I can feel the emotion that went into this.

my wonder creation

poised motion (reminiscin')

Towards the Light

Afterglow

Ocoeur - Progression

Taken from moogmemory (2016)
https://matthewbourne.bandcamp.com/album/moogmemory

Friday 4 March - BRISTOL Colston Hall
Saturday 5 March - LONDON BFI
Sunday 6 March - SALFORD, Islington Mill
Thursday 17 March - BRIGHTON Komedia
Friday 18 March - SOUTHAMPTON Turner Sims 
Saturday 23 April - GLASGOW Outskirts Festival. Platform


Pre-order moogmemory

Somewhere I Have Never Travelled

Dawn Chorus recorded for International Dawn Chorus Day, 1st May 2016, at Wild Park in Brighton, UK.
1 hour (4-5AM), edited down to 10 minutes.

Dawn Chorus Wild Park Brighton 010516 (10min edit)

Taken from the upcoming album 'Year Zero'...

Audio/Field Recordings: Gideon Wolf
Mastering: James Plotkin
Photography: Daniel Crossley

www.fluidaudio.bigcartel.com/mailing-list

Year Zero

Gideon Wolf - Falling

All (vocals + field recordings)an experiment in only voice...
+ FX and drone from my vocals as well
We long for things we may not always get and the wind plays with our dreams...  Suspiros en el viento... Un cielo limpio oscuro...

Suspiros En El Viento

Site Specific

Point of Departure [Full Length]

Bersarin Quartett - St. Petersburg

A track taken from DR-50 : Aaron Martin & Machinefabriek - Seeker

The album will be out on December 15th on CD /DL
dronarivm.com

pre-orders start December 1st

Originally conceived for the Korzo production Hide and Seek by choreographer  Iván Pérez.

Rutger Zuydervelt (Machinefabriek):

In 2012, choreographer Iván Pérez asked me to work on a score for a dance piece of his called "Hide And Seek" in collaboration with the great Aaron Martin. I don't think he knew at that point that Aaron and I had worked together previously (on "Cello Drowning," an EP released on Type in 2007). Living in the US, Aaron started recording parts and sending them to Iván and me. Then, I would use his recordings to build the score: processing them, editing them, adding sounds, etc..

The tracks on the "Seeker" album are basically the refined versions of the first sketches we made, trying out how our sounds would blend, and what directions and atmospheres could be used in the dance performance. After that, these tracks were morphed into one long collage, tailored to the choreography. This final score is added to the album as a digital bonus.

Aaron Martin:

Iván Pérez had used some of my solo work in a previous dance piece of his called "Kick the Bucket" and Rutger and I have been in touch since the release of my debut album "Almond."  Rutger and I met briefly after I performed in Amsterdam in 2009, but the creation of "Hide and Seek" gave us an opportunity to continue our work together and to spend a bit more time in person leading up to the premiere in The Hague.  During rehearsals, we both agreed that creating an album version with separate tracks along with the long-form version that was used for the actual dance piece was the right approach.  My time in Holland was a formative experience and the resulting album "Seeker" is something that I continue to remember fondly.  I am eager to finally share this music with listeners.

This has been a long way coming. After some unforeseen delays, we are thrilled to be working with Dronarivm for the release of "Seeker."

Mastered by James Plotkin

Buy CD / DL

Aaron Martin & Machinefabriek - Wings In The Grass

"Who Knows, Who Knew" is taken from the album Lies, Deception and Sin by Niskogradba.

Release date: 18.10.2018
Format: CD/Digital

All tracks sampled, looped and produced by Niskogradba 
between November 2017-March 2018 
Mastered by Roel Weerdenburg

Limited edition of 40, Professionally manufactured high quality CDr's, Handmade packages, hand numbered.
Different colored wallets with envelopes: Brown Kraft, Blue and Red.
Bigger and smaller sleeves, smallest size in transparant bag.
Photo's.

