Winsett,[7] and Frank and Jim McCravy. Although the song is still heard as a slow spiritual number, since the mid 20th century it has been more commonly performed as a "hot" number.[citation needed] The tune is particularly associated with the city of New Orleans. A jazz standard, it has been recorded by a great many jazz and pop artists.

Both vocal and instrumental renditions of the song abound. Louis Armstrong was one of the first to make the tune into a nationally known pop tune in the 1930s. Armstrong wrote that his sister told him she thought the secular performance style of the traditional church tune was inappropriate and irreligious. Armstrong was in a New Orleans tradition of turning church numbers into brass band and dance!

 ➟www.fb.com/wolfganglohr
 ➟www.fb.com/electro.swing.elite


Free Download

When the Saints (Electro Swing Rework) FREE DOWNLOAD

Recording of a mini-set I did.  Several people were requesting a sample of what I play so I figured I would give a quick 30-something minutes of fun.  This is definitely more futurepop-heavy but I still throw in a little noisy stompy goodness at the end.  Feel free to download. 

Setlist:
Funker Vogt - Welcome to Destruction
Necessary Response - Forever
VNV Nation - Legion (Janus)
Assemblage 23 - Collapse
Covenant - Der Liermann (Club Remix)
Faderhead - TZDV
FGFC820 - Society
Combichrist - Penalty Shot

Futurepop Stomp

DJ Daki