Shimmering vibrational otherworldly buzzing contained levitating oscillating suspension stepping contemplating breathing drifting twisting easing calling from a distance leaving

From the album 'Hiraeth'.

Album available here - http://www.preservation.com.au/product/olan-mill-hiraeth

Olan Mill - Cultivator

Here and now, once again, I am talking about my very own music, on my very own platform. It’s a bit difficult to do that, I’ll admit. I don’t want to come off as overly zealous, stuffing my output through a “campaign machine”. But then I think of all the artists who run their own labels [many of you on here, yes?], and who are going through the same slight dilemma of writing a press release, outlining their bio in the third person. So no bio on here – I think that you know who I am [at least through my words]. Instead, I will tell you a little about this title track, which is taken from my upcoming album, When You Are, due out on July 1st via the amazing Slowcraft Records. Having explored the concepts of time through my music on my last release, Out of Time (Injazero, 2021), I wanted to move on past that dimension. And whereby I previously questioned the possibility of departing time and existing without it, in “When You Are” I am abandoning time altogether, on a journey outside of this predicament, measured in an irreversible sequence of events. This may be a frightening proposition, sometimes glimpsed by an experienced meditator. In this timeless passage, I explore the possibilities of being outside being, and in the absence of elsewhere finding ourselves, whenever we are. I’m obviously very excited about this one, folks, and I hope that you enjoy it. Feel free to reach out and tell me what you think!

"Thunderous bass, billows of diffused distortion and precisely calibrated discord drive waves of raw emotion through pieces that smoothly pivot, often within moments, into calm glimpses of such sublime, timeless clarity as are only rarely afforded to the experienced meditator."

This single is out today, on all of your favourite digital platforms. It is taken from my upcoming full-length album, When You Are out on July 1st via Slowcraft. Pre-order on Bandcamp.

When You Are

TRACK PREMIERE : Mike Lazarev - When You Are

Snowflake

Warner Bros. Pictures has won an auction for the rights to create a feature length version of the 14-minute short film Sundays, scored by Erased Tapes Music composer Ben Lukas Boysen.

Made by the first-time feature director Mischa Rozema the short went viral on March 23rd. Rozema and his Amsterdam-based production team PostPanic used Kickstarter crowd-funding to raise the $50,000 production costs for the film. After the short swept the internet, studios were jumping at the chance to get the rights. The original score will soon be available from iTunes as the very first release under the new soundtrack imprint Erased Tapes Music.

For licensing, contact licensing(at)erasedtapesmusic(dot)com

More info: www.erasedtapesmusic.com

Ben Lukas Boysen – Sundays (Edit)

Demo for my next album, The Gramophone Suite, which will be released late 2018. The track will also feature on the Soundcolours compilation "Chilltronica No6"

Film Two

Swimmer among the Stars

Swimmer Among the Stars

Jim Perkins - Swimmer Among The Stars

After The Amsterdam Sessions, his acclaimed collaboration with Sjors Mans, Klangriket returns with his solo EP, Tjärn.

Pre-order: pianoandcoffeerecords.bandcamp.com/album/tj-rn

Back in 2016, Fabian Rosenberg was attempting to find, for the very first time, his voice as a composer and producer. He wanted to become familiar with the piano and to create an identity away from the trumpet and jazz. The result of this exploration was a collection of four instrumental pieces rooted in contemporary classical music, with ambient textures, and electronic and experimental resources.

Composed and produced by Fabian Rosenberg. 
Artwork by Fabian Rosenberg.

Klangriket - Skogsrå

Available here:

https://www.fluidaudio.co.uk/product/the-seaman-and-the-tattered-sail-standing-on-the-precipice-of-tears

Taken from the upcoming album 'Standing On The Precipice Of Tears'...

Tattersall played Guitar, piano, dusted loops, analogue loops, digital loops, drum machine, analogue synth, synth bass, field recordings, abstractions, fragment constructions and reconstructions, abstractions of Seaman (etc.), analogue spatial recordings, artificial wind, crackles (record surface noise), tape noise.
 
Seaman was working primarily with Ableton Live and contributed vocal, Piano, time abstractions, violin and viola samples, trumpet samples, clarinet samples, drum machine abstractions, drum machine constructions (samples), digital distortions, bit reductions, synth abstractions, abstractions of Tattersall (etc.), digital loops, radical pitch shifts, noise enhancements, historical samples, crackles – record surface noise (from Tattersall), artificial crackles.
 
Solo Viola – Emmanuel Witzthum
Solo Violin – Wei Ping Lin (on Uncovered CDs)
Additional Voice - Emmanuel Wizthum
Trumpet (sample recordings) – Robert Ellis-Geiger
Vocal recorded in The Emergence Lab by Seaman using a Roland Edirol R-09HR Ver.3.0

www.fluidaudio.bigcartel.com/mailing-list

Standing On The Precipice Of Tears

The Seaman And The Tattered Sail - Standing On The Precipice Of Tears

Porya Hatami | Aaron Martin | Roberto Attanasio ​ - 'Sallaw' 
Label; Dronarivm 
Cat #.: DR-58
Format: CD (ltd. 150)/ DL
Release date: March 1st, 2019

“Sallaw” is a Kurdish word that expresses the passing of time, and on this new album the three sound artists have found a way of expressing that notion in music. Four tracks of slowly unfolding ambience make up this collection, each piece named after different months, again in Kurdish. The four sections represent the different seasons and their movement through time.

Mastered by Fraser McGowan
Artwork by Hawar Amini

Buy CD / DL

PORYA HATAMI | AARON MARTIN | ROBERTO ATTANASIO - Gelarêzan

Taken from Thomas William Hill's upcoming album 'Grains of Space'

The album started life as a series of minimal loops, recorded using a viola da gamba – a stringed instrument most popular in the Renaissance and Baroque eras – and a loop pedal. Using the negative space within each loop as the primary drive for composing, Thomas began a process of ‘joining the dots'.

“I began to see these loops - and recorded music in general - as a kind of fixed perspective that could be exploited. In isolation, a single layer may be no more than one or two notes punctuating four bars of silence, but when laid over multiple variations on that theme, disparate notes start to dance with each other and new connections take form, like constellations or deconstructed sentences.” 

Pre-order here: https://VillageGreen.lnk.to/7YpUIWE

Thomas William Hill - Furnace

Taken from the upcoming album 'For Victoria' released through Fluid Audio: 31.08.19.

Audio: Pepo Galán
Vocals: Sita Ostheimer
Mastering: Rafael Anton Irisarri at Black Knoll Studio (NY)
Design: Daniel Crossley

Mailing list:
www.fluidaudio.bigcartel.com/mailing-list

For Victoria

Pepo Galán - Abstract Dream With Haines

some original solo piano pieces...  some mixes from my podcast... some exclusive track premieres...  and some tracks from the albums I review for Headphone Commute... Enjoy!

TRACK PREMIERE : Mike Lazarev - When You Are

Headphone Commute

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