Order: https://shimmeringmoodsrecords.bandcamp.com/album/lies-deception-and-sin

Niskogradba - Who Knows, Who Knew (Taken from Lies, Deception and Sin - Out Now)

HOB17: Soteria I, II by @waterhouse-1

Artwork by Gaspar De Geyndt

Download

waterhouse - Soteria I, II (HOB17)

Another week, another track premiere… but is it truly just ‘another’ track that bubbled up onto the top of this appending queue? I feel I know the work that goes in by composers. No matter if the track is short of stretched in time. Each little note, each pad evolving in its frequency band. Each slight adjustment to the volume curve, to carry forth the story in dynamics. Each atmospheric treatment with the reverbed textures. Each painstakingly placed sound in the stereo field – front, back, and center. Post-processed, mixed, and mastered; listened to on every speaker; then played and listened to again, again, and then some more, until the music feels just perfect for the only one who made it. And what about the others? Will they hear the small details, the carved out, guided path, the melodies that pierce the harmony in places, the melodies that hold the message of the piece? Who’s genuinely listening out there, consuming and appreciating the endless time and love poured into music? I know that I am. I hope you hear it too…

This is the sixth full-length for Bordeaux-based Franck Zaragoza, appearing, once again, on the beloved n5MD under his Ocoeur moniker, under which he’s been making music for over a decade now. The album embraces sound design with its melodic side of synthesizer music. So all the knob-twist-junkies of the analog and software emulations can marvel at the output that’s much more than just another jamming-late-night-sink-hole of their time. Here, Zaragoza brings it all together into a single cohesive package of an album that seeps with inspiration from its every nook. The sound is rounded and gentle, in many places very vital and organic, and then is structured in the architecture of complex rhythmic twists [check out “Glow” on the full album when it comes out tomorrow]. Meanwhile, the concept comes in with a message, of slowly fading and receding from reality, into our anti-social, virtual, and ego-feeding worlds.

"‘Everything’ is an expression of empathy towards our world that I feel is being completely neglected and abused. It is like a clock ticking reminding us the creation, the beauty and happiness trampled by emotionless people, blinded by their own greed and hatred." --Franck Zaragoza

Catch Everything on n5MD released tomorrow, February 28th. Available on all digital platforms, digipak CD, and 180 grams of ultra-clear vinyl.

Everything

TRACK PREMIERE : Ocoeur - Everything

Episode 22 on @radio-relativa

Guest: @myriambleau
Live broadcast from Relativa on May 28, 2020 (12:00-13:00 CEST)

📷 Picture by Aina Climent
www.ainacliment.tumblr.com
─────────────

Martina Lussi – Interlude
Fabio Orsi – Find Electronica (Part 1)
Folke Rabe – Va??
Oren Ambarchi & Robin Fox – Standing Mandala
Beins, Malatesta, Vorfeld, Wolfarth & Zach – Adapt-Oppose 14-1-A
Félicia Atkinson – I'm Following You
Lieven Martens – Ho'okena encounter
Mark Fell – INTRA-8
Allt Kvar – Afterglow
Lucrecia Dalt – Antiform
Giuseppe Ielasi – s/t
Astrid Sonne – One Inch Shrugs The Other Shoulder
Pomassl – qaraghandy storm
Ikue Mori – The Moon and The Abandoned Old Woman
Allt Kvar – Many Ours In Our Hands
Vladislav Delay – Kohde
Kara-Lis Coverdale – TOUCH ME & DIE
Laurie Spiegel – The Unquestioned Answer
Joshua Sabin – Sutarti III
Visible Cloaks, Yoshio Ojima & Satsuki Shibano – Toi
First Tone – Reiterations
Klara Lewis – Seascape
Arca – Extent

Nits de la Tramuntana #22 w/ Myriam Bleau (28/05/2020)

Cosmos II

Here are some original solo piano pieces...  some mixes from my podcast... some exclusive track premieres...  and some tracks from the albums I review on Headphone Commute... Enjoy!

TRACK PREMIERE : Ocoeur - Everything

Headphone Commute

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